The Love of Kevin, Colour, Chaos, and the Sound of K

Compare and contrast my post of May 18, 2005, with this one. Same band. Same song title. But just as the Swedish duo of Lindefelt and Fredrik have changed their performing name from The Lovekevins to The Love of Kevin, Colour, Chaos, and the Sound of K (or “The LK” for short), they have also changed their style. “Stop Being Perfect” has gone from being a textbook Swedish guitar-pop song to a textbook Swedish electronic pop song (there’s the contrast). No change though in their ability to craft a catchy pop song, one that induces singing along and toe-tapping. For the curious, some of those older “guitar” songs from their 2005 Max Leon EP can be downloaded from the Songs I Wish I Had Written website below.

Original Post (as the Lovekevins) 5/18/2005:
There’s nothing quite like blindly buying an album at the local record store and finding something you just love. Trust me, I’ve bought some real junk over the years (Betty Boo circa 1990, anyone?) in that pursuit. But I’ve found some really good stuff. Sometimes it’s the album cover (Jessamine), sometimes it’s the record label (Henry’s Dress), sometimes it’s just a good vibe (Super 5 Thor). Even today, in the new millenium, that still happens with the world wide web. I stumbled across a real gem of band, the Lovekevins, on the online store Delicious Goldfish Records. Fantastic Swedish pop that soars and bounces and captivates and I just have to go listen to “Stop Being Perfect” again right now.

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Rademacher

Really? Has it really been two a half years since Rademacher first appeared on 3hive? This foursome, led and driven by Malcolm Sosa, continues to mature, while still doing their own thing, man. Yes, they’ve made some changes over the years–style, personnel–but they still have their independence, their quirkiness, and an ear for a good tune, finally releasing their first full-length Stunts in December 2007 after three earlier EP’s.

Original Post 8/24/2005:
Okay, there are three good things that come from Fresno, Californ-I-A, and no, not one of the three is Cher. My old lady (oh crap, she’s gonna read this, make that my young bride, to quote my father-in-law) hails from Fresno, as do Let’s Go Bowling and Rademacher. The relative isolation of the Central Valley has allowed the young ones of Rademacher to develop their own take on indie rock that is intense, melodic, and original while being vaguely familiar. The first song is from their new EP out this fall.

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British Sea Power

It must have been 2004’s edition of our year end lists when I included British Sea Power in my section of “Our Favorite Wish-We-Could-Put-Them-on-3hive Artists” after I had been enjoying their LP The Decline of British Sea Power. Now jump to present day, and, voila, here is British Sea Power on the 3hive, asking you the question in the title of their latest LP Do You Like Rock Music? It’s also my way of making up for missing them at Noisepop in San Francisco last week (I also missed the Walkmen, ug). I know, excuses, excuses.

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The Ettes

The day I’ve been waiting for has finally come. After waiting 19-odd months, today is the day we bring you a new song from the Ettes. Look at Life Again Soon, out March 11, picks up where their debut Shake the Dust left off, continuing their self-described beat-punk, adding a little more 60’s reverb to drench Coco’s coo-ing, a little more of Jem’s dirty bass, and whole lot of more of Poni’s pounding the snot outta her drum kit. Catch them if you can on their way from Florida to SXSW.

Original Post 6/20/2006:
Yes, it happens to me several times a year, maybe even a month, where I find my new favorite band. For the past week and a half now, the Ettes are my new favorite band. We here at 3hive try to avoid personal and patronizing (ie., brown-nosing) statements such as that in our quest to share the sharing, but with the Ettes, I just can’t help myself. Their girl-lead, blues-inspired garage rock is sharp and pulsing and induces a state of air-guitaring and posturing. See what I mean?

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The Federalists

For this President’s Day, a holiday usually celebrating George Washington’s birthday, let’s look at the modern namesake of the party of John Adams, second president of the United States. The Federalists (the band), with their smart indie rock and a penchant for occasional flashes of electronics, hopefully will not repeat the political mistake of the Federalists (the political party) in opposing with War of 1812, which led to their eventual demise after Andrew Jackson’s surprise victory at New Orleans.

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Lemuria

Buffalo’s Lemuria has been been a real working band since their formation in 2004. Touring, touring, and then more touring. So after putting out various singles and EP’s, their debut album Get Better is out now on Asian Man Records. And their song below, “Pants,” has triggered my obsessive compulsive disorder; besides having me absolutely hooked, it’s so catchy, fuzzy, and snappy, that after Sheena sings “You never missed a word I tried to fit/Inside a chorus, inside a verse, all my intros and the bridge/That’s where I put all the awful things I think I am/And if you still respect me I guess I’ll have a second chance” I want to tell her that she leaves a great first impression.

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Hearts of Palm UK

The following is a Public Service Announcement from 3hive and Hearts of Palm UK.

Hearts of Palm UK offers a timely song this week about citizens and their right to vote, “Super Tuesday,” the (un)official anthem of (obviously) Super Tuesday, the day 24 states in our blessed union hold presidential primaries. Hearts of Palm UK are not British or Northern Irish, as the name would suggest; Erika and Ambi-D are a couple of Cali girls cranking out this peculiar indie-electro-pop. As a political science major in college, I secretly hope that they follow this up with a song discussing, dissecting, and explaining the results of Super Tuesday. Maybe they can even get invited to appear on Meet the Press. Anybody got Tim Russert’s email address?

Remember to vote!

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The High Water Marks


1,255 days. That’s how long I’ve been waiting to post once again about a new album from the High Water Marks. And after patiently waiting for so long, today is the day. New album Polar is out now!

The Leaves [MP3, 3.8MB, VBR]

Original post 8/20/2004:

Last year my friend Matt was passing through town and I dragged him out to see the Apples in Stereo with opening act Oranger. After Oranger finished their set, he turned to me and asked, “How do you compare Apples and Oranger?”

With The High Water Marks we get to do just that. Featuring Apples in Stereo drummer Hilarie Sidney on guitar and Oranger drummer Jim Lindsay, with members of Palermo and Von Hemmling filling out the team, The High Water Marks have a rocking, jangling, cymbal-crashing good time. So Matt, the answer to your question is The High Water Marks.

Good I Feel Bad [MP3, 2.4MB, 128kbps]
Queen of Verlaine [MP3, 3.1MB, 128kbps]

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Wire

So I was just talking in the past week with a rather new friend about our top 5 albums. So I made my list after much internal debate, and when it came to adding Wire, one of my favorite bands of all time, I had such trouble deciding between their albums Pink Flag and Chairs Missing. I ended up going with the former, but Wire is not just musical nostalgia; the old lads are still making music, as heard in the song “23 Years Too Late” below from their November 2007 release Read & Burn 03. Many more free songs available from their website.

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Fantasy Mirrors

Hey, as I’ve admitted elsewhere on these pages, I was a child of the 80’s. When it came to the electronic music of the decade, I did have certain tastes. Big fan of Tears for Fears’ the Hurting, as well as A-ha (those Norwegians could write a fantastic pop song), the Thompson Twins (who weren’t really twins), the perverse Australian fun of Severed Heads, and even, gulp, for a brief while, the Communards. Despite their popularity at church dances, I was not so into Depeche Mode, and I sold Erasure back to the CD exchange store a week after buying it. After ending 2007 with the electronic pop of hollAnd, I’ll also start 2008 in the same vein, although the Fantasy Mirrors are much more blatant in their devotion to 80’s electronic music. Anyone care to take a stab at naming the Fantasy Mirrors’ influences?

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