It’s good to see Andrew Rohrmann (formerly of Hush Harbor) take on The Establishment by opting for the proper, if copyrighted, spelling of Scientific American. (Those who know him from his bedroom-beats-turned-commercial-beds on Slabco, know he used to drop the first “c” in Scientific, presumably to keep the lawyers at bay.) Those who don’t know the score can get caught up real quick. Simply set aside 109MB of hard drive space and bask in the generosity of Slabco’s free music policy.
Mobius Band
Just ain’t no doubt. Ghostly has consistently released some of the best, essential music for the past several years. When we started up 3hive (over a year ago!) Ghostly artists frequently appeared on this site. But then the label made the ghastly switch from full MP3s to clips. Oh, the delight to discover a full-length MP3 from Ghostly’s newest signing, the MA trio, Mobius Band! These gents put just the right amount of “electro” into their “rock” without falling into neu-wave cliché. Imagine if R.E.M. began in the 21st century instead of the ’80s of last. They share similar melancholy vocal mumblings and novel sonic arrangements. Get this one while you can, don’t know how long it’ll last.
*Note: Ghostly’s back with MP3s! Yes, Virginia, there is a Santa Claus. Peep the newest Mobius Band MP3 “The Loving Sounds of Static…”
Printed Circuit
Can there be a better name than Printed Circuit for an electronic band? Casio keyboards, Nintendos, the Space Shuttles, Commodore 64s, Sean’s iPod, Ataris, even the new Mac mini — they’ve all got printed circuit boards. But don’t think Printed Circuit lacks a soul; au contraire, Claire Broadley of Leeds, who is Printed Circuit (and Catmobile Records), has a soul of pure pop. She just expresses it through silicon and transistors and electrons.
Fleckfumie
Sure, the name comes off like the Danish translation of “f&ck you,” their music, however, is much more inviting. Japanese vocalist, Fumie, together with British programmer, Fleck, offer a world of stuttering samples, bubbling beats, silky vocals, and, oh baby, the bass! Worldwide flavor in both Fleckfumie’s members and sound. Hit their site for streams of five more album tracks…
The Octopus Project
My 4-year-old son is obsessed with marine life of all kinds, to the point where a recent visit to the London Aquarium nearly resulted in a restraining order. It seems he couldn’t keep his hands out of the manta ray tank (to be fair, it was marked as a “petting” exhibit). He also recently informed me that he wants a pet octopus. My subsequent research led to this surprise discovery: some killer deadpan glitch funk from Texas — at a fraction the cost of a real octopus!
The Fatáles
Vaguely detached, vaguely nostalgic, vaguely wonderful space pop. It’s really hard to believe these guys are unsigned…maybe they’re not in it for the money, just on a personal crusade to promote use of the accent aigu (á). Either way, I’m in.
DJ Soul Slinger
Hidden in the back of every music collection is a little rave music. Okay, maybe not every one, but there are plenty of us who keep a little something stashed away. I pulled out my personal rave-orite Altern 8 recently. My five year old was not impressed. Another from my collection who is actually still going strong is DJ Soul Slinger. A native Brazilian, Carlos is an early purveyor of rave/jungle/drum’n’bass music/culture/goods here in the good ol’ US of A, and a perfect way to welcome a dear friend to 3hive on her first visit.
I Am Robot and Proud
Great minds really do think alike! I Am Robot and Proud has been queued up here at 3hive just waiting for the right day to post, and a kind reader of 3hive sent in an email to the suggestion box, well, suggesting I Am Robot and Proud. It gives us the chance to again ponder the question, “What is it with big corporations and their raiding of indie-dom for music for their commercials?” This time it’s adidas, and they’re using “Winter at Night.” I Am Robot and Proud is Toronto’s Shaw-Han Liem, and he makes a beguiling electronic (but not robotic) pop that is both warm and refreshing. Layers of melodies, alternately purposeful and tinkering, merely hide the rhythms that can get a little groovy. Proud indeed.
David Sylvian
I have a couple confessions to make. First, I feel asleep during a U2 concert. I’ve never been a big fan. I respect the band tremendously, but their music, and that concert in particular, just don’t do it for me. My second confession: I cried at a David Sylvian concert. Not that I wept out loud or anything, but his voice, its rich timbre, literally brought tears to my eyes. He has a long musical history, beginning with the band Japan, then his solo work. The first track, “Mothlight,” is an ambient piece composed as an accompanyment to a group of photographs. The remaining tracks include vocals and give a better sense of David Sylvian’s well-honed craft.
Worm Is Green
We’re officially five days into winter so I thought it apropos to turn our attention to Iceland. I know it’s not winter there year round, but it should be! Worm Is Green’s debut album is almost a year old here in the States, but proper respect has yet to be paid. The band does a brilliant cover of Joy Division’s “Love Will Tear Us Apart,” and the rest of the album will put you in a cool chill with its warm synth tones and atmospheric vocals. These tracks are all demo versions and outtakes from Automagic. You’ll have to put down some cash for the final product.