Mice Parade

Adam Pierce once again takes the bedroom dweller aesthetic more as a spiritual guide than a sonic one: skittish percussion bounces off the walls like random thoughts and warm vibes and synthesizers fill the background while his ever-gentle acoustic guitar seemingly plays for an audience of one.

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Secret Mommy

Andy Dixon, a Vancouver-based web designer/audio saboteur, plays Olympic-paced ping pong (or is it table tennis?) with odd samples and found sounds until they become a blur of sound and rhythm. The results range from buoyant (“An Apple a Day…”) to jarring (“Save As”) to satirical (“Bottom 40,” wherein Britney Spears is revealed as the cat in heat that she is).

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Trans Am

Many artists have offered up the requisite anti-Bush song this summer; Trans Am opted for an entire album’s worth with Liberation. Not every track holds its own: “Uninvited Guest” is unoriginal B-side material, based on the well-circulated “Bushwhacked” MP3s. But the other two cuts featured here prove that Trans Am can make their point quite effectively by speaking softly and carrying a big bassline.

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Mouse on Mars

Mouse on Mars have mastered many genres by showing allegiance to none; rather, they rely on sound songwriting to make even their most adventurous work feel just right. This cut off their eighth LP, Radical Connector, is a case in point: a breathy vocal pop track sliced ‘n’ diced in a vocoder-stutter-funk stylee without once losing sight its memorable tune.

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Daedelus

Cacophonic intro track to Daedelus’ hip-hop record, Rethinking the Weather, layers a psychotic amount of voices over noodles of acoustic guitar, clattered beats, and flute loops. It’s but a small, imperfect glimpse into Daedelus’ expanding, eclectic universe.

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Headset

Allen Avanessian (Plug Research) and Jimmy Tamborello (Dntel, Postal Service, Figurine) hit the lab with a hard drive full of devolved beats and glitch-and-paste collages, then invite a who’s who of electronic and hip-hop innovators to muse over the sparse foundation. The result ranges from head-nodding to chin-stroking; this track, featuring verbal gymnast Subtitle flowing over what sounds like a dying music box, exemplifies the latter.

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Fridge

UK post-rock trio, not unlike Tortoise, prone to toy with electronic and sometimes jazzy improvisations. Although Fridge can sometimes resort to experimentation for experimentation’s sake, these tracks are a fine sampling of their more accessible work. FYI: Fridge has spawned two solo projects, Four Tet (Kieran Hebden) and Adem (Adem Ilhan).

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