AM 960 The Student Undeground Network. Founded by 3hive’s own Sean way back in 1993. Our friend Scott and I hosted a ska show, making our best effort, as Scott recently said, to educate the high school youth in town about ska. We lifted the title of our show from the Skaos song “Ska Skank Down Party.” This song below is from Skaos’ brand new album Pocomania, proving to us once again that them German rude boys sure can cuss. Note: Two more songs added from earlier albums, “Too Late” and “Shout.” Enjoy!
The Glass
The Glass take all that’s good from the last decade of indie music and work into their soundscapes the qualities of Memphis, Tennessee: slow, easygoing, polite (to your face), good food, good friends. Like a still day in the summer heat, where Ol’ Man River, the Mighty Mississippi, is as smooth as glass.
Yo La Tengo
I have it! Yo La Tengo!
The Insomniacs
Many years ago Sean introduced me to The Three O’Clock, a mod-influenced power pop trio who were strong in the music but displayed a common shortcoming of mod bands: the lyrics were just stupid. “Jet Fighter Man/that’s what I am/cause tanks go too slow.” That’s actually my favorite song by them, but I mean, come on. The Insomniacs are another mod-influenced power pop trio who I turn to when I miss one of my favorite all-time bands, the early ’90s British mod-influenced power pop trio Five Thirty. (I recently had the priviledge of introducing Sean to Five Thirty, a little quid pro quo.) The Insomniacs have almost got it all: bass-shaking snarling (in the mod sense of the word) guitars, tight Small Faces harmonies, enough hooks to knock out Pete Townshend, and a singer whose voice makes him a dead ringer for the singer of Five Thirty. Let’s just not discuss the lyrics.
Low
Over seven albums, Low have collected praise and fans from all over the world. Their sound has grown and expanded, from the gentle stillness of I Could Live in Hope to the strong melodies and warm harmonies of Things We Lost in the Fire, and from the pure genius of their cover of Joy Division’s “Transmission” to proving they can make some noise with best of ’em on “Monkey” from their Subpop debut, The Great Destroyer. Simply one of the best bands out there. Enjoy.
Note: Their wonderful ode to the Misfits that was previously featured on 3hive is no longer available from their revamped website. It’s time to start a letter writing campaign to get it back!
The Gossip
We all go through phases. Some are developmental, like my two year old’s tantrum/fit last night upon leaving the Taco Bell play-place. Some are musical, like me listening to almost nothing but The High Water Marks and 30 Amp Fuse the past two weeks. So to break me out of my phase, here’s The Gossip, a trio of ladies who relocated from Searcy, Arkansas, to Olympia, Washington, who I think are no more. If PJ Harvey fronted the Blues Explosion, the Gossip would still do gospel-shaking, blues-tinged rock ‘n’ roll better…Addendum: Thanks to a 3hive reader, it’s been confirmed that The Gossip have played a show as recently as a few months ago, so hopefully they’re still around.
We Are Scientists
My red Rickenbacker 620, the poor thing, doesn’t get picked up much these days. Job, age, fatherhood, soccer, home ownership, the price of 9-volt batteries…they’ve all conspired to keep me from my guitar and my Maestro Fuzztain pedal (which, by the way, is the size of two calculus textbooks; I bought it cause Kurt Heasley of the Lilys used one). A couple of bands over the few last years have inspired me to pick my guitar up, like the late great Henry’s Dress (whenever I miss them) and more recently The High Water Marks and Louis XIV. But now I think I’ve found the perfect inspiration: We Are Scientists. Anybody want to join my We Are Scientists cover band? If I may quote the We Are Scientists website, “Bring yourself and your dignity; only one of you will leave.”
Snowglobe
Remember those “Dirty Boys” mentioned in Wednesday’s Of Montreal post? Oh, how we loved to tease them by calling them hippies. Well, a few of them make up the band Snowglobe. No surprise then that Snowglobe is heavily influenced by the sounds of Elephant 6. Warm, poppy, psychedelic-y, and even a little bit hippy. They also blend in shades of jazz and hard rock, with touches of horns, strings, bells, whistles, and whatever else was lying around the house to create a masterpiece of music that’s all their own. Damn hippies…
Of Montreal
There’s something about good music where you can always remember the circumstances when you were first introduced to it. More than a few years ago, my brothers and their friends, collectively known as the “Dirty Boys” for their fear of bathing, would gather for weekly soccer games while they were still in high school. I always played with them, despite being the only one who owned a proper pair of soccer boots, and boy did we have some good games. After one of those games, we having defeated a neighborhood Hispanic team who just showed up that day, BW Appleseed, as Brian was called, pressed into my hand a Holly Johnson tape. Holly Johnson?!! Well, on one side was handwritten “The Minders,” and on the other was scrawled “Of Montreal.” Of Montreal have their roots in Athens and the Elephant 6 collective, and they make just wonderfully eclectic pop. And I’ve still got that tape.
Hood
Hood, well, they are simply one of the greatest. Hailing from Bristol, England, Hood have been putting out rural noise-pop (much like Flying Saucer Attack was rural psychedelia) since 1994’s epic Cabled Linear Traction. I say noise-pop ’cause they go from beautiful noise to pop and back again. Unfortunately for us, the only MP3 available from their brand new LP Outside Closer is at an unlistenable 48 kbps, so our selections cover an older range, from “Her Innocent Stock of Words,” one of my personal favorites from 1996’s Silent ’88, to softer fare like “Cross the Land.” Many more rare and miscellaneous MP3s are available at the sites listed below.