Nothing says Thanksgiving to me more than Dujeous. Full disclosure: I’ve know these guys since before I was of legal drinking age, they are old friends and I am 100% totally, completely biased in their favor. Back in the good old days, there was always a Dujeous show to look forward to. You would see the family, put on your cute clothes and head out to whatever downtown venue the Duj happened to be playing at. You would have crushes on various Dujeous members. You would think you were really cool when you could sing all the words to “Spilt Milk”. But mostly, you would bliss out all night to the sweet sounds of good old-fashioned hip-hop, the kind that involves a drummer, a bass player, a trumpet and all manner of wonderful instruments. You may have heard the sounds of Dave Guy (trumpet) before, as he is super busy sidelining as a Dap-King, playing with Sharon Jones, a member of the Budos Band, appearing as a cartoon in the New Yorker and showing up on my television in Lily Allen’s band. The six other bandmembers, die-hard New Yorkers all, have been doing it up — producing, providing music for soundtracks of oscar winning films (see: Half Nelson), being MCs, touring what seems like ALL of Asia, popping up as staffers at my place of work, and just being Dujeous in general. (I’m told the name may serve as a noun, a verb or an adjective, depending on your mood.) I love them. Dujeous makes me highly nostalgic. More people should know about Dujeous. Hip-hop, instruments, big love for what they do — enough said.
Z-Trip
For the longest time you’d have to dig up classic Z-Trip mixes by way of some friendly shared drive somewhere. Now that Z-Trip has sobered up from his major label affair (only one album…who saw that coming?), he’s his own boss. And that means, among other things, a website with downloads to die for. I’ve included a couple of his original compositions (featuring the inimitable Chali2Na and Lateef the Truthspeaker). But if you haven’t already heard such classic mashup mixdowns as Uneasy Listening, Live at the Future Primitive, and The Anti-War Mix stop what you’re doing right now and pay a visit to Chez Z-Trip.
Aesop Rock
I’m hesitant to file Aesop Rock under “rap” because I’ve learned that you’re statistically less likely to listen to it if I do (shame on you). That said, he does rap…but his music draws on influences ranging from art pop to beatnik jazz to first-wave electro and so on. Just depends at what moment you catch him. The only constant is Aesop’s dizzying flow and fertile narratives.
These two tracks will give you a taste of how his work has evolved over time: “Basic Cable” comes from his first label-released album and “None Shall Pass” is the single from his brand-new album. However, if you’re looking to start your Aesop Rock collection, I still recommend 2001’s Labor Days.
General Elektriks
This gem’s been on the back burner for two years! Ouch. I started a post on General Elektriks back in August of 2005, the year his debut album came out. I remember the label pulled the MP3s, and since we like to play nicely with others, I pulled the review (crying, all the while, on the inside, gettin’ all emo). Since then, Quannum has partnered with a solid digital distributor, ioda promonet, and the goods are back! This is such a great album. French-Brit, and current resident of Berkeley, CA, RV Salters, is General Elektriks, a man with an impressive quiver of vintage keyboards and the playing skills to go along with it. Smooth ‘n’ easy grooves made for lazy summer afternoons. Quantic said it best, “Like the Beatles in a pub brawl with the Neptunes.” And as a bonus, plenty of the Quannum crew make guest appearances on the album. Two-years-old, but packaged with stay-fresh beats. Satisfaction guaranteed.
Looks like General Elektriks will strike again early next year. He’s been busy with his other project Honeycut.
Various – From L.A. With Love
Andrew Lojero brings musical and visual artists together as a collection and an introduction to the prolific art movement currently unfolding in Los Angeles. Usual suspects like Madlib, Daedelus and Nobody all provide tracks under various monikers. But newcomers such as Georgia Anne Muldrow and Gaby Hernandez also make significant contributions. Lojero passed the tracks along to visual artists with the mandate to produce works of art inspired by the songs. Several of these works are provided below. No stranger to this vibrant art scene, Andrew Lojero curated this collection as he has been curating live gatherings, er, parties, legal and otherwise, all over the L.A. area: in lofts, under bridges and in warehouses. From L.A. With Love places the power to party likewise in the palm of your hand.
Copperpot
I’ve wanted to post Copperpot ever since Scott played a track for me in a rental car in Italy—a wickedly infectious track sampling Doris Day’s “Perhaps Perhaps Perhaps.” Now, almost two years later, I can finally share the sharing with this, the lead off track from the forthcoming album WLYA?. Yes, that’s the Blastmaster KRS-One blessing the mic—just the kind of talent Daniel Kuypers attracts. Our man picks up where his 2005 debut,
Alias
How about a hefty dose from Alias! Today we feature a broad sampling from Alias’s discography, beginning with remixes from his brand-spanking new remix collection, coincidentally titled Collected Remixes. Alias is anything but generic when it comes to producing his music. He adds so much more to his remix projects than a throwaway beat. He makes each song his own with his signature atmospherics and keyboard work—from reworking indie stalwart John Vanderslice to dropping the low end on Lali Puna’s björk-core to goblet-shattering levels.
Alias stands head and shoulders above most hip-hop producers because rather than relying on sampling Alias implements live and electronic instrumentation. He still taps the past for inspiration as evidenced by the Black Celebration era riff of “Cobblestone Waltz,” a track recorded with his brother Ehren for their collaborative instrumental album, Lillian. And don’t miss his work with Rona “Tarsier” Rapadas. It’s anything but a sidenote. His colorful production gently lifts her already lush and soaring vocals. There’s plenty here to digest, but just a few songs in you’ll hear how Alias, like several of his fellow Bay Area beat-heads, has single-handedly broadened the boundaries of hip-hop, revealing its rich possibilities.
Ghislain Poirier
Trying to keep it Francophone here…Montreal DJ Ghislain Poirier has range. His distinctive rebel beats draw from a range of styles — from Ragga to Detroit techno. (Ghis prefers to call his sound “le gros,” as in the fatness, which I won’t dispute.) He teams up with a wide range of MCs, from dancehall toaster DJ Collage to fellow Quebequois Seba. And he’s been called upon to remix a range of artists from Les Georges Lenningrad to Lady Sovereign to some up-and-comer named Jay Z. While these MP3s are nice tastes his best work can be found on his two albums for Chocolate Industries, a label that unfortunately doesn’t provide freeloads. Don’t let that stop you from having a listen (they’re available on eMusic). He also has an album slated for the fall on Ninja Tune.
Luz Mob
Three years in the making Luz Mob recently dropped his inspired Interpretations. Luz himself plays a couple saxophones, alto and baritone, and the bass clarinet, as well as directing a gaggle of session players across the country. The not-so-unifying thread behind this collection of covers (yes, that’s The Selector’s “The Selector”) is Luz’s wide range of musical tastes: from reggae to hip hop, ska to cumbia. He pulls all the sounds together with hip-hop beats and strong horn playing. The strength of this album lies in Luz’s ability to blend the live instrumentation with the programming without the former being enslaved by the latter. Recommended for after-hour chill sessions or the lazy days you call in “sick” to work and end up dancing all morning in your pajamas.
Northern State
Northern State, while not typical of most bands, does have a typical experience: little band writes some good stuff, tours like crazy, goes big, gets written up in Rolling Stone and Spin and the rest, gets signed to a major label, tours some more, then bolts from said major label and gets back to doing their own thing. These ladies from Long Island have been working with Chuck Brody (Shitake Monkey) and the Beasties’ Adrock on their new album, which has them moving from hip-hop to a more Luscous Jackson-like vibe. New songs can be heard at their myspace site, but check out this oldie with the best ever rhyme from Prynn about her Native American ancestory.