While the band’s name has always been a bit of a self-fulfilling prophecy, the new single shows off Phelps’ range and energy with a brazen and emotive Paul Westerberg-style number.
Space-folk-gospel-disco pop, with a hint of The Who. It’s all here, kitchen-sink rock. Gotta hear it to believe.
[Insert Fugazi comparison here.] But seriously…call it a perfect storm of blistering energy, precision angst, and angular hooks; call it just what I need to make it through the news these days.
Modern Americana blues from Hawthorne, CA — home of Black Flag and the Beach Boys, though these guys sound more like Grandaddy.
Lonely, loping folktronica with a healthy shoegazer sheen.
Audio Learning Center were once members of grunge-era misfits Pond and Sprinkler, bands that disappeared before anyone could notice. “Stereo,” pairing anthemic crescendos with Chris Brady’s endearingly fragile vocals, may just right that wrong.
The chin-stroking ambience of O!A!L!’s 2003 material (see “Ex’s and
Ho’s Oh’s”) makes way for a more diverse palette of bristling pop and sprawling sonic gems in ’04.
Elastic, eccentric punk-wave with some really rewindable lyrics. Plus they’re from Regina, which makes me giggle.
Versus’ Fontaine Toups, perhaps the most underrated, indie female bass player, debuts her new band, carrying on where Versus left off.
Wild-eyed garage romps from the super duo of John Atkins (764-Hero) and Joe Plummer (Black Heart Procession, Caustic Resin).