Available in its entirety for free download from Bipolar Productions, Bill Patton’s cleverly fragile debut album Gets It On is looking for a good home. Part Neil Young from the “Sugar Mountain” days, part Dashiell Hammet meets Nick Drake (the title “A Crimefighter Who Pities Fools” should say enough), Patton’s sparse arrangements, with mumbled vocals and piercing pedal steel guitar, are about as emotive as you can get. Try two originals (especially “Dirty Woman”) and two covers — yes, from the Beatles and Prince — to get a handle on his unique sound and, of course, to enjoy. PS Thanks for the tip, Justin.
Elliott Brood
Neal’s been suggesting the self-described “death country” of Elliott Brood for awhile now (TT seconded the idea — thanks folks), and finally the Toronto trio has a free & legal MP3 available. “Second Son,” off the recently released LP Ambassador, pretty much encapsulates the band’s roots in an old fashioned, sepia-toned, violent world; it was recorded in an abandoned slaughterhouse, after all. Also worth a look and a listen is Elliott Brood’s debut EP Tin Type, with brown paper bag packaging and a replica handmade photo album. Kinda makes you wonder if they’ll use a Victrola for the remixes…
Maritime
I know I’m supposed to write about Maritime from Milwaukee — their latest album, We, the Vehicles, was just released, they’re made up of former members of The Promise Ring and The Dismemberment Plan, and everyone else is giving them some serious press time. But the Flameshovel website’s story about the band is so affected, pretentious and self-indulgent that I kind of want to write about Maritime from Belfast and Brighton instead. The thing is, they have an annoying bio page too, and their “life-affirming folk-soul,” as exemplified by “Like a Firefly” (click here if you want to listen to it) doesn’t do it for me like the other Maritime’s excellent track “Calm,” available below. I’m not sure if the idea that “Maritime remains solidly tethered to pop perfection, but has taken space to let that pop cycle through all its permutations” helps, or even what that means really, but “Calm” is a sweet tune. Enjoy!
Radiogram
In trying to decide what to post this morning, I asked Tim O. a few questions. 1) Australian or Canadian? 2) Boy singer or boy & girl singers? 3) “Radiogram” or “Horse Stories”? Radiogram took two of three (boy & girl singers and name, obviously) but I think I’ll post both.
Radiogram’s sound reminds me a bit of Blanche, the first band I ever posted here at 3hive.com. Country noir with a lot of texture, from Vancouver this time instead of Detroit — doesn’t it seem like half the bands we’ve posted this year are Canadian? Check out “Summer Song Summer” for an example of Radiogram’s pleasant if not uplifting calm (“My idea of a perfect day / would be to lie in bed and just pass away.”)
Horse Stories
Pairing nicely with the barren alt-country of Radiogram is the energetic, jangle-pop of Melbourne’s Horse Stories. Even though the bit-rate is lousy, download the total perfectness of “Bloody Time of the Year” and “You Explained Away Everything,” if only to put a smile on your face. Thanks to Jennifer for the suggestion here; it was one of many that we could eventually track back to Jon’s wife Heather, who politely chatted us up on Dooce not too long ago.
Soltero
Life has been good lately, (especially if you don’t pay attention to anything related to domestic or international politics). Just last night, Tim O. was talking about how he went to buy some cd’s at the record store — Alligator by The National and the new Rainer Maria album — and not only are they his new favorite spins, but the store gave him a mystery discount too. I feel the same way, in finding The National and Soltero within just the last few weeks. With Soltero, it’s like I’ve been listening to Tim Howard’s catchy, pretty, ultra-intelligent, Billy Bragg-Lou Barlow-inspired pop gems for my whole entire life. Start at the bottom, maybe with “Communist Love Song,” or in the middle with anything at all off of the Defrocked and Kicking the Habit album, or with the full-band, newest tracks at the top, it doesn’t matter. It’s all that good. And hey, Ya-Wen: Thank you, thank you, thank you for the suggestion!
The Heavy Blinkers
People seemed to like the orchestral pop of Australia’s Architecture in Helsinki the other day, so I thought I’d pitch a Canadian take on the same genre to you. Hailing from Halifax, The Heavy Blinkers have some serious ’70s pop sensibilities — I mean, there’s even a smooth trombone solo in “Try Telling That To My Baby,” title song of the newest Blinkers’ album. With all the strings, horns and soft backing vocals, you practically have an ELO record. Not that I remember ELO, but my dad did have one of their 8-tracks, which would probably be the ultimate medium for The Heavy Blinkers.
The National
Here’s how out of it I am (and not even because of our new month-old kid) — it took a couple of burned CDs from Katherine delivered in a Ziploc to clue me in to The National. All the while, I thought it was just the CBC’s nightly news program hosted by the stately, handsomely balding Peter Mansbridge. Instead, we’re talking a brooding, dark, intensely rocking band with heavy duty coverage from CMJ, BillBoard, Rolling Stone, The Chicago Tribune, Pitchfork and a bunch of other media sources I never have time to read. For those who are as clueless as me, try “Murder Me Rachael” for starters, though you might have to listen to it twenty times before moving on to the next track. Don’t worry; it stays good. Thanks, Kath!
Limbeck MP3s and Tour Info
Absinthe Glow
Thanks to Greg for suggesting Absinthe Glow, a band often compared to late 3hive fan favorite Elliott Smith. Chill out music, early morning music, music for the long drive, for the late late night alone, for looking out the window. This is anti-punk rock provided by Scott from the punk band The Fairlanes, and a new album’s worth should be forthcoming shortly.