All you Steve Earle fans out there should love the dirty Southern rock played by Drive-By Truckers. Listening to Earle’s “CCKMP” and “Putting People on the Moon” by the Truckers on a continuous loop could potentially produce one of the most serious bummers imaginable. If you like what you hear, their Southern Rock Opera released in 2001 on Lost Highway Recods is an amazing piece of work offering precisely what the title suggests. Thanks to Chuck and Tim O. for the tip on the Truckers.
The Maughams
For years I’ve avoided saying aloud the name of this band, shared by (or maybe taken from?) W. Somerset Maugham, author of The Razor’s Edge and Of Human Bondage and a bunch of other novels. Is it Mawm, like lawn but with an m? Or Mao-ham, two syllables? I assume the gh is silent… Anyway, these silly Canadians are causing me this trouble again, even worse than before, because I want to tell way more people about their wonderful homage-to-the-’70s lo-fi sound than I ever wanted to about W. Somerset’s psychologically searing social dramas. Check out “Jay Bird” for a catchy end-of-summer theme song.
The Constantines
Guess I could have waited until the new Constantines album comes out in October to post these guys, but I’m putting them up today as “the band that played twice within an hour of my house in the month of July and I missed them both times.” Ah well… In the month of July, my daughter took her first trip to NYC and went #2 on the potty for the first time; Sam and I used power tools in his backyard in July; Jon aged gracefully into his next decade in July; Clay recovered from daughter #3, and so on. Catching live the intense art punk of The Constantines would have been a great addition to this list, but, come to think of it, I actually wouldn’t mind a little down time.
Laura Cantrell
Laura Cantrell’s third album came out about a month ago, and I finally got around to ordering it. I’m excited to hear her latest collection of genre-crossing originals and well-chosen covers (check out her version of Elvis Costello’s “Indoor Fireworks,” available on her website along with many more downloads). I’m guessing it will be rich and subtle, if “14th Street,” the first MP3 released, is any indication. If you’re looking for a bit more twang, check out earlier tracks like “Roll, Truck, Roll,” released alongside albums full of trucker songs on the Diesel Only label. Finally, if you really enjoyed Ballboy (posted on 3hive in May), you might enjoy the gentle ballad “I Lost You,” recorded live and loose with Ballboy-er Gordon McIntire for John Peel.
King Apparatus
It’s a perfect time to post the pleasant early-’90s ska-pop of Toronto’s King Apparatus. For the past few days, we’ve been lounging on the lovely shore of Lake Huron, pushing my daughter and her cousins around in the kayak and threatening to send them across the lake to Canada if they didn’t eat their hot dog buns. Assuming we ever did manage to send the kids that far in the boat, just like “Michael and Anne” we’d have to come up with a seriously good story for the cops.
Mission of Burma
I swear the punk rock kid in high school — the big one, John (?), not the skinny one, Adam (Sam might remember this better than I do) — had “Mission of Burma” stencilled on the back of his black leather jacket. Naturally, I thought it referenced World War II in some way. And so, with thoughts of John and the ’80s in mind, I’d like to dedicate this post to Jared, fan of bands that were around long before he was conceived. Although his Favorite Song Ever, Mission of Burma’s “Academy Fight Song,” isn’t available in the free and legal MP3 form (a video of this song is, however, on the band’s homepage), these tracks from, oh, last year, when Jared was 17, are pretty kicking too. Enjoy.
Pavement
Since Stephen Malkmus and Preston School of Industry have both been posted on 3hive already, I thought we might as well toss a few Pavement songs up too. The Peel Sessions version of “Here” is a special treat. Ah, the ’90s…
New Iron and Wine MP3 Posted
Okkervil River
A few months ago, The New York Times compared Okkervil River to The Decemberists, noting that both bands compose literate, obscure indie-pop songs for small-but-growing audiences. At least I think that’s what the article was about. I don’t really remember. Anyway, the songs I donwloaded back then have been sitting around on my computer, aging like a decent bottle of Chateauneuf-du-Pape, so please let me say, “Drink away!” Start with the mellow intensity of “A Favor,” check out the pop legs of “Black,” or dive right into “For Real,” off their recently released Black Sheep Boy. For more hits at the bottle, so to speak, check out the half dozen other tracks available at the Okkervil River homepage (and please excuse my oenophilic tendencies).
Noe Venable
Clicking through someone else’s iPod is a personal experience, like examining the contents of a purse or carefully reading titles on a bookshelf. “She’s got a hell of a lot of 50 Cent on here,” you might say to yourself, and completely remake your mental image of that iPod’s owner. While S. didn’t have a lot of rap on hers — Japanese pop artists were ubiquitous, for some reason — it was Noe Venable that caught my ear. With a clear voice that ranges from innocent to playful to angry, this San Francisco artist’s lush home recordings reflect her strong, intelligent narrative vision. And this reminds me of S., at least “Just a Lil Bit.”