I’ve been a fan of Tommy Guerrero since I was 13 years old, 1987 – the year I picked up on skateboarding. The Bones Brigade were in their prime and Guerrero was my favorite skateboarder. During that year my friends and I watched The Search For Animal Chin at least 100 times. His flaming dagger deck was one of my very first rides.
Flash forward to 2004 when I was reintroduced to Tommy Guerrero as a musician on this very site in a post by site founder Sean. Now, 12 years later Tommy is still at it with his new band BLKTOP PROJECT featuring Josh Lippi and fellow skaters Ray Barbee, Chuck Treece and Matt Rodriguez.
Recorded live over two days, their new album, Concrete Jungle is a loose, grooved-out, rocker of a record with a great jam session feel to it. Check the stream of “A New Line” below for a taste. It’s a real rump shaker.
Concrete Jungle is out today through Guerrero’s own Too Good records and available to buy from his Bandcamp page.
Brooklyn’s Woods are back with their outstanding 9th LP, City Sun Eater in the River of Light. Taking the best parts of almost every genre of music out there and adding it their already wonky, folk-psych sound, Woods have created a groove-driven (dare I call it “groove-psych”), psychedelic rock masterpiece.
Check out the head bobbing beat of “Can’t See At All” (below) for a mere sampling of how cool this album is.
City Sun Eater… is out now and available on whatever media suits your fancy from WOODSIST Records – I highly, highly recommend it.
Woods – Can’t See At All from City Sun Eater in the River of Light (2016)
London-based multi-instrumentalist/producer Shawn Lee and Los Angeles-based singer/songwriter AM have collaborated again to release their stellar third release Outlines. Outlines is a groovetastic blend of toe tapping, head bobbing, synth-heavy pop and funk. Get a taste of their grooviness below in the stream of album opener “Persuasion”.
Outlines is available to buy in all formats from their Bandcamp page. It’s a good one.
Taking the best parts from the 70’s era arena rock, glam and funk, and combing it into some kind of garage-pop-electro-space-funk hodgepodge, Danny James has created one of the most sonically pleasing albums that I have heard in quite some time.
I’m not exactly sure when Pear was officially released. Danny James’ Bandcamp page shows 2012, but I know that Burger Records just released this on vinyl, cassette and CD last week. Regardless it’s a solid album, and by far one of the best releases of 2015 or 2012.
Give opening track “Tight Lipped” (below) a spin, then get yourself over to Burger and snag a copy before they are all gone.
Danny James Etc. – Tight Lipped from Pear (2015)
My first introduction to Curtis Harding’s soul stylings was his cover of the Velvet Underground’s “Here She Comes Now”, from Burger Records’ tribute cassette to White Light/White Heat. His take on the VU classic left me wanting for more. That want is over as Harding just released his debut LP, Soul Power, with Burger Records. It’s 12 songs of funk-soul-garage-pop goodness will keep you spinning the album over and over again.
Check out the funk-fueled, toe-tapper “Keep On Shining” (below) his first single from the LP. Soul Power is out now, and available on vinyl (highly recommended) and cassette from Burger Records.
Curtis Harding – Keep On Shining from Soul Power (2014)
After the dissolution of his previous band, Jookabox, Indianapolis’ own DMA (aka David “Moose” Adamson) dashed off an album of self-described “crust funk” tracks that mostly defied listening. I say “mostly” because DREM BEB (as in “Dream Babe”) yielded “Riding Holiday”, an altered state take on the classic rock highway jam that wormed its way into my ear last summer with its hypnotic beat and headstrong chorus.
Now DMA is back with a follow-up called The Boardwalk which is far more gentle and refined in its approach. Waves of warped melodies wash over dubby pulses, beats, and clicks. Every so often DMA’s deadpan vocals wander through the soundscape, soaked in reverb, serving as yet another layer of instrumentation. Kind of like listening to Orbital after taking a handful of Sudafed.
DREM BEB was released as a limited-edition cassette and it appears that The Boardwalk is only available for streaming on Bandcamp. Not the most user-friendly distribution strategy, maybe it’s all part of the mystique.
Riding Holiday from DREM BEB (2011)
Two days ago I had no knowledge of Tune-Yards. I stumbled upon them while searching through the webs looking for something new. I came across a description on Pitchfork.com of their music, calling it a mixture of folk, R&B, funk, Afro-pop, and rock. That combination of genre’s peaked my musical curiosity. I had to check them out.
Tune-Yards newest album, W H O K I L L, is even cooler than I imagined, and the song, “Bizness” is a great example of the album as a whole. The song is full of layers, like a musical trifle if you will. Layers of saxaphone, drums, background vocals, and what I think is a keyboard, but can’t tell for sure. All those components are held together by a driving bass line, from new member, Nate Brenner, that really moves the song along. Singer (and sole member before the addition of Brenner) Merrill Garbus seems to strain as she sings/yells/almost raps at times the lyrics. This is a great song to put on repeat while in the car and blast it for all the passers-by to enjoy with you.
Tune-Yards – Bizness
Hopefully this 3some will become a regular feature here. That’s the plan. The idea is to share more music more often and to do so in fun party packs, organized and gathered around some similarity, theme, sound, or anything else our pea-brains might dream up. First up, three takes on flames, fire and heating up, which the weather in L.A. threatens to do again this week, just as the Station fire is about to be contained. Inevitably, and regrettably, such weather brings out murderous kooks and their matches.
Burn It Down [MP3, 4.4MB, 160kbps]
by The Dynamites featuring Charles Walker
Available now on Outta Site Records
Four years later (look how short our posts used to be back then…) and Chromeo are still making us feel touched for the very first time with their naughty ’80s dance funk. Their latest release offers their sophomore album, Fancy Footwork, plus a bonus disc of greatest hits, videos, and remixes (though there are at least twice as many still floating out there in clubland). Get your tight white pants on for this action.
Previous post (from 6/21/04):
A faithful homage to ’80s processed funk phenomena (Jesse Johnson’s Revue, Timex Social Club, Oran “Juice” Jones, et al), “Needy Girl” could be my not-so-guilty pleasure of the summer. (This post updated on 09.16.04 with a couple of swell “Me & My Man” remixes.)
Continue reading “Chromeo”
C.O.C.O. play funky dance music, as does their lumberjack-soulman-boss Calvin Johnson, with an unselfconscious swagger that wears its anti-hipster lameness like a faded black t-shirt, not to mention on instruments that wonâ€™t be rendered useless when the power goes out at the house party (although their propensity for dub fadeouts might get lost with the lights out). Olivia Ness and Chris Sutton are a rhythm section in no need of melodies. Itâ€™s what all the Olympia kids are dancing to these days, and with any luck these rhythms will sweep the nation and set basement parties afire from coast to coast.
Continue reading “C.O.C.O.”