Sometimes while researching for 3hive, I start with an old post and start clicking links. I did that tonight, and after seemingly dozens of links, I ended up on a Leeds garage punk-rock band, the Real Losers. I couldn’t get back to their site even if I tried again. This song is so lo-fi, and such a crappy recording, it actually can’t get any better. Don’t you just love the internet?
Charles Bradley & The Bullets
Isaac Hayes passed away today (Sunday), in the very same hospital that my children were born in. His strong personality will be missed, but his musical legacy remains. I’ve been digging the soul/funk/R&B revival going on these days, thanks largely to Daptone Records, so it’s appropriate today to share a couple of gems from the Daptone 7 inch Singles Collection Vol. 2 by Charles Bradley & The Bullets.
Jay Reatard
Jay Reatard is a crazy man from Memphis. He’s prolific, playing with seemingly a dozen bands over the years, notably the Reatards and the Lost Sounds, with even more releases. He’s even got his own Wikipedia page. “Sea Saw” is a single from March of this year. Matador, his new home, is releasing a collection of six of his singles from this year on October 7th.
Andy Grooms Living Room
Time to return to my Memphis roots with Andy Grooms, and his album Greatful to Burn under the Andy Grooms Living Room moniker on Memphis’s Makeshift Music. “Mary Or Mephisto” is a genre blending song, jumping from trippy blues-tinged psych guitar to jazz piano leaning toward 70’s pop.
Dub Narcotic Sound System
Sam’s recent post of Shelleyan Orphan had me looking through my vinyl, something I do maybe four times a year these days. I don’t own either of the bands from his post, but I did stumble across an old gem from Dub Narcotic Sound System, formed in 1993 and named after the Dub Narcotic Studio, the studio of Calvin Johnson, founder of K Records. While my personal favorite “Teenage Timebomb” is not available for free download, the funky smoothness of Calvin’s Pacific Northwest, baritone white boy rap on “Handclappin'” is.
Pas/Cal
Pas/Cal was my very first post on 3hive back on April 26, 2004. It’s about time they’re getting around to releasing their first LP, I Was Raised on Matthew, Mark, Luka, and Laura. My words then are just as true today: Detroit’s pop ensemble, pure fun with just enough pretentiousness to put one over on the Elephant 6 family.
Wild Years
Basically everything I know about Ann Arbor’s Wild Years is found on their myspace page. So download the song below, a twirling, whirling electronic piece, then head to their myspace page and grab their two EP’s for free. The older one has definite folk leanings, so knowing they pretty much make whatever music they want goes right along their dabblings in performance art.
Cafeteria Dance Fever
The summer may have just begun, officially, but it’s that time of the year: the late June music funk. Funk not as in George Clinton funk, but funk as in I just can’t find anything I want to listen to. The Gossip‘s That’s Not What I Heard and Slumberland Records’ podcasts have been the only things keeping me going. But what better to get me outta this funk than a bunch of noise. This Portland quartet makes a mighty racket with their screwy punk rock screaming and pounding. These tracks may be a few years old, but they work.
Sic Alps
Sic Alps is the product of Matt Hartman (the best band ever Henry’s Dress, Cat Power, The How) and Mike Donovan (Big Techno Werewolves, Ropers, Sounds Of The Barbary Coast). While the early track below is feedback overload, their newer releases are San Francisco no-fi psych-garage-rock. New LP U.S. EZ out July 15th on Siltbreeze.
Tender Forever
Melanie, my favorite French street-artist-turned-K-Records-stalwart, has released her second LP Wider. Her live show that I caught several years is one of my favorite live shows of the past ten years. To quote myself in our Junk Drawer: “Holy moly, Melanie was incredible, part musician/poet/child/dancer/manipulator/artist/provacateur/comic/songwriter. And her voice live is so loud, so strong, so filling.” She set up on the floor in front of the stage for maximum audience interaction, which involved her punching me in the stomach, taking and wearing my wife’s coat, and rifling through the pockets of my friend Vince. With her new album, she continues to craft her electronic performance-pop, with sweet melodies and varying tempos, harmonizing with herself about love and life.
Original post 10/12/2005:
As previously mentioned, my personal goal of attending all shows by 3hive bands in my hometown has been quite a failure, coming in right now at about 3 out of who knows…10? 20? 30? That’s gonna improve slightly when Tender Forever comes to town on November 6 with His Royal Highness of Indiedom Calvin Johnson. A musical journey from Bordeaux, France, to Olympia, Washington, can only mean one thing: exquisite Franco-American pop. Melanie Valera and friends, see you soon.