Chicago rock ‘n’ rollers, The Evening Attraction recently released their newest 7-inch single, The Evening Attraction Presents: Tea Party, on Classic Waxxx Records. The A-side, “The Kids Don’t Care (For Rock ‘n’ Roll)”(streaming below) is a stomping, garage-pop romp that’s sure to shake even the gloomiest person out of their funk.
The Evening Attraction Presents: Tea Party is available digitally from The Evening Attraction’s Bandcamp page and also available on vinyl from Classic Waxxx – I highly recommend picking up a vinyl copy before they are gone.
Atlanta powerhouse trio, Omni, throw it down on their hook-filled, power-pop release Deluxe. The chugging bass, angular guitar and frantic backbeat of opener “Afterlife” (below) not only make it one of the best songs on the album, but one of my favorite songs so far this year.
Deluxe is out now through Trouble In Mind Records. It’s one of my favorite records so far this year and a great one to crank up and pogo around the house to. Enjoy
Yea-Ming And The Rumours debut album, I Will Make You Mine, is an exceptional 33 minutes of indie-surf-country-pop-rock. Yea-Ming Chen’s smokey voice is a killer, and really matches up well with all the different genres she and her band, The Rumours, throw at these 10 songs. Give the country-like, album standout “You Took Be By The Hand” (below) a spin, you will not be disappointed.
I Will Make You Mine is available now on cassette from Burger Records and also available digitally from Yea-Ming And The Rumours Bandcamp page.
New Zealander Pip Brown, AKA Ladyhawke, has made some changes in her life over the three years since her last album’s release. She gave up drinking and focused on getting healthy. This new found health is clearly evident on her newest sunny, electro-pop release Wild Things.
Album opener ‘A Love Song” (below) is packed with bright tones and throbbing synths – a real pop gem that’s sure to get a dance party started, even if it’s only a dance party for one.
Massenger are a 4-piece garage punk outfit out of Ventura, Ca. They play a heavy, fuzzed-out brand of punk rock that’s sure to get the beads of sweat forming on your forehead. Check out the grimey burner “Eego Game” below for a taste.
Their new album, Peeling Out, is available now on vinyl or cassette from Burger Records or digitally from their own Bandcamp page. Enjoy.
I’ve been a fan of Tommy Guerrero since I was 13 years old, 1987 – the year I picked up on skateboarding. The Bones Brigade were in their prime and Guerrero was my favorite skateboarder. During that year my friends and I watched The Search For Animal Chin at least 100 times. His flaming dagger deck was one of my very first rides.
Flash forward to 2004 when I was reintroduced to Tommy Guerrero as a musician on this very site in a post by site founder Sean. Now, 12 years later Tommy is still at it with his new band BLKTOP PROJECT featuring Josh Lippi and fellow skaters Ray Barbee, Chuck Treece and Matt Rodriguez.
Recorded live over two days, their new album, Concrete Jungle is a loose, grooved-out, rocker of a record with a great jam session feel to it. Check the stream of “A New Line” below for a taste. It’s a real rump shaker.
Concrete Jungle is out today through Guerrero’s own Too Good records and available to buy from his Bandcamp page.
Those of you familiar with Australian psych rockers King Gizzard & The Lizard Wizard know that they are always pushing the musical envelope. On their 8th album in 4 years, Nonagon Infinity, they are at it again. This time they have created what they are describing a “never-ending album” – with each of the 9 tracks flowing into each other, including track 9 flowing back into track 1.
Putting the “never-ending album” claim to the test over the past weekend, I made Nonagon Infinity my soundtrack for around 15 miles or so of walking, and it is as advertised – seamless.
Nonagon Infinity is a damn fine album, potentially album of the year, packed wall to wall with scuzzy guitars and throbbing bass lines over the top of frenzied double drumming beats.
Nonagon Infinity is available now in all formats via ATO Records and King Gizzard’s Bandcamp page.
Using cuts from the 1966 French spy movie Agent 505: Death Trap Beirut on his newest release, The Formula, Michigan producer/beat maker Newstalgia has created one of the coolest hip hop/beats albums I’ve heard in the past couple of years. If you’re a fan of Madlib and/or early 90’s Beastie Boy instrumentals, The Formula is the album for you.
Check out some of Newstalgia’s goodness on title track included below.
The Formula is available now via Producers I Know’s Bandcamp page. It’s definitely worth your time. Enjoy.
Brooklyn’s Woods are back with their outstanding 9th LP, City Sun Eater in the River of Light. Taking the best parts of almost every genre of music out there and adding it their already wonky, folk-psych sound, Woods have created a groove-driven (dare I call it “groove-psych”), psychedelic rock masterpiece.
Check out the head bobbing beat of “Can’t See At All” (below) for a mere sampling of how cool this album is.
City Sun Eater… is out now and available on whatever media suits your fancy from WOODSIST Records – I highly, highly recommend it.
Brooklyn-based quartet Howard released their debut album, Religion, at the beginning of 2015. For their follow up EP, Please Recycle, Howard has completely reworked songs from Religion (with no additional tracking or anything else, mind you) to create a fantastic departure from their debut. The results, Please Recycle is 5 songs of electronica gold, reminiscent of artists like Four Tet and Tycho.
Give “Plastic” (below) a spin, it’s a great example of the entire EP. Please Recycle is available now via Fashion People, I highly recommend it.