Amor de Días was formed by Alasdair MacLean of The Clientele and Lupe Núñez-Fernández of Pipas back in 2009. They released their debut album with Merge in 2011. Their new album, The House At Sea will be released on January 29th, also with Merge. Their sound is super chill, utilizing mostly two Spanish guitars and their voices, with an occasional rhythm section consisting of former members of The Clientele. Check out below “Voice in the Rose”, one of their more laid back songs with Spanish guitars as the focal point, and “Jean’s Waving”, one of the more peppy songs on the album. Both songs are fantastic, and represent the album well. Enjoy the songs, get out and buy this album, you will not be disappointed.
Daphni is the new project of Caribou’s Dan Snaith. JIALONG (JOW-long), his debut release as Daphni, is out now on Merge Records.
As Daphni, Dan set out to record a more spontaneous album, without the careful attention to detail that goes into a Caribou release. The results are just as Snaith intended, a loose, spontaneous album perfect for the dance floor. Enjoy.
I’m sure to a lot of you The Mountain Goats are not new, in fact we posted a few of their songs back in 2004. To those of you who haven’t heard of, or taken the time to listen to them, there is never a better time than now.
The Mountain Goats recently released their 14th proper album, Transcendental Youth, with Merge Records. I highly recommend the album. Check out “Cry For Judas” below. It’s one of their more upbeat songs, from the new album, and a great starting point if you’re new to the band. Enjoy.
Divine Fits is a new side project/new band/supergroup made up of Britt Daniel from Spoon, Dan Boeckner from Handsome Furs and Wolf Parade, and Sam Brown from New Bomb Turks. They are releasing their debut album, A Thing Called Divine Fits on August 28, with Merge Records.
Full of throbbing synths, echoed vocals, and driving beats, A Thing Called Divine Fits is very catchy, just what one would expect after reading the bands lineup. Britt and Dan share lead vocal assignments, each singing lead on half of the album’s tracks. The two tracks included below are samples of each singer’s distinctive voices, and how those voices make each of their respective songs sound unique, but flow well with each other as well. “My Love Is Real”, the opening track sung by Dan, has a dark, fuzzy vibe to it. While “Would That Not Be Nice” sounds pretty much like a Spoon song, with a thumping bass line and maracas ushering in Britt’s vocals. Both songs are really good, and will give you a good idea of how great the entire album is.
15 years since their last studio album, Redd Kross will release their Merge Records debut, Researching The Blues, on August 7. After a few listens to this album it’s hard to believe that it’s been so long, it is tight and has more hooks than a Frazier/Ali fight.
“Researching The Blues” the album’s title track, included below, kicks things off in a hurry with it’s crashing cymbals and chunky guitar and doesn’t let up for 3 minutes and 53 seconds, leaving you in a puddle of your own sweat and out of breath. Hopefully you won’t destroy your favorite listening device while thrashing about and you can enjoy this song more than once. Enjoy.
M. Ward is releasing his new album, A Wasteland Companion, with Merge on April 10. The album was recorded with 18 musicians from bands like Oakley Hall, Devotchka, Sonic Youth, and Dr. Dog to name a few. Ms. Deschanel sings on a couple of tracks as well. Merge was gracious enough to send us the song “Primitive Girl” from the forthcoming album to share with you. “Primitive Girl” is in classic M. Ward form, although it’s a piano driven track with his guitar skills taking a back seat. The song moves along quickly, finishing well before you want it to. I guarantee at least two repeats. Check it out below, and make sure you get out to your favorite record store on April 10 to get yourself a copy.
Hospitality is an indie pop trio out of Brooklyn, NY. They released their first full-length, self-titled album on Merge Records last week. This album is catchy as hell, and has been on constant rotation since I received it. The two songs we’ve included below are a mere example of how good this album is. “Friends of Friends” and “Betty Wang” are pure pop gold. Full of fuzz, some surf guitar, and just the right amount of punch. But what really makes these songs stand out, and really the entire album, is Vocalist Amber Papini’s unique style. She sings with a slight English accent. According to Merge, Amber is from Kansas City and learned to sing by imitating Richard Butler on The Psychedelic Furs’ Talk Talk Talk. Enjoy.
Wild Flag is a super group, consisting of Carrie Brownstein, Rebecca Cole, Mary Timony, and Janet Weiss. The members of Wild Flag have played in notable bands including Sleater-Kinney, The Minders, Quasi, Helium, Stephen Malkmus and the Jicks, and others. Their sound is similar to Sleater-Kinney, this is obviously because of Brownstein’s distinctive voice. “Romance” and “Future Crimes” come from their self-titled debut. They are two of the more upbeat tracks on the album. On “Romance” they don’t pull any punches as the opening keyboard and drum beat lure you into a full on vocal assault by Brownstein. “Future Crimes” is a little more subtle yet the song has the same in your face feel to it. Here’s hoping that Wild Flag is here to stay.
Eleanor Friedberger is better known as half of the band The Fiery Furnaces; if that doesn’t perk your ears up, hopefully listening to the song below will.
I am not one who usually puts a song on repeat and plays it until the MP3 skips. I’m afraid I’ll get “burned out” with the song. With “My Mistakes”, the first track from her debut solo album, Last Summer, I have completely gotten over that fear. I have listened to this track more in the past week than most other releases this year. It really is an amazing song, packed with a fuzzy bass line, driving beat, just enough keyboard and even a sneaky saxaphone at the end. If there wasn’t already a video for this song (below), I can picture Eleanor cruising around on a bicycle of some sort, on some small town main street, waving to all the passersby as she quietly sings this song to herself. At least that’s what I want to do when I listen to this song. I hope you enjoy this song as much as I do, it is the song of this summer.
Paul Young left a comment on my last 3hive entry — a Julie Doiron re-post — that said, “Yo JC! Paul Young wants to hear about the new Superchunk album.” While I don’t remember Paul speaking of himself in the third person while a student in my class, he is somewhat of a legend in the halls of a certain suburban Detroit public school. And so, it is with much pleasure that I comply with his wishes and dish up a track from what has been maybe the second most important band in my own life. Without Superchunk, I’d be a fraction of the poet I am, and way more boring too. So Paul, I’m glad you’re alive, and thanks for asking. “Misfits & Mistakes,” appropriately titled for both of us, I think, sounds like 1990 all over again, but instead of being the secret bonus track behind “Brand New Love,” it’s new. Leaves in the Gutter, an EP released this month, is the band’s first fresh spin since Paul was in 8th grade. So here you go; let me know what you think, and say hi to Laura for me.