Those of you familiar with Australian psych rockers King Gizzard & The Lizard Wizard know that they are always pushing the musical envelope. On their 8th album in 4 years, Nonagon Infinity, they are at it again. This time they have created what they are describing a “never-ending album” – with each of the 9 tracks flowing into each other, including track 9 flowing back into track 1.
Putting the “never-ending album” claim to the test over the past weekend, I made Nonagon Infinity my soundtrack for around 15 miles or so of walking, and it is as advertised – seamless.
Nonagon Infinity is a damn fine album, potentially album of the year, packed wall to wall with scuzzy guitars and throbbing bass lines over the top of frenzied double drumming beats.
Nonagon Infinity is available now in all formats via ATO Records and King Gizzard’s Bandcamp page.
Fuzzy, hook-driven, psych pop goodness is what you get when you fire up New Boss’s solid new release Home Problems. Check out the title track below, then head over to Funny / Not Funny Records’ site and snatch yourself a copy. Enjoy.
Brooklyn’s Woods are back with their outstanding 9th LP, City Sun Eater in the River of Light. Taking the best parts of almost every genre of music out there and adding it their already wonky, folk-psych sound, Woods have created a groove-driven (dare I call it “groove-psych”), psychedelic rock masterpiece.
Check out the head bobbing beat of “Can’t See At All” (below) for a mere sampling of how cool this album is.
City Sun Eater… is out now and available on whatever media suits your fancy from WOODSIST Records – I highly, highly recommend it.
Waveless is a three-piece post-punk band out of Minneapolis, Minnesota. Their layered, shoegazey, reverbed, noise-rock is hard to beat. Their newest 12″, Spirit Island, is out now through Deranged Records. Check out album opener, ‘My Apathy’ (below) for a taste.
Greensboro, NC duo Wahyas play a sinister style of raunchy, garage-psych that’s hard to top. Their own description, “Evil garage gospel like Johnny & June with less church”, pretty much sums it up.
They just co-released their 7″ single, Third Eye, with Shipwrecked Records and Six Tonnes De Chair Records. You can get this on vinyl or digitally through Six Tonnes De Chair’s Bandcamp page. You can download this directly from Wahyas’ Bandcamp page as well. Stream this bad boy (below) and get your self a copy on wax before they are gone.
Jangly, reverbed, lo-fi, psychedelic, fuzz are just some of the adjectives I would use to describe Boston’s Magic Shoppe. Their newest EP, Interstellar Car Crash, is a wall to wall psychedelic gem, sure to alter your state of mind with it’s reverbed guitars and hypnotic vocals. Check out “City Alight (Yeah)” below for a taste.
Interstellar Car Crash is out on February 5 through Optical Sounds, I highly recommend it.
Nashville native, and member of The Paperhead, Peter Stringer-Hye recently released an incredible self-titled EP with Trouble In Mind Records. Check out EP closer “Throw Away The Day”, it’s a country tinged, psychedelic, toe-tapper and my favorite track from the EP. Head over to TiM’s site and snag yourself a copy before they are all gone.
Nashville’s Fuzz Ghost, bring the fuzzed-out, surf style, garage rock on their debut, self-titled EP. Check out the heavy, slow burning, Ty Segall-esque, “Sunshine” (below), for a taste of this EP’s goodness.
Fuzz Ghost’s EP is available now on cassette and digitally through Ongakubaka Records. I highly recommend it.
Lasso is the solo (mostly) project of Tucson multi-instrumentalist/beat maker Andy Catlin. He covers about every genre imaginable throughout his seven release discography, including psych, pop, electro, hip hop, pop and rock. His newest release, Into The Lasso, is a kind of groovy, psych-pop meets hip hop beats hybrid. Check out the Money Mark-like album opener “Pepper”, it’s a great example of what this guy can do.
Into The Lasso is available now from Lasso’s bandcamp page. While you are there be sure to check out his other releases, you will not be disappointed.
Swiss garage rockers The Staches pack a hefty one-two punch of chugging bass lines and distorted, psyched-out guitars on their new EP III. Album opener “Crocodile” (below) is a great example of their garage-psych goodness.