Tommy Guerrero

Like his Southern California counterpart, Ray Barbee, Tommy Guerrero is a skateboarder turned musician, using simple, 4-track technology to capture his loose, laid-back grooves. Between the two they’ve practically defined a new genre: skate-soul.

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Devendra Banhart

Banhart’s voice and eerie gaze only add to the fragility of the song. “The Body Breaks” is hardly a pick-me-up, but it’s good to hear a songwriter with genuine eccentricity freely create something that nobody else can.

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Bloc Party

Bloc Party churn out quirky, spastic post-punk curiosities that you can imagine were recorded in a bitter cold South London practice space around 1982 — only half of which could be true. Their debut LP drops September 14; the major label bidding war should start shortly thereafter (if it hasn’t already).

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The National Splits

Let us celebrate the midpoint of summer with the National Splits. Mike Downey of the famed Chicago popsters Wolfie decided to go his own way a few years back, hence the National Splits. Perfect for BBQing, pool-crashing, and road tripping.

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Two Gallants

Young and well-read, this San Francisco duo have, thankfully, spent very little time listening to (and even less time being influenced by) their rock ‘n’ roll contemporaries. Instead they’ve forged these songs from their own blood, sweat, and tears, and brought them to life with the simple tools of voice, guitar, and drums.

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Mouse on Mars

Mouse on Mars have mastered many genres by showing allegiance to none; rather, they rely on sound songwriting to make even their most adventurous work feel just right. This cut off their eighth LP, Radical Connector, is a case in point: a breathy vocal pop track sliced ‘n’ diced in a vocoder-stutter-funk stylee without once losing sight its memorable tune.

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The Velvet Teen

The Velvet Teen have always been cool about sharing their deepest discontents, and it turns out the secret ain’t the riffs. On these lilting new tracks they nearly forgo guitars completely and opt for a baby grand just shy of overblown that helps Judah Nagler get in touch with his inner torch singer and they replace the riffs with a string section that gives “precious” a good name. But don’t worry, those signature keyboards and rhythms still sparkle like a sky full of shooting stars.

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