I kind of just want to rip off the songs:illinois riff on Dan Blakeslee. It’s concise, has very nice comparisons to musicians I was thinking of too (Jeff Buckley, in particular) and, well, it’s already written. I penalize my students for plagiarism, though, and doing the same here would just make me a jerk. Dan Blakeslee seems like no jerk; in fact, one of his albums is a recording of a live set performed at New Hampshire’s Laconia State Prison. He’s described as a “folk god” in local New England press, and after reading about him for awhile, you get the impression that he’s like a Homeric minstrel poet for the Robert Frost set. And he can fiddle. So, thanks for the borrow, songs:illinois.
Cale Parks
Cale Parks — multi-instrumentalist for the band Aloha — released a solo album — Illuminated Manuscripts — about a year ago. It’s shimmery and delicate and quivery and pretty much electronic, save for the snappy live percussion. These characteristics contrast so nicely with the rasp and grit of the acoustic folk rock that’s lately been pouring through my earbuds that I don’t care how old it is; I’m just happy to be in the haze.
A.A. Bondy
A.A. Bondy’s new album, American Hearts, is easily one of my favorites of the year, and it comes just at the right time. Summer’s going to fade soon, the leaves will change and Michigan will be at its absolute most beautiful before we get buried in winter. Bondy’s sparse folk rock will make a nice soundtrack for that transition, like Springsteen’s Nebraska or Will Oldham’s Days in the Wake. The other artist that comes to mind here is Steve Earle; “Vice Rag,” my favorite of the two songs below, is essentially a lilting country version of “CCKMP,” and is as disarming as the original. Bondy makes less more on American Hearts, much to this listener’s pleasure.
The Hudsons
The Hudsons often describe themselves as a hard-working band, making this an appropriate Labor Day post. Offering up a solid blend of folk & country, I ran across this Austin trio while researching Texas bands for my friend Tim. He’s got a friend moving there, and wanted to clue him in to the scene (which is probably pretty big, considering the size of the state and all that). I was hooked on the clean sound and classis lyrics of the Hudsons from “It Just Takes One”; that is, after all, all it took. If you like what you hear — and this goes for you too, Tim’s friend — head over to the band’s website for a half dozen live tracks, or to Sonicbids for more studio recordings.
Cary Brothers
So, I’m clueless enough to not have realized for at least a year or two now that Cary Brothers isn’t, you know, like a duo of siblings or whatever. Anyway, here’s the story: Lisa S. gave me a copy of the Garden State soundtrack, and I love that song “Blue Eyes” and I’ve wanted to track down the singer ever since, but I just never got around to it. (See name of record label for full joke.) And then I’m looking through the 17,000,000 bands that played South By Southwest this past spring (all those MP3s are still live, by the way) and there they — oops, no — he, is. (This might be why 3hive writers don’t get paid.) So, here’s Cary’s track from the SXSW page, plus a few live & demo tracks from his website. He’s got a fabulous sad voice, perfect for this cover of “Skyway,” and good folk-country-rock sensibilities. He can even get a little trippy, like in “Ride.” So, yeah, enjoy the product of my cluelessness.
The Bosch
I usually don’t read e-mails from publicists — sorry… I know it must take so long to cut and paste our names (usually incompletely or incorrectly) into the form messages you send out that often do not reflect any real understanding of what this blog does — but Tony’s pitch for The Bosch caught my eye. Now, I’m not usually one for crazy, mixed-up comparisons, and I almost got lost in the ones provided for The Bosch: Joey Ramone, Dick Dale and Brian Wilson, or maybe The White Stripes, The Violent Femmes and Phil Spector, or even The Clash, the Femmes, Spector, Bruce Springsteen and Man… Or Astroman. However, I like enough of these performers to download a few tracks, and I liked them enough to share them with you. This NYC quartet offers short, rich, intense songs that are better enjoyed on their own, without comparison. These are from their newest album, Hurry Up, while four more off Buy One, Get One, from 2005, are available on the band’s website.
Lavender Diamond
Where’s the “Easy Listening” genre when you need one? I remember seeing Lavender Diamond once on The Lawrence Welk Show in 1977, when I snuck out of bed to hide behind the couch and see what my parents were watching. Then again, Becky Stark almost certainly wasn’t alive in ’77, so maybe it’s just the big yellow smiley-face sound that’s taking me back. These tracks are from the band’s 2005 EP The Cavalry of Light; a full-length album, Imagine Our Love, was released by Matador in May of this year.
Oakley Hall
Zingerman’s is an Ann Arbor original, a foodie university of its own providing in-depth instruction on eating well and fully savoring the experience. Last week, on their Eat American road tour, my friends Cheech and Lisette toured the ZingEmpire (I tagged along too), and found both incredible hostpitality and the kind of quality food products that their trip is all about finding and highlighting and protecting. As we were working our way through some of chef Alex Young’s transcendental BBQ at Zingerman’s Roadhouse restaurant, I was thinking that 3hive should have been providing the soundtrack to our dining experience. We tend to be pretty committed to things that are obscure and high quality — most importantly, things that we like — a philosophy that pairs well with Zingerman’s approach to food.
With this in mind, here’s Oakley Hall, offering straight-up boy-girl Americana folk rock from Brooklyn. Listening through the tracks below will gove you a good sense of the band’s various sounds. “No Dreams,” off the forthcoming album I’ll Follow You, rocks out in a way that seems from a totally different world than the restrained sounds of “Living in Sin in the USA.” This diversity shows of instrumentation, vocal style (and vocalist), tempo, volume, and just about every musical aspect you can think of gives a welcome sense of freshness to Oakley Hall. Too bad the closest they’re coming to Detroit is Chicago.
Squalls
It’s been a whirlwind of a week; my wife and I took our 1.5 & 4 year olds to New York City, and you know how that is. We met up with 3hive’s Lisa at the Pink Tea Cup, rode the Staten Island Ferry, wandered the neighborhoods and Central Park, hung out at Coney Island with my friend Matt and his 4 year old, etc. (Speaking of Matt, his band Gift Shop has just relesed a new album. If I could figure out how to link to songs on MySpace, I’d be posting them today.) And once I got home, I found out my friend Cheech is coming to Michigan to visit Zingerman’s deli on his Eat American tour. In honor of all this… experience, I’m posting a band dear to my heart, Athens, GA’s long-defunct, early-80s, totally awesome (and please don’t wreck this aspect for me) Squalls. They had the opening track on the Athens, GA / Inside Out soundtrack, which was MY soundtrack and hairstyle guide for my senior year of high school. Anyway, in these low quality live tracks, you’ll find pleasant, Talking Heads inspired pop, but really, that’s not the point. This is the good stuff, no matter how it sounds, and I want you all to have a little taste.
Easy Anthems
I sometimes wonder how couples who do their art together pull it off. I mean, it seems like the creative tension would lead to realtionship tension and it would all be so… personal. Easy Anthems, Vanesa and Philip Jimenez, sort of exemplifies what I’m talking about. From their website: “We broke up, and we made music, and we got back together, and we made music, and we got married, and we made music, and we broke up, and we made a kid, and we got back together, and we made music.” Yeah, I just don’t think I could handle all that. Thankfully, all that matters is that the Jimenez family can, and do, and make some fine music to narrate the saga. Their entire debut album of country-tinged, pleasantly melodramatic, ear-friendly pop therapy sessions is available as one big old free download on their aforementioned website; the four songs below are a nice sampling of what you’d get.