Aloe Blacc

I’m ashamed to admit I would have passed this guy up if I had to gone on name alone. Not to be a jerk, but Aloe Blacc?? Are we really running out of stage names? What’s wrong with Nathanial Dawkins? But, after taking in his magnificient R&B gem “I’m Beautiful” for the first time, I got over my prejudice real quick. This guy’s voice is pure enough to invoke comparisons to Motown legends. His debut, Shine Through has just the right amount of polish (despite being recorded in a makeshift bedroom studio) and draws from a rich array of musical influences, old and new. If most Stones Throw releases reek of chronic (not that I’m complaining, mind you), this joint’s a breath of fresh air. Inhale.

Stones Throw took down the “I’m Beautiful” MP3, but you still get a lovely B-side from the single.

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Cake on Cake

Really simple, almost childlike arrangements revolve around a single line or thought, some delicate piano, flute, etc., and the irresistible layered voices of Swedish songbird Helena Sundin. Makes for exquisite bedtime music. More MP3s where these came from…follow the links below.

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The Asteroid #4

Some bands are just Clay bands, whether or not he posts them. Upon first listening to The Asteroid #4, I catch that British re-invasion vibe that make Black Rebel Motorcycle Club, Brian Jonestown Massacre, and the Lilys all Clay bands as well. In fact, Lilys frontman and fellow Philly Kurt Heasley produced The Asteroid #4’s first two releases. So, with all this said, I feel a little weird invoking Clay’s rep without getting his take first. So, Clay, what do you say? The A4, yay or nay?

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The Elected

I originally wanted to make this a topical post a couple weeks ago when the Dems took the power back. Now the gag is a bit dated. It’s just been that kind of month for me… But good music is good music and The Elected make good music. Their textured folk-pop stops time and encourages introspection. The Californian quartet is fronted by Rilo Kiley guitarist/songwriter and former child actor Blake Sennett. Go vote with your wallet if you like what you hear.

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Caural


Caural is short for Chicago’s Artful Underdog Resists Abstract Labeling. Okay, I made that up. Caural is the stagename for multi-talented musician Zachary Mastoon whose off-kilter beats, found samples, and moody synths often find him compared to Four Tet, Prefuse 73, and Daedelus. Flattering company as far as I’m concerned, but not necessarily satisfying as a description. He’s got a sound all his own and each track packs its own little surprises if you listen carefully.

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Muggs

I know this one’s a few years old but this is such the un-Muggs album and perfect for this moody time of year. Muggs is best known for the venomous hooks behind all your favorite Cypress Hill and House of Pain joints, as well as collabos with various hip-hop all-stars under the Soul Assassins umbrella. On 2003’s Dust though he pays homage to his less obvious influences such as Pink Floyd and brought in some lesser known vocalists in Amy Trujillo and Josh Todd. Dusted, natch, but broadly accessible.

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The Inner Banks

I’ve never been to the Inner Banks…or the Outer Banks, for that matter. In fact I’ve never been to North Carolina. But I’ve wanted to go for a long time. And, I’ll be hogtied if this Brooklynite composer David Gould (The Bootleg Remedy) and his partner/wife/vocalist Caroline Schutz (Folksongs for the Afterlife) don’t make me want to go to North Carolina even more than ever before. Something about these songs — they’re warm, resolute, timeless, pretty — and how they mirror what I imagine North Carolina will be like. Who knows? Maybe I’ll hate it there. But I doubt that. So I guess I know what I need to do (book a flight). And I guess you know what you need to do (listen to The Inner Banks). Their self-titled debut comes out in December 2006.

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