There isn’t much sunshine in titles of Mt. Egypt’s plaintive ballads, and there isn’t much sunshine in New York City today, so the pairing is one that fits quite nicely. According to his bio, Travis Graves is “homeless in California,” which begs one of those chicken-or-the-egg questions of whether he’s homeless because he’s an artist or he’s an artist because he’s homeless. The longing in Graves’ vocals is in the great recent tradition of such wounded souls at Will Oldham, Mark Kozelek and Eef Barzelay, and his fragile guitar paints a wistful picture, especially on the lower-fi offerings here. But lest you spin off to something more cheerful to get your weekend going, Graves isn’t all melancholy. His is the sound of transition — that moment when despair gives way to renewal. It’s the perfect soundtrack to the changing of the leaves, because autumn is finally here, even if you’re homeless in California.
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this music is fine stuff. he's got a great name, this Graves fellow, but i'd like his music even if he was nameless, as well as homeless.
I bought this album a few months a go
It was definetely worth it, I listen to it from time to time,
"like that golden oldies record"
i bought the album a few months ago. it's alright – not too many standout tracks, but the ones that do stand out are fantastic. well worthy of mention
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The Smiths were unable to conceive children and decided to use a surrogate
father to start their family. On the day the surrogate father was to
arrive, Mr. Smith kissed his wife and said, "I'm off. The man should be
here soon" Half an hour later, just by chance a door-to-door baby
photographer rang the doorbell, hoping to make a sale.
"Good morning, madam. I've come to…."
"Oh, no need to explain. I've been expecting you," Mrs. Smith cut in.
"Really?" the photographer asked. "Well, good. I've made a speciality of
babies"
"That's what my husband and I had hoped. Please come in and have a seat"
After a moment, she asked, blushing, "Well, where do we start?"
"Leave everything to me. I usually try two in the bathtub, one on the
couch and perhaps a couple on the bed. Sometimes the living room floor is
fun too; you can really spread out!"
"Bathtub, living room floor? No wonder it didn't work for Harry and me"
"Well, madam, none of us can guarantee a good one every time. But, if we
try several different positions and I shoot from six or seven different
angles, I'm sure you'll be pleased with the results"
"My, that's a lot of….." gasped Mrs. Smith.
"Madam, in my line of work, a man must take his time. I'd love to be in
and out in five minutes, but you'd be disappointed with that, I'm sure"
"Don't I know it," Mrs. Smith said quietly.
The photographer opened his briefcase and pulled out a portfolio of his
baby pictures.
"This was done on the top of a bus in downtown London"
"Oh my God!" Mrs. Smith exclaimed, tugging at her handkerchief.
"And these twins turned out exceptionally well, when you consider their
mother was so difficult to work with"
"She was difficult?" asked Mrs. Smith.
"Yes, I'm afraid so. I finally had to take her to Hyde Park to get the job
done right. People were crowding around four and five deep, pushing to get
a good look"
"Four and five deep?" asked Mrs. Smith, eyes widened in amazement.
"Yes," the photographer said, "And for more than three hours too. The
mother was constantly squealing and yelling. I could hardly concentrate.
Then darkness approached and I began to rush my shots. Finally, when the
squirrels began nibbling on my equipment, I just packed it all in."
Mrs. Smith leaned forward. "You mean squirrels actually chewed on your,
um……equipment?"
"That's right. Well, madam, if you're ready, I'll set up my tripod so we
can get to work."
"Tripod?????"
"Oh yes, I have to use a tripod to rest my Canon on. It's much too big for
me to hold for very long. Madam? Madam? ……. Good Lord, she's
fainted!!"