Trace Wiren

When the tunes are coming out of Salt Lake City, it’s hard to resist a little comparison: “I’m a little bit country, I’m a little bit rock and roll.” Trace Wiren has that in common with Donny and Marie, that’s for sure. However, she’s also a little bit folksinger, a little taken with the blues, and a whole lot fresh. Download “Trouble at Home” now and start preparing your summer roadtrip mix.

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Matt Costa

I’ve been dying to post Matt Costa. And he recently put up one of my favorite songs from his album, “Cold December,” a song that sounds as great in July as it does in, well, December. So just in time for the holidays… Now in the past couple years I’ve watched Matt go from playing my radio show, local clubs in and around L.A., and a small showcase at SXSW to huge ampitheater shows opening for Jack Johnson. No matter the size of the crowd Matt makes fans because A) he can play, B) he’s cuter than 90% of the men in this world which — surprise! — helps with the ladies, and C) he’s got the songs. Mark my words, you’ll be seeing and hearing plenty from Mr. Costa in the zero six. So start now and get used to it.

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The Spectacular Fantastic

Sean accused me of being a squatter the other day in his Tessitura post, and he’s not wrong. Silly me, I just forgot about these folksy, rocking, old-fashioned easy-to-sing-along-with tracks from The Spectacular Fantastic. With a name as superlative as that one, you’d think it’d be hard to do — anyway, it won’t happen again. Start with “60 Cycles” and “I Love You,” (both from a fully-downloadable EP on the band’s website), then check out “Winter Song” and “You” (from a split single with the previously-mentione Tessitura). Then, in gratitude for all the free music, shell out a few bucks for The Spectacular Fantastic Goes Underground and start singing along yourself.

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Nick Robin

I recently bought this and this from Insound. The package they arrived in included the usual 2:1 ratio of collateral marketing material to music product. Among the collateral was a small, square glossy catalog/zine. The theme of the issue was “indie rock road trip” and it was actually a pretty good read. However, nowhere did it mention perhaps the best driving-themed song I’ve heard all year: Nick Robin’s “Drive-On”. Nick’s slow, careful folk glows with yearning. And it’s got vibes, which earns automatic bonus points in my book. Go buy the album here. (Many thanks to Lise for the suggestion.)

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Jason Anderson

Regular readers of 3hive know that, as silly as it sounds, we sometimes have problems figuring out the names of the bands we profile. Case in point: Is it Jason Anderson or Wolf Colonel? Greg says, “Who cares?” (Someone will, I’m sure, as I’m sure we’ll hear about it. For the record, I think it was the former and is now the latter.) He — Greg, that is — suggested Jason Anderson, and I’m okay with that, because the plaintive folk-pop of “O, Jac!” pairs nicely with the Michigan’s snowy forecast. Thanks, G!

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Ian Love

Ex-Rival Schools guitarist Ian Love sheds his post-hardcore skin and in favor of a gentle, earnest folk skin, in part to celebrate his new life as sober husband and father. Maybe I’m a sappy sucker for sober husbands and fathers, but I think “The Only Night” is a beautiful love song (get it? love song?). Simple plucked chords lap up against unassuming vocals, capturing that sense that the world has retreated for a moment so two people can be alone:
“And I stay quiet
And we’re so patient
As the stars jump side to side
And this feels like the only night”.

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Ehroehed

Ehroehed is Lonny Potter, who records music in British Columbia, apparently to give away to his friends. Erik Ratcliffe is a nice person from somewhere, wherever, who dropped Ehroehed in our Suggestion Box. If I knew Lonny Potter personally, I’d tell him to burn a disc of his music to give to Erik Ratcliffe because, you know, that whole sharing the sharing thing. Plus, it’s gonna be the holidays, so let’s all be Lonny’s friends, yeah? Like Will Oldham in the Palace days, Ehroehed reminds me that there are plenty of weirdos out there making beautifully strange songs just for the hell of it (and for that I’ll count my blessings).

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The Notes and Scratches

Josh emails the Suggestion Box with word of his humble little band and humble little label. He flatters us with how much he likes 3hive (which will move you up on my playlist, btw) and ends with, “considering what you’ve posted in the past I don’t think it’s stretch to say that you might like what we’re doing.” Let’s see…The Notes and Scratches’ raspy, writerly country pop sounds like early Tom Waits channelling Ben Gibbard. Nope, no stretch at all. In fact, while Joe and I swapped shifts this week I feel confident posting this on his behalf. And mine. And probably Jon, Sean, and Shan’s. Clay, well, I’ll let him speak for himself. These tracks are from the debut album, Uh-Oh, which drops November 18. Support our troops, y’all.

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Dropkick Murphys

For those of you who find Flogging Molly too restrained, melodic or musically talented, here’s Dropkick Murphys. Full-on Celtic punk rock, yelling and brogue and steel-toed boots, it’s all here with the Murphys. Their version of “The Auld Triangle” is what I always thought the Red Roses for Me out-take of the same song by the Pogues would sound like, I guess. But “The Warriors Code” is for true believers (and is just way too cheesy for me).

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Mohawk Lodge

It’s been a wild past few weeks, so I’ve been self-medicating with Mohawk Lodge’s “Making Music,” a lithe and oddly optimistic track for these drowsy folksters. “At any rate, we’re dying/Why not drown ourselves in song?” Couldn’t have put it better myself.
(Buy the CD at Scratch Records.)

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