Captain Sensible
I thought I’d follow up my Sunday Damned post with an obvious segue to Captain Sensible, who, in the early ’80s broke off from The Damned to venture out on his own. He’s got two decades worth of charming, often biting, pop songs that hold up remarkably well. His song “Wot” made quite a splash in the UK and its ripples made it across to our side of the pond. I remember actually seeing the video on MTV. The story ends up quite cheery as Captain joined back up with The Damned for an album in 2001, where Captain questions British Democracy and gets his digs in on a little place called Neverland.
The Damned
Nothing like downloading The Damned on a Sunday afternoon… I can’t believe it’s taken me this long to get to The Damned (Clay couldn’t believe I beat him to it), but you just don’t expect some of your old favorites to be this on top of things. I was turned onto The Damned years ago by a good friend who had amassed a huge vinyl collection, which I believe included, close to, if not, everything The Damned had released. I spent many hours at his house taping albums and recording mix tapes of The Damned. Then in 1993 his home was among hundreds burned in the Laguna Beach fire, burning along with it, yes, all that vinyl. I don’t know if I’ve ever really repaid him for turning me onto some great music, so hey, Randy, gimme a call and bring your iPod…
The Free Design
Early in its conception, Seattle-based, Light in the Attic Records acquired the re-issue rights to The Free Design, an obscure pop band straight outta the ’60s. Over the past year the label has offered up 12″ remixes by the likes of Peanut Butter Wolf, Super Furry Animals, and Stereolab. After completing the three part series you can now find all the remixes and more on one CD: The Now Sound Redesigned. This is some of the best remix curating I’ve heard in a long while and available just in time — before summer ends…
Thee More Shallows
Ahhh, it feels great to be back sharing the sharing. We were having some ugly hosting problems, and during the downtime many of you dropped us lovely “missing you” notes. One letter, from Ander W., expressed sheer dismay at the fact that we hadn’t posted Thee More Shallows. As I mentioned to Ander, Thee More Shallows and their beautiful, Bay Area blend of whisper rock was at the top of my to-do list. At the top of your to-do list should be “purchase More Deep Cuts by Thee More Shallows.” Dee Kesler and company spent almost three years working on this album, so if you buy it for, say, thirteen dollars, you’re paying the band .011 cents a day for their efforts. A small price to pay for this work of art.
Ghostly’s Back w/ Mobius Band and More
Skeletons & the Girl-Faced Boys
Weirdo, funk pop that’s sure to “git” the party started. Or not. Depends on the party. Depends on the party favors. Reminds me of this book I’m reading where a young Nigerian boy dresses up like Elvis singing and dancing for tips, but Skeletons & the Girl-Faced Boys are the polar opposite: white boys dressing up and getting funky à la Prince.
Koushik
Remember trip-hop? Anyone still out there doing it well? Massive Attack, Portishead and their Bristol neighbors usually got stuck with the moniker, but artists such as Caribou, Four Tet, and their buddy Koushik are tripping out hip-hop with their own set of sound biases (psychedelic melodies paired with slowed-down funk rhythms — imagine Greyboy remixing The Byrds, or early [good] Bee Gees).
A Fancey Magical Summer
Boom Bip
It’s gonna be really hard expressing in words how much I like this track. There’s an undeniable Kraftwerk vibe at work here and more importantly Boom Bip manages to hold his own. “The Move” is the 2005 version of “Tour de France” sans all the huffing and puffing. I obviously have a thing for songs that sound as if they could accompany a sporting event. Having remixed tracks for Mogwai, Sonic Youth, Her Space Holiday, and Lali Puna, I’d be a bit surprised if you weren’t already familiar with his work. If not, start here and dig deep!