If you’re not familiar with WOXY.com, start listening TODAY. They’ve been setting the musical standard for alternative radio for 20+ years. Program Director Mike Taylor and I recently traded a couple music tips. I turned him onto Giant Drag, and he pointed me in the direction of Jeniferever: slow, sparse, and epic rock ‘n’ roll.
El Ten Eleven
First, a quick comparison. Tortoise meets The Cure (at least on this track). Now, the instructions. Step one: listen to “Connie.” Step two: stream a few more tracks off their myspace page. Step three: see them live. Finally, step four: be amazed that El Ten Eleven consists of two musicians, and they pull this stuff off live.
Blanket Music
Hush honcho, and artist extraordinaire, Chad Crouch, thinks vocal comparisons to Stuart Murdoch (Belle & Sebastian) have worn thin. I hate to perpetuate the problem, but the similarities are quickly apparent. Reminds me as well of a not-so-cynical Stephen Malkmus. More important, however, is the wonderful, and varied, pop sounds he and fellow Portland pals put together in his basement. Blanket Music is a pop Sno Cone to which brightly colored flavors are added: jazz, country, bossanova, and funk. You’ll have to pick up their new album, Cultural Norms, to taste all the flavors.
Juez
Ready for this? From their bio: “Juez is a breakbeat-klezmer-jazz band of Orthodox kids from D.C., Chicago and New York.” I could get my head immediately around all those concepts with the exception of “klezmer.” Translated it means “the human being becomes the bearer of the song.” I like that. I back it. I’m pretty sure klezmer is the flavor of these already spicy, improvisational jazz joints. If you’re an aficionado, hit the comments to shed further light on the klezmer scene…
Jennifer Gentle
Don’t let the name fool you, Jennifer Gentle is a couple of Italian cats. One used to be an ice cream man in Berlin. Among their choice of instruments is a deflating balloon (“I Do Dream You”). Sound weird enough yet? It’s all true. Brace yourself for fine, imported psychedelia and quirky, contemporary pop recorded like it’s 1967.
David Sylvian
I have a couple confessions to make. First, I feel asleep during a U2 concert. I’ve never been a big fan. I respect the band tremendously, but their music, and that concert in particular, just don’t do it for me. My second confession: I cried at a David Sylvian concert. Not that I wept out loud or anything, but his voice, its rich timbre, literally brought tears to my eyes. He has a long musical history, beginning with the band Japan, then his solo work. The first track, “Mothlight,” is an ambient piece composed as an accompanyment to a group of photographs. The remaining tracks include vocals and give a better sense of David Sylvian’s well-honed craft.
The Herms
My next-desk neighbor tipped me off to The Herms this afternoon. We’re both back in the office after a healthy holiday break. His New Year’s Eve was much more celebratory than mine. He: Bottom of the Hill in San Francisco for the Rogue Wave, Kelley Stoltz, and Herms show; Me: road-tripping back home down I-15, determined to miss the Las Vegas to L.A. parking lot over the weekend. It’d have been nice to have iPodded these tracks for the ride. “Record Machine” could be a demo recording from Bauhaus, and the remaining tracks, while wandering off on a sort of Jonathan Fire*Eater tangent, fail to disappoint. I’m baiting Clay with the former comparison. Watch for his impending, spirited comments.
Gran Ronde
If you count yourself among the many fans of the current faux-British invasion, then get ready to surrender to another crusader. Today’s 3hive pick brought to you by the number 3 (what else?) and by a hot tip from regular (in his use of 3hive) Todd Simmons. Thanks, Todd!
Worm Is Green
We’re officially five days into winter so I thought it apropos to turn our attention to Iceland. I know it’s not winter there year round, but it should be! Worm Is Green’s debut album is almost a year old here in the States, but proper respect has yet to be paid. The band does a brilliant cover of Joy Division’s “Love Will Tear Us Apart,” and the rest of the album will put you in a cool chill with its warm synth tones and atmospheric vocals. These tracks are all demo versions and outtakes from Automagic. You’ll have to put down some cash for the final product.
Ulrich Schnauss
German, twenty-something with a veritable cornucopia of aliases. If you follow the reverse chronology of music represented here you’ll notice that Mr. Schnauss finally came into his own, name and music, after an early output of more than competent drum ‘n’ bass. On his latest work, A Strangely Isolated Place Schnauss composes lush, atmospheric tracks that’d fit like bricks into My Bloody Valentine’s or Chapterhouse’s wall of sound.