Fuzzed out head-bobbing bassline. Yes.
Thumping floor tom. You betcha.
Falsetto harmonies. How could it not?
8-bit video game sounds, ’cause the song is actually a video game. Duh.
Catchy as all get out. Yep.
Robert Schneider of the Apples in Stereo and James Higgins of Elf Power/Of Montreal. Ah yeah.
Portland, Oregon 3 piece, Lubec, are back with a new release, Cosmic Debt. Like, The Thrall (their 2014 debut), Lubec comes at you in full force again, with more fuzzed-out, swirling guitars and killer three-part vocal harmonies. For a taste, give the standout track “Breakup Haricut” (below) a spin. Cosmic Debt is available on cassette and digitally via Disposable America and Lubec’s Bandcamp page. Enjoy.
According to Spotify, Monster Treasure has only 44 monthly listeners. That’s gotta be a typo, or glitch, or data breach, or whatever the right modern term is… All I can say is I’m happy to be #45. This Stockton, California, trio has been on repeat since I found out about their 2016 self-titled album (somewhat circuitously) by way of the UK label Leisure + District. It’s a potent sonic cocktail of punk, garage, pop, and shoegaze that manages to bounce between giddy and melancholy, rambunctious and introspective, without missing a beat. Have a listen and see if you don’t become the next monthly listener. Or better yet, plunk down a few bucks for the long-player in the Co-op Shop. You won’t regret it.
With cover art like this*, who cares what Jakuzi sounds like? But I’ll give it shot anyway… Imagine Sisters of Mercy’s Andrew Eldritch singing Bryan Ferry covers in Turkish, with Future Islands as the backing band. Or Ian Curtis doing drunk karaoke. Or “The Love Boat” captained by Tim & Eric. Or maybe I should just let their ridiculous(ly awesome) music videos do the talking…
* If you want to see the sexy luchador in 12-inch glory, buy Fantezi Müzik on vinyl at the 3hive Co-op Shop.
Here’s some straight-up power pop to help us wish summer into existence: Imaginary Enemies, the debut LP from NYC’s Hiccup.
Hallie Bulleit and Alex Clute, who met as members of The Chris Gethard Show house band (Hallie is married to Mr. Gethard, FYI), take turns at lead vocals while the other provides harmonies – and plenty of “whoa-oh-oh”s – over a steady flow of catchy riffs reminiscent of Velocity Girl, Smoking Popes, and other ’90s wonderbands.
This album would sound particularly great in the tapedeck of your hatchback, though we prefer you buy it on “piss yellow” vinyl first – in the 3hive Co-op Shop, of course – for the full effect.
One of my biggest bummers about not going to SXSW this year was missing the Discotexas showcase featuring Moullinex, Bufi, Da Chick and my favorite artist on the Portuguese label, Xinobi.
Xinobi is nom de plume of Bruno Cardoso, who co-founded Discotexas and puts out genre-omnivorous dance music such as you’ll find on his latest, On the Quiet. One moment you’ll hear Ian MacKaye extolling the virtues of skateboarding over delicate synths and a shuffling beat, the very next you’ll hear a club friendly slice of emo house.
As eclectic as it is, On the Quiet is a digestible delight to the ears, a funhouse labyrinth of minimalist beats, warm synths, and organic samples with an array of human voices to guide you through. And, if you opt for the physical format, you’ll be treated to ‘zine-style liner notes. So why not indulge?
[Buy On the Quiet as it was meant to be heard – on luxurious, imported vinyl – in the 3hive Co-op Shop, while supplies last.]
Trementina describe their latest album as “music for lucid dreaming”. Not a bad “file under” for a band intent on evolving beyond the My Bloody Valentine tributes that drew listeners to 2014’s solid shoegazer effort Almost Reach the Sun.
New influences and elements mark each track, from the lilting Beach House sound of “Please, Let’s Go Away” to the cavernous dub of “A Place Up in the Sky”. The modulated wall of guitar and rumbling drums get traded for otherworldly atmospherics with a backbone of machine beats, clearing a bigger space for singer Vanessa Cea to fill with her angelic vocals. Given Cea’s presence it’s tempting to compare her to a coherent Robin Guthrie or playful Siouxsie Sioux but, taking the album in as a whole, her range is too wide to peg.
Compared to earlier recordings, the album feels more connected to its origins: the band’s home studio in the remote town of Valdivia, Chile (its title, 810, refers to the distance in kilometers from the capitol city of Santiago). While I’ve never been, these songs seem to evoke the moods and mindset of a place only the band knows well enough to communicate.
810 is escapist and intimate at the same time, and one of my favorites of 2017 so far.
[Buy Trementina’s 810 on shiny new vinyl in the 3hive Co-op Shop, while supplies last.]
Sneaks is the stage name of Washington, D.C.’s Eva Moolchan. On her latest, It’s a Myth, she sticks with her post-punk recipe of stripped-down jams – comprised of a delicious groove and bizarro Double Dutch rhymes – each with an understated swagger that will leave you craving more.
[Buy It’s a Myth on vinyl in the 3hive Co-op Shop, at a nice “friends of 3hive” price, while supplies last.]
Prolific singer/songwriter Ty Segall released his 9th full length album earlier this year, with the help of usual suspects (his live band) Emmett Kelly, Mikal Cronin and Charles Moothart playing behind him.
As on previous releases, Ty and his guitar are king, as he shreds through tracks like ‘Break A Guitar’, ‘The Only One’ and ‘Thank You Mr. K’. There is plenty of jangle, and pop on this bad boy as well, like on ‘Orange Color Queen’, included (below) for your downloading/listening pleasure – build a mixtape with it, I dare you.
This is Segall’s strongest effort to date, definitely worthy of your time. Enjoy.
[We have Ty Segall’s S/T new release – in the 3hive Co-op Shop, while supplies last.]