Mac DeMarco is back with more tasty, spaced-out, pop songs on his third LP release This Old Dog. At 27 years of age, DeMarco is nowhere near “old dog” status, but 5 releases (3 LPs and 2 EPs) in just over 5 years makes Mac a veteran at his craft. This Old Dog will grow on you with every listen, I recommend that you let it. Give the two earworms, below, a spin – you’ll be glad that you did.
My introduction to Timber Timbre was back in 2011 whilst perusing the goods at, the now extinct, Slowtrain Records, and their latest release (at the time), Creep On Creepin’ On was playing in the store. Timber Timbre’s wonky, psychedelic groove mixed with Taylor Kirk’s smokey vocals hooked me instantly, and I’ve been a fan ever since. Their recently released, Sincerely, Future Pollution, still checks all those boxes that hooked me 6 years ago. Timber Timbre keeps getting better and better. It’s time to let their psychedelic groove hook you, too. Enjoy.
Germany’s Death Canyons smack you right in the teeth with their reverb filled, psychedelic, surf punk on their second release Death Canyons II. You can bounce around to their standout track “Dorian Gray Syndrome” (below), then head over to La Pochette Surprise Records and snag yourself a copy on cassette or grab a digital copy from Death Canyons’ Bandcamp page. Enjoy.
Woods’ latest album Love Is Love was written and recorded in the first few months following the election. It’s not necessarily a protest album as much as it’s a “…meditation on love, and on what life means now”. Love is Love is a 32-minute chilled-out, psychedelic, folk-rock effort. It is the perfect antidote for any bad feelings caused by the current mess we are in. Check out the awesome trumpet and flute play in standout track “Bleeding Blue” below.
[Feel the love and snag this on black vinyl – the way it’s meant to be listened to – from the 3hive Co-op Shop. While supplies last.]
Just when I thought Doug Tuttle couldn’t outdo his incredible 2016 solo album, It Calls On Me, the former MMOSS frontman takes that thought and stomps it into oblivion with the release of his new LP Peace Potato. Not only does Mr. Tuttle’s songwriting keep getting stronger with every release, the way he constructs his songs gets stronger as well. The 15 tracks on Peace Potato weave in and out of each other or abruptly stop before taking off again with such precision it’s easy for the listener to get carried away into the lush landscapes of Mr. Tuttle’s “downer pop melodies”.
Give the George Harrison-esque “Can It Be” and the way-too-short “It’s Alright With Me, Ma” a spin below. You won’t be sorry – I promise.
[Buy a copy of Peace Potato on limited edition clear vinyl in the 3hive Co-op Shop. While supplies last.]
Fuzzed out head-bobbing bassline. Yes.
Thumping floor tom. You betcha.
Falsetto harmonies. How could it not?
8-bit video game sounds, ’cause the song is actually a video game. Duh.
Catchy as all get out. Yep.
Robert Schneider of the Apples in Stereo and James Higgins of Elf Power/Of Montreal. Ah yeah.
Available as an online-only RSD release.
I first fell for Robyn Hitchcock in the summer of 1985 when a WNUR deejay played an hour of his songs. I couldn’t put my finger on it – he was trippier than the Beatles, catchier than Syd Barrett, more poetic than Nick Lowe. All I knew is that even after an hour I wanted to hear more.
Fast forward to 2017… Hitchcock has moved native England to Nashville, but he packed his usual bag of tricks – the wry wit, familiar sneer, and psychedelic charm – all of which meld very well with partner Emma Swift’s backing vocals, the touches of pedal steel, and moments of nostalgia. It’s a fantastic album and exactly how I hoped this chapter of Hitchcock’s wandering career would begin.
[Buy Robyn Hitchcock’s self-titled album in the 3hive Co-op Shop while supplies last.]
John Dwyer might be the busiest guy in indie rock; releasing an album almost every six months with his band Thee Oh Sees while maintaining a yearly release as Damaged Bug – his weirdo, space-pop solo project.
For those familiar with Dwyer’s Damaged Bug project; his latest album, Bunker Funk, isn’t much of a departure from previous DB releases. For the uninitiated, Bunker Funk is a beat driven, otherworldly, bizarro noise-pop record that will thrill you and weird you out at the same time. Enjoy.
[We have Bunker Funk (2 x LP with etched bug on side 4) on beautiful black vinyl – in the 3hive Co-op Shop, while supplies last.]
Molly Burch’s debut LP, Please Be Mine, is an early favorite of mine for album of the year. It’s 10 tracks of reverb-soaked, country-psych twang, along with Burch’s strong, smoky vocals, sets the bar high for the rest of 2017’s releases.
Please Be Mine is available now via Captured Tracks. Please give album standouts “Downhearted” and “Try” a spin (below). You will be glad that you did. Enjoy.
[We have Please Be Mine on vinyl – in the 3hive Co-op Shop, while supplies last.]
French psych-poppers, Marie Mathématique, come to you courtesy of Six Tonnes De Chair’s Instagram feed. When I saw their album cover (above) on said feed, I knew it was something I needed to get my hands on – and I am so glad that I did.
Their latest album, Tous vos lendemains dès aujourd’hui (Google translated – “All Your Tomorrows Today”), came out last September via 2000 Records. It’s 33 minutes of swirling guitars, fuzzy synths and a massive, pounding, rhythm section is psychedelic gold. Give “Sous mon second soleil” (below) a spin, it’s a solid example of Marie Mathématique’s goodness.
Tous vos lendemains dès aujourd’hui is available on vinyl and digitally through 2000 Records. Enjoy!
Marie Mathématique – Sous mon second soleil from Tous vos lendemains dès aujourd’hui (2016)