So Many Dynamos

Finally! I’ve been sitting on So Many Dynamos for a little while now, trying to wait for their new album before posting about them. These St. Louis fellas have recently spent time as Emperor X’s backing band and extensively touring themselves. All that time on the road and all the shows have helped them find, focus, and refine themselves. The goal: to make you dance. The result: crashing drums, frantic vocals, equally frantic guitars, a horn section, a 30 member choir, carnival instruments, and lots of dancing in the living room.

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The Autumn Project

No, summer ain’t over, but the kids are back in school, which means it’s essentially autumn. Des Moines, Iowa’s The Autumn Project and their post-rock sounds, then, provide us with our first assignment of the school year. Their 2003 LP Fable is a case study in the genre, full of monsterous guitar soundscapes and crashing cymbals. Their latest A Burning Light is darker and more focused, as demonstrated by doing a little compare and contrast between “Of Memorium” from Fable and the newer “Between the Smoke & Mirrors.” Five paragraphs, double-spaced. Due tomorrow.

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North Valley Subconscious Orchestra

Medicine played in Memphis right before I got home from college one summer, but my brother Josh and our friend Andy saw them and even visited with them at the Admiral Benbow Inn (just recently demolished). They learned that Medicine’s wicked guitar feedback was achieved by running Brad Laner’s guitar through a four track and turning all the knobs up. We spent that whole summer trying to get a four track to mimic a distortion pedal with no success. Brad Laner, we determined, was a genius. Which is probably why I recently Tivo-ed the movie “The Crow,” just so I could see that scene of Medicine playing “Time Baby,” trying to get a glimpse of his guitar setup. Now Laner and fellow guitarist Christopher Willits, as North Valley Subconscious Orchestra, are releasing another feast of guitars on Ghostly’s digital download-only album The Right Kind of Nothing. More melodic feedback, anyone?

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Relay

Let’s get this straight from the start: the band named Relay contained herein is the one from Philly, not Delaware, Jersey, England, or (for cryin’ out loud) Utah. This Relay is a purveyor of shoegaze updated for the new millenium. Well, perhaps not that updated, but Relay are putting out some fine shoegaze in our current millenium, reminiscent of those shoegazer stalwarts from the early 90’s, Drop Nineteens (who were from Delaware, even though this is NOT the Relay from Delaware). Relay’s Type/Void EP is out on Bubblecore on August 8th.

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Languis

Hmmm. I’ve been somewhat bored with music lately. Slow stuff is really getting to me. I saw Radiohead in LA a few weeks ago, and while it was a good show (“Paranoid Android” was awesome!), when the stagehands started wheeling the piano out, that was my queue to sit down. I just fly through my old lady’s iPod on shuffle. Boring. Next. Boring. Next. Boring. Next. Maybe it’s due to my advancing years, but I need something with some zing to it, some energy! Of course I say that and here I find myself digging out LA’s Languis. Their drive to create electronic music with real instruments is intriguing, as are their frequent releases, their impressive list of contributors, and their musical histories. Which because I’m sick of writing, I’m going to make you read for yourselves at the links below, after listening to “In The Fields of (Lonely Fences)” from their Other Desert Cities EP.

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The Aquabats

The Aquabats are the only band that I saw before having kids (1995 to be precise) that my kids have also seen. That happened just a few weeks ago thanks to 3hive’s own Sean. The very day we were visiting him and his family was the same day the Aquabats were playing nearby in a cul-de-sac for someone’s birthday party. When the kids got to take a photo with the Aquabats before the show, little did they know what was in store: the costumes, the comedy, the monsters, the satire, the mosh pit, the silliness, and the pool party accessories. In the last 9 days, they’ve listened to the full album 42 times. And watched the “Fashion Zombies” video 38 times. Aquabats, you have some new cadets!

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Snowden

Little did I know in my struggling years as a young(ish) shoegazer back in the early 90s that one day bands would be labelled “post-shoegaze” as a badge of honor. Atlanta’s Snowden have been given that tag, but there’s oh so much more to them than just that. Pop and rock are equal parts, and they use a special technique that my friend Mike G taught me after our band broke up many years ago. I was complaining about the stuff I was doing on my own, and his wise advice was to throw on more reverb and more distortion. The result was fantastic. Snowden have taken that same advice. Their debut album comes out August 22nd, and their EP can be downloaded from their website.

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