Mouse on Mars

Mouse on Mars have mastered many genres by showing allegiance to none; rather, they rely on sound songwriting to make even their most adventurous work feel just right. This cut off their eighth LP, Radical Connector, is a case in point: a breathy vocal pop track sliced ‘n’ diced in a vocoder-stutter-funk stylee without once losing sight its memorable tune.

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Daedelus

Cacophonic intro track to Daedelus’ hip-hop record, Rethinking the Weather, layers a psychotic amount of voices over noodles of acoustic guitar, clattered beats, and flute loops. It’s but a small, imperfect glimpse into Daedelus’ expanding, eclectic universe.

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Headset

Allen Avanessian (Plug Research) and Jimmy Tamborello (Dntel, Postal Service, Figurine) hit the lab with a hard drive full of devolved beats and glitch-and-paste collages, then invite a who’s who of electronic and hip-hop innovators to muse over the sparse foundation. The result ranges from head-nodding to chin-stroking; this track, featuring verbal gymnast Subtitle flowing over what sounds like a dying music box, exemplifies the latter.

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Fridge

UK post-rock trio, not unlike Tortoise, prone to toy with electronic and sometimes jazzy improvisations. Although Fridge can sometimes resort to experimentation for experimentation’s sake, these tracks are a fine sampling of their more accessible work. FYI: Fridge has spawned two solo projects, Four Tet (Kieran Hebden) and Adem (Adem Ilhan).

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Salvatore

Is it live or is it Memorex? (Wow, that reference seems really dated…) A band or someone hiding behind a curtain of computers? Either way it’s as if robots recorded My Bloody Valentine music in the Mojave desert. But robots like the Tin Man, who had heart.

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