Bouncy, new wave stream-of-consciousness — as catchy as it is fleeting.
Space-folk-gospel-disco pop, with a hint of The Who. It’s all here, kitchen-sink rock. Gotta hear it to believe.
Clorox Girls take it back to ’79 and reclaim the “pop-punk” genre just as it’s teetering on the brink of utter destruction.
The chin-stroking ambience of O!A!L!’s 2003 material (see “Ex’s and
Ho’s Oh’s”) makes way for a more diverse palette of bristling pop and sprawling sonic gems in ’04.
Maria May and Allison LaBonne’s angelic duets herald heartbreak with exquisite simplicity (“there is only air/where I used to care”).
Slow down and smooth-out The Apples in Stereo and you’re getting close to Byrne, right down to the song’s title. Summer’s here, kids.
Yes, they’re still around, releasing songs one 7-inch at a time. Less XTC, less silly, but still plenty mischievous.
The Advantage, well, they’re a cover band, pure and simple. The thing is, they only cover Nintendo tunes. Get ready to re-live hours and hours of wasted time as a teenager.
A breezy, smooth, danceable pop song that could usher in world peace if the right people cuddled up and listened to it together.
Wild-eyed garage romps from the super duo of John Atkins (764-Hero) and Joe Plummer (Black Heart Procession, Caustic Resin).