Brisbane band Pious Faults play an eardrum-melting brand of hardcore punk that’s highly recommended for any fans of the early Dischord days. Their six-song, five-and-a-half-minute, self-titled cassette (out on Tenth Court Records) will pummel your ears and leave you wanting for more.
I’m a big fan of The Blind Shake, when I found out that Jim Blaha had another another band – Jim And The French Vanilla – I was all ears. Turns out, this is Jim’s 3rd release under the Jim And The French Vanilla moniker, his previous two releases were solo, acoustic efforts that were super limited and released on CDR. For this new album, Afraid of The House, Jim recruited his brother (also in Blind Shake) Mike Blaha, and together they’ve turned out a 26 minute beat down of blistering, scuzzy, garage rock goodness. Give “When You’re Down” and “Eye For An Eye” (below) a spin. Enjoy.
[We have Afraid of The House on beautiful black vinyl – in the 3hive Co-op Shop, while supplies last.]
Prolific singer/songwriter Ty Segall released his 9th full length album earlier this year, with the help of usual suspects (his live band) Emmett Kelly, Mikal Cronin and Charles Moothart playing behind him.
As on previous releases, Ty and his guitar are king, as he shreds through tracks like ‘Break A Guitar’, ‘The Only One’ and ‘Thank You Mr. K’. There is plenty of jangle, and pop on this bad boy as well, like on ‘Orange Color Queen’, included (below) for your downloading/listening pleasure – build a mixtape with it, I dare you.
This is Segall’s strongest effort to date, definitely worthy of your time. Enjoy.
[We have Ty Segall’s S/T new release – in the 3hive Co-op Shop, while supplies last.]
I spend the first part of every year going through my routine of researching music from the previous year that I’d somehow been sleeping on. 2017’s biggest wake-up so far has been Nothing Gives by London’s Slowcoaches. This blistering debut – which in my defense was released in early December – has all the right triggers if you’re nostalgic for ’90s bands like Babes in Toyland or L7: chunky hooks, start-stomp tempos, that indifferent sneer…
However, I haven’t been pining for that sound at all. So why was I so drawn in by “We’re So Heavy” when it showed up in the pole position on my Discover Weekly playlist? One superficial explanation could be the Anglophile appeal. Elastica plagiarized Wire almost note-for-note but somehow got a hall pass from me while I remember wandering off to find a snack during Babes in Toyland’s Lollapalooza set back in ’93.
The real answer – for me, at least – lies in the cloaked intimacy of singer/bassist Heather Perkins’ lyrics, which she slyly tucks between punches of fuzzed-out guitar and angsty anthemic choruses. There, Perkins cops to her anxieties, and their consequences, with a realness that is both exhilarating and heartbreaking. On “Raw Dealings” she sings, “I’ve been struggling with distance every time/You’re all out of time, you’re all out of time”. She’s indicting herself and setting herself free in the same breath. The album is full of these subtle moments that make their fierce outer trappings even more meaningful. Don’t sleep, even for a minute, on this lot.
If the name Tyvek sounds familiar you’re either already up on one of Detroit’s finest art punk outfit or you’re in the construction business. Maybe both, who knows? Tyvek have been called “Detroit’s Talking Heads”, probably due more to singer Kevin Boyer’s hypnotic, poetic lyrics than their mostly raucous garage sound. Last year’s Origin of What is the band’s sixth studio album in eight years, though they’ve sold scads of CD-Rs and tapes on tour to document the creative process between proper label-backed efforts. Having released his other band’s debut (a raw, psychedelic gem in its own right) on the same day as Origin of What, Boyer clearly has no problem working with a revolving cast of characters. For the latest Tyvek release, he reunited with Fred Thomas (drums/engineer), Larry Williams (bass), and Heath Moerland (guitar) – the latter two also played on The Intended record – to hone a sound that sounds both urgent and considered at the same time. There are so many great tracks to choose from, it’s hard to pick just one – though I suppose I did for my Top Songs of 2016 post. I posted a couple more below, but from there you’re on your own…
Baltimore’s PLRLS (pronounced “PLURALS”) are a zany 5-piece punk-wave band that sound like Devo having a backyard pool party with the B-52s.
Their new album Have You Seen My Fancy Pony is a 30 minute romp of heavy as hell bass lines, hand claps, his and her vocal harmonies, angular guitar blasts and enough keyboard to make you believe you just took the DeLorean back to 1980.
Get a load of the bombastic “Oh What A World” (below) in either downloadable MP3 form or via their new music video (why not partake in both?), it’ll have you pogoing (pogo-ing?) ’til you drop.
Have You Seen My Fancy Pony is out on Friday (Jan 27). You’ll be able get it from their Bandcamp page.
PLRLS’ music deserves to be in your ear holes! Enjoy.
Austin, TX 4-piece, Pollen Rx, play a tasty brand of hook driven, scuzzy punk rock. Their new LP Sunbelt Emptiness is a frantic 29 minutes of angular guitars and crashing cymbals swirling around his and her vocal melodies. You can the title track “Sunbelt Emptiness” a spin below, I think you will dig it.
1. The Rebel Set – Trails! [hidden volume]
2. Helens – Just Like Pet Sounds [self]
3. RUMTUM – Good Places [self]
4. L’Orange – Rest Like Pollen [self]
5. MF DOOM – Charnuska [high times]
6. Palmas – Sweet Water [lost colony]
7. Emma Russack – My Own Friend [spunk]
8. Cub Country – You Want It All [them are good]
9. BADBADNOTGOOD – In Your Eyes (feat. Charlotte Day Wilson) [innovative leisure]
10. GABI – Distance Makes Me Disappear [self]
11. I Am The Polish Army – David Bowie [self]
12. The Staches – Total Commitment [bongo joe]
13. Uranium Club – Who Made The Man? [fashionable idiots]