Windsor for the Derby

Waaaaay back in the late ’90s, WFTD built a modest rep on synthy post-rock instrumentals. Now they’ve taken to delicate (still synthy) melodies, narrative lyrics, and generally sounding all grown up. And, holy extreme makeover, does it sound alright to these ears…

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Komeit

Nothing new from Komeit, but rather a Komeit tribute by Robert Lippok (To Roccoco Rot). Actually, even Lippok’s album is about six months old… I just felt like I needed an excuse to post Komeit’s “3 Hours.” I don’t know if they have Indian Summer in Germany, or what it would be called if they do, but this track feels like a warm spell in September. So there. There’s my excuse.

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The Somnambulants

Slightly nervous, very danceable synth pop that’ll remind you of early-’80s OMD one moment, as lead vocalist Joseph White blesses the mic, and modern-day German indie electro (Morr, City Centre, et al) the next, as co-founder Channing Sargent gets chirpy with it.

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Talkdemonic

Imagine DJ Shadow swearing off turntables and samplers and turning to live instruments. Talkdemonic’s Kevin O’Connor doesn’t work completely sample free, but he does play live drums over what sounds like proprietary guitar loops and sequencing. I’ll be damned if Thom Yorke’s vocals wouldn’t fit these tracks like a glove.

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Figurine

Just to help get us through the rough time waiting for a new album from The Postal Service (someone please tell me there’s gonna be another one), here’s a gem from the past of Jimmy Tamborello under his stage name of James Figurine. With pals David Figurine and Meredith (you guessed it) Figurine, their stated goal was to sound like Depeche Mode. Fortunately they ended up more of a Severed Heads/New Order/Aphex Twin hybrid.

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Mice Parade

Adam Pierce once again takes the bedroom dweller aesthetic more as a spiritual guide than a sonic one: skittish percussion bounces off the walls like random thoughts and warm vibes and synthesizers fill the background while his ever-gentle acoustic guitar seemingly plays for an audience of one.

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Secret Mommy

Andy Dixon, a Vancouver-based web designer/audio saboteur, plays Olympic-paced ping pong (or is it table tennis?) with odd samples and found sounds until they become a blur of sound and rhythm. The results range from buoyant (“An Apple a Day…”) to jarring (“Save As”) to satirical (“Bottom 40,” wherein Britney Spears is revealed as the cat in heat that she is).

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Trans Am

Many artists have offered up the requisite anti-Bush song this summer; Trans Am opted for an entire album’s worth with Liberation. Not every track holds its own: “Uninvited Guest” is unoriginal B-side material, based on the well-circulated “Bushwhacked” MP3s. But the other two cuts featured here prove that Trans Am can make their point quite effectively by speaking softly and carrying a big bassline.

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