Some bands are made up of those who fled organized education at the first chance possible, while others are just a bunch of math majors. Canasta has got to be one of the latter. Suggested by Dawntread at the University of Chicago (need I say more?), Canasta taps into a Chi-town vibe with melodic, witty and intelligent chamber-pop. For something upbeat, enjoy “Slow Down Chicago,” and glide along with its tastefully muted horn line. For introspection, “Shadowlands” could have been written by heartbreak kings Ben Folds or Mac McCaughan, but wasn’t.
My Brightest Diamond
Ypsilanti, Michigan, usually has trouble measuring up to its neighbor to the north, Ann Arbor. The bar and restaurant scene is less vibrant, the clubs a bit dirtier, and Eastern Michigan University is no U of M, period. The brightest spot, perhaps, is Materials Unlimited, a salvage shop extrordinaire, filled with eclecticism and rare gems. And so, the analogy should be obvious — the music of former Ypsi-kid Shara Worden, a.k.a. My Brightest Diamond, is like something out of the finest architectural antique shop. Her stylized and orchestrated pop experiments are structured compositions, full of nuance, and her voice reflects he Pentecostal church choir childhood. Too bad for Ypsilanti she moved to New York. Her debut ablum on Asthmatic Kitty, Bring Me The Workhorse, comes out August 22nd.
Jennifer O’Connor
For some reason, I thought I’d already posted Jennifer O’Connor. I remember looking at her website, and the older songs she has available for download there were already on my iPod. Ah well, my apologies to Jennifer and her fans, and here you go. If you work her song selection from the bottom up, you can see O’Connor’s development from girl-with-acoustic-guitar to full-on rocker, especially with the track “Exeter, Rhode Island,” off her next album, Over the Mountain, Across the Valley, and Back to the Stars, due in August on Matador. Until then, she’ll be touring through July with 3hive faves Hotel Lights and Liz Durrett.
Stella (U.S.)
Hard-driving, guitar-driven rock and roll followed up with introspective, melodramatic ballads — what could be better? (There are many, many answers to that question, for sure.) Stella (U.S.) reminds me of an indie version of the bands you’d see on Headbangers’ Ball. Download these tracks — “NYC” is the ballad, btw — and think about how much hair these guys would have had in the late ’80s.
Monkey Swallows the Universe
Ok, so, let’s not talk about band names. Instead, let’s talk about yesterday being the first day of summer and how, as we drive I-75 tomorrow headed Up North, “Jimmy Down the Well” will match our sunshiney moods (if not the rainy weather). Thanks, from the north of Michigan, to Paul, who sent us this suggestion from the north of England.
Si Schroeder
I love the first line of description regarding this guy on the Trust Me I’m a Thief website: “Si Schroeder is a six-foot hairy male who makes ‘music’.” To how many people in this world does that sentence apply, I wonder. And is it the hairiness or his height that matters the most (or the combination of the two)? Anyway, with all of the above you get Irish psychedelic electronica in a cool ambient vibe, and if you find yourself wanting it more, Si Schroeder’s debut album Coping Mechanisms will be released in fall 2006.
The Book of Daniel
When Jan suggested The Book of Daniel a few months ago, my first thought was of E.L. Doctorow’s novel of the same name, which was my least favorite of the texts we read in my most favorite grad school class, Prof. William Veeder’s “Contemporary Historical Fiction.” Every year I try (and invariably fail) to teach Eudora Welty’s wonderful and little-known short story “Where is the Voice Coming From” as finely as Bill did. Oh well. Anyway, here’s what Jan had to say about The Book of Daniel: “Daniel Gustafsson (who is the brother of Swedish Bright Eyes-type singer-songwriter Boy Omega) has written some awesome songs recently. Imagine John K. Samson of the Weakerthans playing beautiful jazz versions of Buckley or Wainwright songs.” Exactly. I’ve included three of the six songs available for free and legal download from Gustafsson’s EP; the rest are available at Daniel’s website, and there’s more info at Swedesplease, a really cool version of 3hive (free, legal MP3s) specifically for Swedish bands. (Who would have known there’d be enough to keep it going?)
S.S. Cardiacs
No. 1 candidate for my new favorite song (at least for the month of June): “Noo Noo” by S.S. Cardiacs. Jessie Stein sounds like she’s about 12 years old until you hit that chorus, “Word play is the foreplay of the gods,” and then it’s like we’re all back in high school again. Off-kilter rock, bizarre brainy lyrics, lots of t’s and i’s left uncrossed or undotted; great fun. The suggestion for S.S. Cardiacs comes from 3hive alumni Shotgun and Jaybird, representing full-on for Canadian indie rock. (We’ve posted so much from up north this year that we’ll be named Knights of the Canadian Empire soon, just you watch.)
The Eighteenth Day of May
This London 5-piece mixes Celtic folk with ’60s psychedelic pop with old REM-style vocal murmuring for a sound that’s light, tight and user-friendly. Check out the band’s website for a few live tracks and clips of about a half dozen other songs.
The Silver Hearts
We’ve done some orchestral pop here recently, with posts on Architecture in Helsinki and The Heavy Blinkers. The Silver Hearts — an Ontario ten-piece band — use a lot of the same instruments, but really without the pop part. Think a hundred years ago and you’re headed in the right direction. Think Tom Waits vaudville and you’re even closer to home. In fact, available from The Silver Hearts is their own song-by-song interpretation of Waits’s 1985 classic Rain Dogs (click here if you’re curious). Their “beer and brothel orchestra” sound is probably a pretty good fit.