It’s late. I’m beat. I’m starting to hallucinate: flashing slices of pepperoni…But I want everyone to have a fresh, hot cup o’ music first thing on a Sunday morning. The new Baldwin Brothers album is appropriately titled The Return of the Golden Rhodes because as you’ll hear, just about every song has T.J. Widner ripping on his “main ax,” the Rhodes keyboard. Most of the tracks groove along like Starsky & Hutch, Welcome Back Kotter, or Sesame Street, except for the closer “The Party’s Over” which turns down the Rhodes and gets all Moody Blues on us. Mark Lanegan provides the moody vocals. The track does stop the party in its tracks, and frankly isn’t representive of the rest of the album. Even “Leave the Past Behind” fails to keep pace with the rest of the album’s block rocking funk. What’s a boy to do? Those are the tracks we get to work with. Sharers can’t be choosers. Just make a note, if you like the tracks from their EP, know that most of the new album is similar rug-cutting material.
Radio Citizen
Radio Citizen updates the big band concept for the hip hop generation. To be more precise, Radio Citizen is Niko Schabel, a one-man big band really, with a cast of players, including Indian-born vocalist Bajka. “The Hop’s” bluesy beats, grinding organ riffs, and seductively soulful vocals resurrect trip hop’s potential and tap hip hop’s power and promise—the ability to combine genres and moods to create a new work of art. Radio Citizen’s source genres are a potpourri of sixties jazz, funk 45s, soul, dub and reggae, afrobeat, electronica, trippy avantgarde, surf, Latin, boogaloo, and rocksteady just to name a few. Get in on this track now for an injection of soul into your usual, soul-sucking Monday.
Christopher Willits
Hot on the heels of his release with with Brad Laner (ex-Medicine) as North Valley Subconscious Orchestra, Christopher Willits drops this blissful solo album. Each track features layers upon layers of dreamy vocals, soaring guitars, and chirpy synths that keep washing over you until your mind is completely free. Call it shoegazer, call it stargazer, call it what you will. Just make sure you call it up on your iPod to keep you warm inside this fall.
Cacoy
Cacoy is a Japanese electro trio possibly named for a Filipino martial arts legend and signed to a Danish record label. Their song Piracle Pa doesn’t seem to be from any language, but the soothing organ and lilting female vocals sound like French/Canadian/British indie-pop darlings Stereolab. “Yoko Majikick Ono†seems to be named for the Japanese-born U.S. resident, and with its rubbery, buoyant cornucopia of digital burps, it sounds like a track from U.S.-born Josh Presseisen’s Japanese-named project, Marumari. In other words, it makes for good listening no matter where you lay your headphones.
The Black Neon
I have to admit I’ve been squatting on this one for a while. Leaving a blank post in ol’ Movable Type just to keep my 3hive colleagues from posting The Black Neon before I do. But blank posts aren’t a very effective way of sharing the sharing, so here goes… The Black Neon’s first full-length is called Arts and Crafts. It’s a regular appetizer tray of styles, as evidenced by these two tracks — one a nostalgic psych-pop ballad, the other a searing electro-rock instrumental. And there’s even more goodness if you dig deeper on the album, which I’d love to play for you in its entirety but that’s your job now, isn’t it?
Eliot Lipp
Tacoma, Washington. Home of the underappreciated, yet thoroughly ruling punk band Seaweed. At one point I think I had eight Seaweed t-shirts. One of them had the band’s logo on the front, and in large, capital letters “VISUALIZE TACOMA.” I’ve never been to Tacoma, but from what I hear there’s nothing special to visualize. Then there’s Eliot Lipp. His two latest releases were recorded in L.A. while he had Tacoma on the brain. So what did he do? AURALIZE TACOMA. The soulful grooves on Tacoma Mockingbird, and the new Days EP, grew from his moods and emotions while reflecting back on his hometown and friends. His output is a simple, yet simmering synth stew of well-worn breakbeats with Lipp’s retro, yet timeless, twist. His goal was to create a classic electro sound which he pulled off with his economic use of synths and beats. Think New Order pitched down to Grandmaster Five’s tempo, and drop in a lick of their rhythm.
Languis
Hmmm. I’ve been somewhat bored with music lately. Slow stuff is really getting to me. I saw Radiohead in LA a few weeks ago, and while it was a good show (“Paranoid Android” was awesome!), when the stagehands started wheeling the piano out, that was my queue to sit down. I just fly through my old lady’s iPod on shuffle. Boring. Next. Boring. Next. Boring. Next. Maybe it’s due to my advancing years, but I need something with some zing to it, some energy! Of course I say that and here I find myself digging out LA’s Languis. Their drive to create electronic music with real instruments is intriguing, as are their frequent releases, their impressive list of contributors, and their musical histories. Which because I’m sick of writing, I’m going to make you read for yourselves at the links below, after listening to “In The Fields of (Lonely Fences)” from their Other Desert Cities EP.
Hexes and Ohs
Listening to “Alive Until Saturday Night” by Hexes and Ohs made me want to pull out my New Order albums from high school and get back into that groove again, but of course, they’re on vinyl! Like I have a turn-table… besides the one I got for my 12th birthday in 1983, which is probably in my parents’ basement somewhere. For better or worse, their other downloadable track below, “This and Other Distances,” calls to mind Death Cab for Cutie rather than the sounds from when sequencers were young. Hexes and Ohs, a Montreal duo with an ’05 album, Goodbye Friend, Welcome Lover, and maybe another coming soon, are another great suggestion from Dawntread (she sent us Canasta from last week).
Solo Andata
My family is about 1700 miles away right now, which probably makes me even more of a sucker than usual for this meditative, lonely man’s free jazz. Or maybe there’s an even deeper connection I’m feeling… Solo Andata is a long-distance duo as well: Paul Piocco and Kane Ikin, who live in Perth, Australia, and Stockholm, Sweden, respectively. They collaborate by means of modern connectivity, as I do with my wife and kids, which is great but means you kinda have to fill in the gaps in time and distance with your own imagination and memories. The resulting sessions are sparse, yet richly textured and nuanced, giving you the sense—and I know I sound like Abe Simpson when I say this— that you can actually hear the wear and tear that comes from sending their tracks back and forth over such long distances.
Be sure to check out their remix as part of Ryuichi Sakamoto’s Stop Rokkasho project, available on their MySpace page.
Jab Mica Och El
From the same label that brought you Secret Mommy come the similarly playful Jab Mica Och El from Denmark. Unlike Secret Mommy, Jacob and Michael seem less interested in making playful songs out of non-musical sounds (with the exception of the bicycle project) and more intent on making playful songs out of familiar instruments such as the banjo, flute, and tuba. After some laptop manipulation and reorganization, the sounds that emerge feel surprising and spontaneous, warm and real — as if some Appalachian robots got drunk and started to jam until they haphazardly came across a tune. Perfect for your next barbecue (Appalachian, robot, or otherwise).