Sharing the sharing.
Pioneering electronic musician and producer Prefuse 73 — aka Guillermo Scott Herren — is following up his latest album, New Strategies for Modern Crime Vol. 1 (released in March), with New Strategies for Modern Crime Vol. 2, which is set to be released at the end of June via Lex Records.
His latest single, “Vast Wildlife Poison,” (below) is a groovy, bass-heavy, jazz-tinged three-and-a-half minutes that could be plugged into any 1960’s French spy movie. Enjoy.
Ian Matthias Bavitz, more commonly known as Aesop Rock, is a NYC native and a pillar in the underground hip-hop scene. He’s been making music and doing it in a way that’s sustainable and submented in legend for the way he has done it. His projects have dabbled in chart success over the past 20+ years which is no small accomplishment. But don’t get it wrong, Aesop Rock is 100% underground legend, with very few joining him on the mountain top.
His most recent project, Integrated Tech Solutions, has received glowing praise which I will add to in a second. My man is crazy prolific, this double LP clocks in at over an hour, starting strong with a feature from Billy Woods on the track ‘Living Curfew’ (you can spin this below). This track is a perfect example of the source material and sounds that made 2023 a great year for the genre, with two of the best acts flowing and passing the mic seamlessly.
This album is full of examples where Aesop shows his range and willingness to learn from and mesh with others like Rob Sonic and Nikki Jean which shows his humility and curiosity even this far into his career – and the results are powerful.
However there are some minor flaws in this project. There are a couple cuts that are lyrically fierce but feel similar to others on the album, suggesting maybe a couple tracks could have been reduced into one. But that’s a small nit to pick on an album that’s stacked with tracks that get stronger with time.
Overall, Aesop channels his greatest strengths and creates an album with legs and that will be looked back on as a solid project in his discography.
Integrated Tech Solutions is out now via Rhymesayers. You can get it on vinyl from the 3hive Record Lounge, and stream it wherever you like listen to music.
This post was written by our great friend Jeremy.
I challenge any musical outfit in the world to create a more thought-provoking and challenging piece of music than Armand Hammer’s We Buy Diabetic Test Strips, because I haven’t heard one this year. Just as their past three albums have, this release makes me feel like I’ll need to listen to it a thousand times in order to adequately peel back the meaning behind the lyrical layers that woods and ELUCID have laid. That’s the kind of challenge that puts them among my favorite musical artists of the present moment, ever brooding and exuding political acumen. In my opinion, their uniquely bold style and flows make them the most interesting rappers around.
In this release, they continue to demonstrate a deep understanding of the bleak and corrupt environment created by the powers that be, though they do it with personal anecdotes and poignant lyrical tact. Much of their language is subtle enough that we’ll need to rely on the Genius community to help us decode it little by little (despite woods’ line in this album that says “SMH Rap Genius improbable readings”), including the many apt historical and pop culture references. They’re anticolonial and anti-establishment in the most informed way. The title itself provides a clear critique of the greed involved in the American healthcare system.
With an all-star producer cast, the album presents an even more complex and mind-blowing soundscape of beats than their previous releases (which is saying a lot). Despite already having successfully “Scar[ed] the Hoes” this year, JPEGMAFIA appears as producer on tracks throughout the album in all his glitched-out majesty. Aside from Peggy, El-P and DJ Haram bring the biggest and most memorable beats. In addition, heralded woods collaborators Messiah Musik, Preservation, Kenny Segal, Jeff Markey, and Moor Mother also contributed their production skills, bringing the distorted, off-kilter, and abruptly changing sound that keeps me coming back to Armand Hammer albums again and again.
The album opens with a sound collage of lo-fi and sometimes backmasked spoken-word clips and dreamy echoes. These types of sounds resurface throughout the track list, complementing the unrelenting and dour raps. They blur seemingly mundane details and observations into deeper concepts with obscure references. Fans will recognize certain refrains from their previous work (i.e., “You don’t work, you don’t eat”). Whether they’re callbacks to past tracks, or simply their own mantras, you could never mistake woods and ELUCID for anyone else. You can feel that there’s deeper meaning in their haunting verses, but you don’t need to be able to interpret every word to appreciate their inherent poetic value and relevance.
Some of my favorite tracks are as follows, though there isn’t a dull track on the album:
We Buy Diabetic Test Strips is out now via Fat Possum. You can get it from their Bandcamp page or from us here.
billy woods, half of Armand Hammer, dropped his 13th studio album, Maps. This is his second album with producer Kenny Segal following their critically acclaimed 2019 album, Hiding Places. The duo keep building on their early 2010s underground, experimental hip-hop sound – giving vulnerable, eerie, and tense vibes throughout.
The sounds and emotions of Maps remind the listener of the self-reflection and wisdom you get while traveling. Maps leans into the honest – and sometimes frustrating – feeling of travel as well. woods and Segal brought in more featured artists this time around – including indie hip-hop heavies like Quelle Chris and Aesop Rock. And teamwork makes the dream work: the eighth track, “Year Zero,” has some of the hardest bars we have heard all year with Danny Brown bringing his heavy hitter sound of the underground hip-hop.
Maps is available now on vinyl and digitally via BackwoodzStudioz.
This post would be better had Sam or Sean written it. Their knowledge of electronic music is vast and I only dabble in the genre. However, I am really digging Soichi Terada’s Asakusa Light so here we are.
For those who don’t know (like I didn’t), Soichi Terada is a Japanese electronic music composer who’s been making music since 1989. His latest album Asakusa Light is jam-packed with groove and pulsating beats throughout, it’s a real head-bobber. Please check out “Double Spire” and “Takusambient” (below) and let his music speak for itself as it is way better than the writing in this post.
Asakusa Light is out now via Rush Hour and is available on vinyl and digitally through Terada’s Bandcamp page. Enjoy.
Nathan Womack is one half of the fabulous Paces Lift & Ben Bounce project, as well as the guy behind the Wax Thématique label. He also just released his debut single Past But The Dream. Taken from samples found while crate digging in Bangkok, Thailand and Guangzhou, China, Nathan has constructed two killer tracks full of funk, soul and groove. You can check out both tracks below, I highly suggest that you do.
Past But The Dream is available now on vinyl via Wax Thématique’s website and digitally via their Bandcamp page. Enjoy.
I’m not really sure how to accurately describe Courtesy’s sound, but it’s somewhere in the realm of: wonky, electronic pop with some heavy-ass beats and grooves for days. Their most recent album, Check The Milk has the wonk dialed back just a bit (versus their last album Slow Bruise), but there is still plenty of it with the heaviness and grooves cranked up to 11. CTM is one hell of a record – like seriously good – and I can’t recommend it enough.
Check out the album opener “Shell Sock” (below) for a taste. It’s so good and a great example of what to expect from the rest of the album. I just snagged the LP from them and I can’t wait for it to arrive so I can blast it throughout the house.
Check The Milk is out now via Seasick Records and is available digitally and on wax from their Bandcamp page. You want this record. You need this record. Enjoy.
Eastern Rain, the newest EP from Nathan Womack (who is also one half of 3hive favorite Paces Lift & Ben Bounce), is inspired from Womack’s many years traveling and living in Asia and collecting music while there. Eastern Rain is 4 tracks of music sampled, recorded and produced in Kunming, Yunnan, China. It features hand-pan drummers, local Guqin instrument players as well as additional synths and beats from (another 3hive fave) RUMTUM.
Eastern Rain is a relaxing trip abroad even though it only lasts for 14 minutes. The best part of this trip however, is you can take it over and over again any time you’d like. Eastern Rain is available now via Nathan’s Bandcamp and Wax Thématique. Enjoy.
Take a trip through the tropical beats of South America and Japan with Monster Rally’s new two-part digital 45, Escape To The Cloud Forest. As usual, like everything MR releases, it’s really good.
Escape To The Cloud Forest is available now via MR’s Bandcamp page and you can sample its goodness below. Enjoy.
You can also pick up some other Monster Rally releases on vinyl at the 3hive Record Lounge. MR on vinyl is a treat, you won’t regret it.
Sean Byrne (as LAZY SALON) has just added another standout album to his already stacked catalog of LZ releases. Lazy Salon (his new self-titled release) is 34 minutes of chilled out, sweeping instrumentals, layered over the top smoking hot drum beats. These 8 tracks are the Calgon for the soul, especially during these COVID-19 times. He calls them “cosmic instrumentals” which pretty much nails it.
Give “Wild Travels” (below) a spin, it’s a great example of the entire album’s goodness. Lazy Salon is available now on Bandcamp. I highly recommend it.