If you’ll afford me a moment of cheerful codgerism: There was a time when you got a self-recorded release and you could tell. The guitar was flat and muffled. The vocals sounded like they were filtered through cellophane. There was no such thing as “layering†– you could barely get in what you needed on the four tracks you had to work with. There’s still plenty of room for such DIY ethics. But thank goodness for ever-improving technology too, because now songwriters like Evan Duby can create tracks that are appropriately multidimensional. The strings on “Words†bathe Duby’s soft vocals in warmth. “Separate Ways†and “Pale†surround themselves in the subtle ambience of an old-style organ, so that they’re acoustic with a little something extra. And his cover of Springsteen’s “State Trooper†has a sublime sonic kick. Of course, the best equipment in the world can’t hide something that was never meant to sound good. Fortunately, Evan Duby has nothing to hide.
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