3hive

I had no idea who Keaton Henson was two days ago, until I received a text from my cousin Ben, “Holy shit man, I am getting my world rocked right now by Keaton Henson’s album Birthdays. I feel like I am not worthy enough to listen to this singer-songwriter, and I am guaranteed to go to Hell, if there is such a place, because I am just learning about him. It’s the most simple but elegant music, with some of the best lyrics I have heard in a long time.”

After reading Ben’s text, I jumped on Spotify and listened to Birthdays for myself. It is just how Ben described, “…the most simple but elegant music…”. Check out “You” (below), one of the standout tracks from the album. The song consists mostly of 24 year old Henson’s soft, but powerful voice, accompanied mostly by guitar, with a few more stringed instruments sprinkled throughout. Birthdays was released by Anti at the beginning of April. It’s an intense album. I highly recommend it. Thanks for the tip Ben.

Keaton Henson – You

It’s probably obvious from most of my posts this year that I have been smitten by the resurgence of 60′s style garage and psych rock. Michigan’s own Peoples Temple (or The Peoples Temple) are no exception. Sounding like they traveled through time to the 21st century after wrapping up a summer tour in 1967 with Love. Peoples Temple recently released their second full length album, More For The Masses, with Hozac Records. We have two songs for your listening pleasure below, “Looter’s Game” and “Loose (Fire)”, both from their new album and both killer examples of their psyched out sound. Get comfortable and give these songs a listen. Enjoy.

Peoples Temple – Looters Game from More For The Masses (2012)

Peoples Temple – Loose (Fire) from More For The Masses (2012)

Peoples Temple

Hozac

Here is another great find from the Captured Tracks label, Mac DeMarco. Mac is out of Vancouver, British Colombia. He just released his first proper full length album, 2, back in October, and a 12 song EP called Rock and Roll Night Club earlier this spring. 2 is an excellent album, and I highly recommend it. The streaming track below, “My Kind of Woman”, from the album 2, with it’s jangly guitar and almost soft-spoken vocal delivery, is a great example of the entire album’s sound. Enjoy.

Mac DeMarco

Captured Tracks

The psychedelic/pop revival continues on with The Limiñanas. This French pop duo, consisting of Marie Limiñana on drums, and Lio Limiñana playing pretty much everything else, including vocal duties (other vocals provided by guests), have their genre pegged. Wearing their Gainsbourg, Velvet Underground, and any of the ye-ye girls of the 60′s influences on their sleeves, they also sound like what I think Stereolab would’ve sounded like had they been around in the 60′s.

The Limiñanas latest album, Crystal Anis, out now on the great Hozac Records, is pop perfection. The hardest part about writing this post was deciding which of the 11 songs to share. For your listening/downloading pleasure, below we have the straight forward, fuzzy, and over-before-you-know-it “AF3458″, and the sing-talking, Hammond and bass driven title track “Crystal Anis”. The more I listen to these, the higher this album moves up my favorites of the year list. Give these songs a spin. I know you will enjoy them.

The Limiñanas – AF3458 from Crystal Anis (2012)

The Limiñanas – Crystal Anis from Crystal Anis (2012)

Hozac

I learned of Portland, OR band Y La Bamba late one night while scrolling through the twitter feed and saw @NekoCase tweet the following:

This was a recommendation I could not pass up. I logged onto Spotify that night and listened to their newest album Court The Storm. I was instantly captivated by singer Luzelena Mendoza’s haunting vocals, which held onto me until the album finished some 46 minutes later.

Court The Storm‘s songs are flavored with latin-inspired rhythms and melodies that work wonderfully with Mendoza’s vocals. The band’s label, Tender Loving Empire, set me up with the two songs below, opening track “Squawk” and track #2 “Bendito”. Both songs are fantastic, and a great preview to how cool this album is. I highly recommend it.

Y La Bamba – Squawk from Court The Storm (2012)

Y La Bamba – Bendito from Court The Storm (2012)

Y La Bamba

Tender Loving Empire

It’s a Wednesday night, we are 4 days away from 2012 and the end of the world, my wife and kids are playing Rock Band in the background and I am searching through all the music that I’ve acquired this year trying to find any hidden gems that didn’t get enough attention when originally purchased. One of those gems is Austin, Texas 3-piece band Love Inks. They describe their sound as “minimalist dream-pop”, using just an electric guitar, bass guitar, and a drum machine, along with the simple, yet satisfying vocals of Sherry LeBlanc.

The songs below are great examples of their minimalist ways. While Love Inks isn’t the most musically or lyrically complicated band out there, their brand of pop music grabs hold of you, and before you know it you’re nodding your head and have listened to these songs several times and you don’t know where the last hour of your life went.

Love Inks – Blackeye from E.S.P (2011)

Love Inks – Leather Glove from E.S.P (2011)

Mariachi El Bronx is the alter ego of punk band The Bronx. It all started when they were asked to play an acoustic set. Instead of stripping down their music, they decided to take it in a new direction, by exploring and adding Latin sounds.

I would normally try and describe the music to you, but I will be the first to admit, I don’t know anything about mariachi music. And rather than faking it, I will let the music speak for itself. Please enjoy.

Mariachi El Bronx – 48 Roses

On my radio show, Quantic (aka Will Holland) is my go-to guy, so when I realized we had not given him the proper props on these pages I did some music mining. Lo and behold, Holland himself provides a minor motherlode on his Quantic site. I use him as a staple on the show precisely because his catalog is extensive and diverse. Holland cut his teeth on an album of downtempo hip-hop and soul, recorded in his bedroom before he’d turned 21. He’s never looked back. Eight years and twelve full-lengths later, Quantic has proved himself a jack and master of all genres, at least the one’s he’s conquered thus far. Funk, soul, jazz, house, hip-hop, dub, electronic, and on his last few albums, reggae, salsa, tropical, and cumbia. His Combo Barbaro is made up of musicians from all over the globe, including Panamanian Singer Kabir on “Linda Morena.” I’ve not only learned to never underestimate Quantic, I’ve also learned to count on him for quality and an ever expanding sonic palette.

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Alisa and I read differently. She reads for plot. I for sentences. Sleepingfish publishes writers whose first concern is the sound of their sentences. Music without notes. Just tone and rhythm. Rhythm and mood. Consider this sentence from this issue:

She is unaware of the little bits of fabric he would sew into her palms: in private she squelches her poise and it is awful to hear silence exist in such a perfect American accent. [Julie Doxsee excerpt]

Sleepingfish not-so-regularly publishes such work from some my favorite writers: Peter Markus, Dawn Raffel, Diane Williams, and Terese Svoboda. Of note: the latest issue of Sleepingfish features an online supplement, a setlist of contributors past and present. We’ll feature a few here, but more tracks, along with ordering info for the issue, can be found at
Sleepingfish.

Well if this ain’t the musical equivalent of the Three Amigos. Three musical desperados gathered on the West Coast to create aural havoc and obviously had the time of their lives. The parties involved include: Money Mark, Tommy Guerrero, and Shawn Lee, three “sound scientists” who’ve all made their own marks flying below the mainstream radar, carving out a groove amidst all that is going to be cool tomorrow. Both Mark and Guerrero released music early on through Mo’ Wax and Shawn Lee recorded for Talking Loud and Wall of Sound early in his career. “Dirty Loco” is one of the two songs that serve as the dark heart of the record. The comparison is a bit ludicrous, but it sounds like a track off The Cure’s “Pornography” record if Robert Smith had grown up in Southern California, raised on funk and soul. The rest of the album is full of laid back, easy-listening funk tracks, improvised, trippy, and generally cheerful. Dare I say it, Lord Newborn is a rare-groove jam band that I’d be happy spending a summer or three trucking around the country following their wake.

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