3hive

When I was young and didn’t know better, I thought I could do anything I wanted to do. I wanted to be a cartoonist. Draw funny pictures for a living. All my favorite comic strips were created by accidental artists: “I didn’t set out to draw a comic strip, but now I’m in thousands of newspapers. Go figure.” I hated reading stories like that.

If I were a musician, I’d hate Tomorrows Tulips’ story. It goes something like this…Alex Knost started this band called The Japanese Motors with some friends when he was 17. They didn’t know how to play instruments, but they practiced a lot, then got signed to Vice Records and toured the world with bands like Modest Mouse. Then he thought it’d be better to play and tour with his girlfriend (wise choice) and so he wrote some songs, she played the drums, and now they have a record out on this cool boutique label.

Tomorrows Tulips are all reverby and lo-fi. The guitars give off a hazy shimmer, the sunset’s rose reflection off the rippling sea. Simple melodies and hooky bits that get stuck in your head like the ocean does in your sinuses after you’ve been out surfing all morning.

Oh yeah, and Knost rips at surfing and skateboarding.

Some guys have all the luck. And skill.

The rest of us blog.

Eternally Teenage

Casual Hopelessness

Tomorrows Tulips – “Casual Hopelessness” from jack Coleman on Vimeo.

Tomorrows Tulips – “Eternally Teenage” from jack Coleman on Vimeo.

www.galaxiarecords.com
www.tomorrowstulipstoday.com

The sophomore record by Montreal-based Graham Van Pelt (dba Miracle Fortress) is single-handedly satisfying my seasonal synth-pop jones. The single, “Miscalculations”, is an achingly perfect jam that sounds as right today as it would have 25 years ago. It will ease its way into even the hardest of hearts, mark my words. Miracle Fortress is currently touring with Junior Boys, which should make for a double scoop of synth-pop goodness.

Miscalculations from Was I The Wave? (2011)

www.secretcityrecords.com
www.miraclefortress.com

Computer Magic and 3hive are kindred souls. First off, they love to share. And that’s what we’re all about here at the ‘hive. Sharing the sharing. Computer Magic has three EPs for your downloading pleasure. No strings attached. And here’s the best part: it’s as good as anything you’ll hear on the radio right now. But it’s not on the radio. Yet.

Kinship part two: the sound is right up our alley: the bass has a slowed-down New Order bounce to it which works so well with CM’s spacey synths and sweet, sultry vocals. Their compositions are playful like Land of the Loops, or more recently Michna, but without their glitchiness.

The brains, voice, and vision behind Computer Magic is Danielle Johnson aka Danz a New York native, an up-stater, who made her way to Brooklyn after high school and went from spinner of records to writer and recorder of records. With a little help of some friends Danz translates her bedroom bliss pop to the stage and according to NME her cuteness belies a “monstrous talent.”

Computer Magic gives me hope. Hope that in today’s pop culture ruled and reigned by the likes Lady Gaga and Jersey Shore I can steer my daughter towards a more palatable pop icon(oclast).

Found Out from Electronic Fences EP
Grand Junction from Spectronic EP
Holiday Song from Spectronic EP
The End of Time from Spectronic EP
Everyone Feels That Way Sometimes from Spectronic EP

thecomputermagic.com
whiteiris.tv

One of the off-shoots of British Mod music is a branch known as Northern Soul which took its cues from little known American soul bands. Now a little known band out of Costa Mesa, California is doing its darndest to revive the sound here on U.S. shores. That band, as you probably already guessed, is Suedehead and they have quite the pedigree. Singer and guitarist Davey Warsop used to sing with a British punk band called Beat Union. Chris Bradley (guitars) ran a small punk rock label called Unity Squad Records, and keyboardist Greg Kuehn did the same for punk rock legends T.S.O.L.

While Suedehead definitely has a punk rock energy and aesthetic about them, they’d be more fit at the head of dance floor than a mosh pit. They wear their affinity for Paul Weller and all things Jam on their sleeves, and that’s a good thing. Rocking out to their new EP, I’ve been asked several times if I was sure this isn’t Elvis Costello. And I’m sure, but it’s a good comparison if we went back in time and Costello was 27 again. The two treats we’re including from the band represent the second, darker half of their EP: the crowd favorite “Young & In Love,” and the video for the oh-so-danceable “Can’t Stop.” Tune in!

Suedehead – Young & In Love

I have this tendency to get addicted to songs to the point that the people around me begin throwing heavy objects at my throat and knee-caps. The detox process consists of playing the song over and over while I write a little narrative of my relationship with that song. Lately, I haven’t detoxed; it’s hard to get back into that habit once you’ve abandoned it. After today I promise not to discuss my lingering absence.

My latest awakening is due to one of my all time favorite roadtrip songs, “Go Coastal”by a forgotten favorite: Velocity Girl. I rolled the song over, along with a gaggle more, in a recent refresh of my exercise playlist (I only listen to that about once a week by the way…) and now I can’t live without it. It took me about 10 listens to re-memorize the lyrics, I’m slow like that, and now I’ll enjoy singing along to it for another 50 or so.

I talked a lot about Velocity Girl in my Sarah Shannon review, and now I’ll reciprocate. After Velocity Girl broke up in ’96 (the same year I brought a child into the world, man, those 14 years flew by), Sarah reappeared with a couple of the velocity boys in Starry Eyes, put out two solo records in ’02 and ’06, sang on a Free Design cover with Styrofoam, brought a couple of children into the world herself, and is now writing and performing songs inspired, I imagine, by those children. I’m gonna call my friends at Yo Gabba Gabba and see what I can do about getting Sarah’s voice stuck in the head of cool kids and parents worldwide!

Forgotten Favorite [MP3]
Go Coastal [MP3]

Velocity Girl at subpop.com
thenot-its.com

Let’s face it, 2010 was less than stellar at this url. The principals and our reviewers all dropped out of ear-shot simultaneously and for months 3hive has been out of commission. No particular reason really. Life unplugged us, and once unplugged it’s hard to get back into gear, back into the groove.

Twenty-eleven’s gonna be different. I can only speak for myself, but I’m back on the wagon. I’m good for a couple posts a week, maybe even three. I’ll likely drop in the readings I’m obsessed with on occassion, like this, this , and this.

3hive’s Most Popular Posts from 2010:

11. Jaga Jazzist
10. Inlets
09. Let’s Say We Did
08. Happy Birthday
07. The Royal Chains
06. Bonobo
05. Junk Science
04. Cap’n Jazz [re-issue]
03. Galactic
02. Phantogram
01. Tycho

Cap’n Jazz were such a short-lived band that their entire musical catalog fits on a double album. But what a double album it is – a sloppy, cryptic, energetic, engaging masterpiece – and it’s being reissued by their erstwhile label, Jade Tree, as a double vinyl LP on June 15, 2010. To celebrate, the boys are getting the band back together for a set of reunion shows in select cities, including two sold-out shows in their hometown of Chicago. Cap’n Jazz’s influence extends well beyond those 34 songs. Their musical family tree includes other Monsters of Emo – Make Believe, The Promise Ring, American Football, Owls, Ghosts and Vodka, Joan of Arc and Owen. This is the kinda musical act you make a road trip to see. And, unless they add a Detroit show, I will have one in my future. Or maybe I’ll cash in some SkyMiles so Sean and I can geeeeek out at the LA show, the way we did when we saw The Promise Ring in Austin back in the day.

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Today is my youngest son’s 6th birthday. Happy Birthday Jasper! What more can a six year old ever want on his birthday than a review on 3hive dedicated to him? Maybe he’ll appreciate it more in ten years. When he wakes up he’s gonna be appreciating the chocolate chip muffin I bought him from our local donut shop.

Back to Happy Birthday the band: the fine purveyors of music, Sub Pop, fell in love with Kyle Thomas’ work as King Tuff. He brought on Chris Weisman and Ruth Garbus about a year and a half ago to back him up on a bunch of new song’s he’d written. Sub Pop picked them up after they’d played five shows. And this wonderful album is the happy ending to chapter one of Happy Birthday’s hopefully epic journey. The skewed musical note sketched out on the cover together with their label’s name describe the band’s music to a tee. If I had to make up a genre name for Happy Birthday, I’d call it hand-clap doodle rock. They don’t actually use hand-claps on the album, but most of their songs are so fun that you wanna hand-clap your way through them. RIYL: Let’s Active, Daniel Pinkwater.

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So one of the band members of Earth Program, I won’t identify her specifically, has been pestering me for this post for some time. I think she didn’t really realize that I had quietly retired from 3hive as a way to maintain sanity. Seriously, how can anyone actually listen to even a fraction of the music that’s out there and keeps on coming every day? It was her quasi-anonymous e-mail that did it; “Dear Editor, ” it began. Come on… As a disclosure, I knew this band member before there was an Earth Program, back when she was the complicated girl in the back of my high school Creative Writing class. She was as awesome then as her band is now, and I’m glad I unretired just to share some tunes I think a lot of you are going to like. I mean, just listen to “Eat Your MakeUp,” ok? Earth Program is pop enough to be bearable and strange enough to keep things interesting. Sounds like a fine time to be 20ish in Chicago. Oh, and hi Jen.

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Inlets’ first full-length album has been over three years in the making, and now fans can finally hear why it took so long. Sebastian Krueger is back with a lush slice of pastoral pop called “Bright Orange Air”, a teaser from the forthcoming Inter Arbiter LP. Equally gorgeous is the accompanying video, directed by Benjamin and Stefan Ramirez Perez. For those who geek out on this sort of thing: it was filmed, rotoscoped, separated into layers, and then run through AfterEffects to create seven different color textures from which they created a rich range of color. Yummy.

Lisa’s original post from 01/31/07:
Sebastian Krueger is the man behind what he calls “the bedroom fidelity project” Inlets. This perhaps makes him both faithful and musical? Ladies? He is also a generous man, and we here at the ‘hive appreciate good music even more when the artists who make said music decide to make their EP’s available for NO dollars to music lovers of the world. Krueger gets “sharing the sharing.” He just gets it. Back when I was a 3hive fan and not a participant, I used to be totally charmed by all this “this is totally a Clay band”, “oh such and such is Shan music for sure” business. Since I’m still pretty new, I’ll just say that Inlets is Lisa music–moody, instrumental, a touch earnest, but musical in a way that avoids sappy sweet sentimentality. And who doesn’t like a man who cut his teeth with My Brightest Diamond? So snatch up the Vestibules EP at luvsound while the gettin’ is still good.

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