Menomena is one of those bands who are truly making music for the sake of making music. These are not the songs that rock stars and groping groupies are made of. Unless you’re living in an alternate universe maybe. Menomena compose slightly skewed music and on their new album, Friend or Foe, it frequently sounds like a meeting of Morphine and XTC. It’s easy to get lost in Menomena’s world as you explore the album artwork, beautifully illustrated by cartoonist and graphic novelist, Craig Thompson, a weird, dense mix of flesh and blood, life and death, animals and machines. To dig in deeper, aurally and visually, pop open the ecard. It’s not an easy listen, nor will it be easily forgotten.
The Battle Royale
Now this is refreshing. A band that cops to copping. “We copy everyone.” Now that that’s cleared up and out of the way get ready for some dance action. The Battle Royale are a toothsome young foursome from Minnesota that began as a folk ensemble but then discovered the little “techno” settings on a garage sale keyboard. They never looked back. They won their one album deal with Afternoon records by dominating a local venue’s “Battle of the Underage Underground” competition (three of the members were still in high school a year ago). They’ve got the groove-itude of CSS and the playfulness of Atari Teenage Riot if Atari Teenage Riot were playful like their name suggests. Here’s hoping The Battle Royale never take themselves seriously.
Money Mark
A quick Money Mark refresher: He was instrumental, literally and figuratively, on Beastie Boys albums like Check Your Head, Ill Communication, Hello Nasty, and the oh, so groovy The In Sound From Way Out. He also played on a couple Beck records, Blackalicious and the first Handsome Boy Modeling School. Money Mark’s always good for a laid-back, soulful groove and that sounds like what we’re in for on this, his seventh, solo release. Brand New By Tomorrow represents Mark’s efforts at dealing with and documenting a break-up head on. Official Money Mark literature says that this first single is one of the more upbeat, hopeful songs on the album (which I have yet to hear in its entirety), so if you’re in need of soothing salve for your heartache drop this one on the ol’ hi-fi.
2006 on radioioEDGE
Blitzen Trapper
File this one under my favorite band that I completely missed in 2006. This despite the fact that plenty of fine sites have been trying to hit me over the head with Blitzen Trapper’s simultaneously spacey and homey sound. “Texaco” is a straight up country joint, the whining of a slide guitar punctuating the wavering vocals while “Summer Twin” floats and hovers about like one of XTC’s psychedelic efforts. The two tendencies come together on “Pink Padded Slippers.” Pure listening satisfaction. Don’t miss “40 Stripes,” a throwback to solid AM-worthy, classic rock standards and the electro-funk of “Love I Exclaim!” The band’s two self-released albums are available on CD Baby where a fan beautifully sums up Blitzen Trapper: “[they] sound like they’re trying to paint the Sistine Chapel with a box of crayons.”
A Big Warm Welcome to Lisa Lucas!
The Red Faced Laughter
I think I can safely speak for all of us here when I say we’re suckers for a great pop song. We’ll even settle for a relatively good pop song. By pop I mean a song that begs to be sung along to. Occassionally, however, it’s good to drop in and turn up music that you can crash a car to. Enter The Red Faced Laughter. A Texas trio that excels at mangling things up a bit. This is a complete EP, Brokenear #4, released on the German net label Broken Ear Records. They remind me a lot of Sunny Day Real Estate, the vocals mostly, but with a more noisy, improvisational style of playing. This one’s for everyone who likes their coffee black—no cream, no sugar, no fluffy latte—this is the stuff that Will Farrell’s character in Elf was so excited to share as “The World’s Greatest Coffee.”
Thieves Like Us
A great tip from Lismore’s email blast. The two bands just played Friday at the Delancy in NYC. I can’t stop listening to the 12″ from Thieves Like Us. This A-side plays like a lost track from the Trainspotting soundtrack. A little New Order, a little Daft Punk, a lot of dance floor fun. A tribute to tripping. 3hive does not condone illegal drug use (at least not before breakfast), but we fully support dropping beats that induce body moving euphoria. Tune into these two Swedes and a Yankee and let yourself go.
For those of you keeping score at home, this post marks 3hive’s 1,000th entry. Make some noise!
Beat Hive
 We’re pushing three years serving music fans by “sharing” from artists and frankly it’s time we give back to the music makers. Introducing BeatHive.com (no relation to 3hive). BeatHive is an online marketplace for musicians to buy and sell loops. They currently have producers from the US, UK, Spain, Argentina and Canada, offering their best loops in Apple Loop and Acid formats, which work in programs like GarageBand and ACID. This means even uninitiated songwriters can grab some loops and start banging out the hits.
We came across BeatHive and thought it was the coolest thing since curly fries, so we asked them if they’d be willing to share some free loops with y’all. They said yes! Both WAV and AIFF formats are available and all the loops are 100% royalty free. Mouse over the handy buttons to hear each of the loops. The download links are just below. 3Hive 12-pack Contents: |
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| Drums 1 | Synth 1 | ||
| Scraper | Guitar 1 | ||
| Triangle | Drums 2 | ||
| Guitar 2 | Pedal Steel | ||
| Electric Bass | Synth 2 | ||
| Drums 3 | Bass Synth | ||
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Download Apple Loop AIFF Format Here Download ACIDized WAV Format Here (Not sure which format to use? Click here.) CONTEST: Make Stuff from BeatHive, Post it on 3Hive! | |||
Tom Rothrock
An album named after the instrument it fetishizes, Resonator (a wood-bodied guitar with a single metal coned center often called by the brand name DOBRO) is producer Tom Rothrock’s first album as a recording artist. You’ll immediately recognize the Resonator’s bluesy soul sound as the backbone of many of Beck’s early songs. You old-timers and blues enthusiasts may scoff at pop music’s grope at authenticity, re-discovering the guitar some fifty years after its heyday. You cannot, however, chide Rothrock’s passion for the instrument. This instrumental work resonates with respect and reverence. He adds hip-hop beats, live drums and strings to the equation for a cinematic mood and scope. Fitting, considering it was Michael Mann’s urging Rothrock to compose the score for Mann’s film Collateral, that set the prolific producer to work on his own compositions. Getting your hands on the entire album may prove problematic as it’s been limited to a one-time pressing of 1,203 hand-numbered copies. Not to fear, it’s just the first in a series of instrumental albums planned by Mr. Rothrock, released via his newly re-launched Bong Load Records.