They sound like they’re making music in post-punk London, circa 1979. They look like they’re from Modesto, CA, circa 1999. Inspired musically by Camus, fashionably by Steinbeck. Because they don’t fit the mold, it’s doubtful you’ll find them splashed across glossy magazines or blogged about incessantly by the cool kids. But if you don’t mind they play between the dark and dusty, the play between the gloomy and glittery, San Francisco’s Empty Rooms will sound spectacular in that space between your ears.
School of Language
After their sophomore album, Tones of Town, the band Field Music called it quits, in a sense, momentarily, but not really. They didn’t break up, but instead kept working, individually, trying to be as productive and creative as they always wanted to be. I assume they have plans to make music as Field Music again. In the meantime, School of Language is the first product to surface from the hiatus. The first single, “Rockist Part 1” (there are four parts of the song on the album) finds David Brewis taking his School of Language moniker seriously as a barrage of looped and layered vowel sounds stream through the song, but thankfully not the album, in its entirety. By part 3 of “Rockist” the looped vocals take a backseat and sound like a more traditional instrument. Working by himself, the similarities between Brewis and Andy Partridge seem more prominent. If “Rockist” tickles your proverbial fancy, take a gander at the album stream. Brewis tours the States beginning in March, fleshing out his one man band with Doug McCombs (Tortoise) and Ryan Rapsys (Euphone).
Sleeping People
Looks like I’m just in time to have missed the press onslaught, CD release, and U.S. tour (with The Locust) of San Diego’s Sleeping People. I missed their release show at the Belly Up with Pinback (Kenseth, their newest member, also plays in Pinback and Howard Hello). But I’m in time for the band’s downtime as they regroup for their first European tour in March and April. Yes, I’m late. Pardon the pun….I’ve been sleeping! (No, really I have. I woke up at 6 A.M. this morning to jump start the ‘hive after a long weekend). But let’s get real. Very few people can keep up with record labels’ small windows of marketing. And very few people need to (although I admit I sort of try). That said, it’s never too late for great rock and roll. And if you like your with more rock, less talk, and a dash of prog set your alarm to Sleeping People and start your day with a jolt.
Figurines
I’ve been digging through the mail and scouring the net for two hours searching for that something something that will hit the spot. Figurines do the trick. The band’s last album Skeletons recently made it back into heavy rotation here at 3hive’s Southern California HQ, the wood/cork paneled office in my ’70s suburban tract home, so I figured I’d do some nop-notch investigative work on the band’s current status. I struck gold: two new tracks from their forthcoming LP, When the Deer Wore Blue, plus the video for another. At first I was let down by the songs’ slower tempo, but only for a listen or two. The slower the tempo the more they channel a lovely, laid-back Beach Boys vibe (“The Air We Breathe”). The band’s U.S. label, The Control Group, already has the album up for sale, but it won’t be out in their hometown until next month. I’m kicking myself for missing them in L.A. back in October. This calls for an exception to my no-mailing-lists-because-I-don’t-need-the-extra-emails-rule. Sign me up boys!
Hey Girl [MP3, 3.0MB, 160kbps]
The Air We Breathe [MP3, 4.2MB, 128kbps]
Biirdie Takes Flight
Oh Astro
Caution! These songs may induce seizures or stuttering. My dad used to stutter severely. Up into his early 20s he could barely get out name out. He passed it down to his sons, although we never stuttered to the extent my father did. I remember going to speech therapy when I was in elementary school. They’d encourage me to stutter away. Talk right through the anticipation, the fear of stuttering. It worked for me. On rare occasions I still stutter, but it doesn’t bother me at all. With apologies to those who struggle with dysfluency, stuttering reminds me of a remix, of turntable scratching. It artfully strips down language to its phonemes. And it can be rhythmic. The sample-tastic duo Oh Astro shares my interest in stuttering. On their new album, Champions of Wonder, they strip down existing songs down to individual notes, mash in a few other songs or vocals, and freshen up or create entirely new interpretations of those source works. Said re-workings are wonderfully bumpy and jumpy and bravely taunt copyright restrictions. Oh Astro’s label, Illegal Art, “claims Fair Use for all of its releases and has professional legal counsel nearby if needed.” Smart move. A stream of the entire album is available via Oh Astro’s ecard and I highly suggest you follow along with their sample notes as you listen.
Daft Punk Giveaway
Ben Benjamin
I’ve been busy the last two weeks. Busy doing nothing. It’s been nice, but it’s time I start catching up on a few things. First up, outta Sam & Joe’s hood, more or less, from Ypsilanti, Michigan give it up for Ben Benjamin. Formerly of Midwest Product, Ben Benjamin, AKA Ben Mullins, splits his time between this solo project and PostPrior, his neu-wavish duo also out on Ghostly. Between his myspace and Ghostly pages you can get a good feel for his debut full-length, The Many Moods of Ben Benjamin Vol. 1. “Selective Periphera” showcases Mullins strength—his ability to elaborate, with both electronic and organic instruments, on a simple riff for an absolutely hypnotic effect. Run this track into your skull and your life, regardless of how mundane it may be, will resonate with cinematic panache.
Getting Hitched? Check This:
The Martial Arts
If you’re resolved to improve your self-defense this new year, may I suggest The Martial Arts. They may not improve your karate kicks or your break-bricks-with-head skills, but they’ll do wonders for your cardiovascular health as you find yourself bopping around the room to their bouncy rhythms. Their timeless throwback pop sound is influenced, according to their myspace page, by “Partridge & Moulding” (XTC) and “Holsapple & Stamey” (the db’s). It’s rare for young bands these days to name such pairs as influences, rarer still to pull off a comparable tune, but Paul Kelly & Co. have succeeded in doing just that. Surprisingly, the band (Scottish themselves) is only beholden in Sweden to Groover Recordings. This is one band I’ll definitely be keeping my eyes and, more importantly, my ears on in 2008.
P.S. The band was offering their album, Your Sinclair, as a free download through Christmas, but guess what? It’s still live. So grab it while you still can!