I recently rekindled a new friendship after googling an old friend. Except this wasn’t a friend from high school or college, it was a friend from the old hi-fi: Mitch Easter. Mitch Easter gained recognition for his production skills in the early ’80s producing R.E.M.’s first single, “Radio Free Europe,” and their first two LPs with Don Dixon. And thinking back to my own history as a music fan I don’t remember which came first for me, R.E.M. or Mitch’s band Let’s Active. I do remember that Let’s Active played a key role in formulating my taste for pop music. Smart, snappy, and cheerful without being sappy Let’s Active helped forged the template for American indie pop while flying mostly below the radar. Constant line-up changes, usually coinciding with changes in Easter’s relationships, occurred throughout the band’s one EP and three album history. Mitch has kept busy over the years as producer, working with everyone from The Connells, Dinosaur Jr., Superchunk, engineer, Pavement and Ride, and as guitarist extraordinaire (the two tracks from Shalini feature Mitch on guitar. Shalini currently plays bass in Mitch’s band). Coming across brand new music from Mitch Easter was an unexpected and thrilling surprise. He’s still got it. He’s like the King Midas of pop music. Everything he touches sounds like gold. Watch for his first release in eighteen years, Dynamico, in the next couple months on 125 Records.
The Early Years
Incubating across the Atlantic in their native London The Early Years released this, their first single, almost a year ago. “All Ones & Zeros” bounces along with a cheerful Joy Division-esque bass line, then the guitars hit. And hit. And hit. Droning, reverberating, backwards, forwards, feeding back and just making wonderful noise. You get an idea of what The Early Years’ first show was like, David Malkinson, on stage, alone, armed with a guitar, amp, and a plethora of effects pedals treating the small crowd to a twenty-minute long wall of sound. The vocals remind me of (brace yourselves for a really obscure reference here….) Butterfly Train, with Brett Nelson of Built To Spill on bass and vocals (In fact, the two bands have a similar vibe, but Butterfly Train had that certain Seattle-in-the-90s sound). The Early Years do a fantastic job of holding back the guitars just enough so they don’t lose control of the song. Stop by the band’s myspace page for a few more songs and to get an idea of their range. Expect their self-titled debut early next year on Beggars here in the U.S.
Matthew Friedberger
This one’s been sitting on the back-burner for too long. An enigmatic little label releases the first solo record (a double album!) from prolific songwriter Matthew Friedberger, one half of the brother/sister duo The Fiery Furnaces. Part 1 of the album, Winter Women, as represented by the first download, is a more hooky, melodic affair with plenty of spacey textures Furnace fans will appreciate. Spontaneous speaking in foreign tongues inspired part 2 of the album, Holy Ghost Language School, and expectedly embodies the weirder, more experimental tracks such as “Do You Like Blondes?” Possessed or collected, Friedberger continues to compose songs that will both trip you out and get you singing along.
Over The Atlantic
Today, we sail South down the Pacific Ocean to New Zealand to tune into Over The Atlantic—a couple young lads recording music that’s completely unhip compared to today’s standards. I mean none of the kids are doing this. As far as I can tell, most of the kids this age still style out their jet-black hair curtains and whisper/scream, wearing their bloodied emotions on their sleeves. I was never cool in school, so I’m always glad to find fellow geeks, the kind that that lock themselves in their rooms and record their own music videos. The bonus with Over The Atlantic is their skills are those of a songwriter twice their age, yet they fill their hooks with youthful exhuberance. I have a feeling their parents’ record collections (which undoubtably contain the entire Church catalog) are to blame for their twenty-year old sound, which is an entirely good thing.
I Am Bones
After featuring Under Byen last month, the good folks at Morningside Records kindly left a handful of suggestions in the comments. Their roster balances between two forces of pop music: dreamy and power. I Am Bones does the power pop thing, along the lines of Figurines. I find it interesting that these two fine Danish bands draw heavily from the American indie rock sound from the 90s at a time when so many contemporary American bands lean towards the heady, arena-sized sound of Radiohead. I’m not afraid to admit my bias. Usually when I drop needle to groove, or hit play, or insert my ear-buds, I want to sing-along (dig the chorus to “The Ostrich Approach:” “I’ll hook you up / with alcohol and valium…”), jump around, get the endorphins flowing…I don’t want to think about music, I just want to move to it. I Am Bones will certainly get you shaking your own skeleton. If I might point out one song in particular here, “Oktoberfest Vs. Morrissey” would make a great addition to your Thanksgiving mix tape. ONLY if you’re a loud and proud meat lover. Vegans beware. May I suggest a subtitle? “Turkey Vs. Tofurkey.”
Norfolk & Western: Now Touring + MP3s
Voxtrot
Another example of our diabolical scheme here at the ‘hive. Wait for every other site in the world to talk about a band, then we swoop in, iconoclastically late. Is the Voxtrot party still on? You bet it is. And there’s still plenty of time to sport Voxtrot merch and not look sooooo 2005. The Austin-based band warns there won’t be a proper album for a while. So they do what any respectable band should, keep teasing their fans with EPs. “Trouble” is one third of their next installment of American-bred, Britishy smart-pop that holds up remarkably well under all the buzz.
Lyrics Born
It’s not quite lunchtime here on the West Coast and I’m oh, so ready to belly on up for some comfort food courtesy of El Chavito. Lyrics Born provides similar, comforting nourishment to the ears. Ain’t no need to front. He let’s his skills do the talking. Lyrics Born delivers rhymes all neighborly-like. His vocals have a front-porch, homegrown tone that keep me coming back for more. Just like El Chavito, nothing fancy, just pure flavor (insert El Sombrero if you’re in Lyrics’ neighborhood, or Cancun over on Mission Street ). You can be in the same room as Lyrics Born with his newest release, Overnight Encore: Lyrics Born Live!. It’s Friday people, ease up and get down with Lyrics, his live band and a ton of hot and sweaty Aussies.
*FYI: Lyrics and Cut Chemist are playing tonight in NYC at Webster Hall.
Roger O’Donnell
A man and his Moog. Not just any man mind you, Roger O’Donnell has tickled the ivorys for The Cure and Psychedlic Furs. However, don’t expect his solo album to flash you back to the glitter and glam of the 80s, rather, The Truth in Me is an exercise in limitation. All the music here is composed using one instrument, the Moog Voyager, an analog synthesizer (a few tracks feature vocals by Erin Lang). You’ll hear that what Roger O’Donnell discovers is both warm and chill, human and machine, the collision of opposites that makes truth possible.