Double Date With Death

Double Date With Death | L'Au-Delà |
Double Date With Death | L'Au-Delà |

Montreal’s Double Date With Death bring the fuzz in large doses on their new LP L’Au-Delà. Their heavy-chugging, lo-fi, garage punk sound is similar to bands like (Thee) Oh Sees and Ty Segall.

Check out “Forêt” and “Flourescent” (below) for a sampling of how good this album is.

L’Au-Delà is available now via Howlin’ Banana Records and DDWD’s Bandcamp page.

Kiwi Jr.

Kiwi Jr. | Football Money |
Kiwi Jr. | Football Money |

Kiwi Jr.’s debut LP Football Money is a nice trip down the 90’s indie rock memory lane, think Pavement meets Possum Dixon. Give the jangly “Salary Man” a spin for a taste. Football Money is packed with enough pop to keep you bouncing for days. I think it’s cured the sinus infection I’ve been battling for the past three weeks. Thanks, Kiwi Jr.

Football Money is out now and available via Persona Non Grata Records and Mint Records. Enjoy.

Rezin Tooth

Rezin Tooth | Rezin Tooth |
Rezin Tooth | Rezin Tooth |

Rezin Tooth is the secret dub project of Seattle’s Nathan Spicer along with most of his fellow bandmates from Polyrhythmics. Their self-titled debut is the “never meant to be released” album that somehow Wax Thématique is magically releasing at the beginning of 2020.

We are honored to premiere their debut single “Dub Crater” (below). It’s a laid-back, dub-filled jam flavored with hints of the funk and groove goodness Polyrhythmics are known for.

Rezin Tooth lands on January 10 and is one hell of a way to kick off the new decade. Enjoy.

Modern Nature

Modern Nature | How To Live |
Modern Nature | How To Live |

I am a big Jack Cooper fan. Mazes, Ultimate Painting and of course, his incredible solo album. I was stoked to hear about Cooper’s new project, Modern Nature, with Will Young (Beak>), Aaron Neveu (Woods) and Jeff Tobias (Sunwatchers).

On their debut album, How To Live, they combine their vast musical abilities to create 10 tracks of jazz-tinged, psychedelic rock that’s packed with layers and full of depth, which is heard throughout the entire album Check out the killer groove of “Footsteps” (below) for an example.

How To Live is available now via Bella Union. I highly recommend it.

The Slew

Leave it to Kid Koala to roust me from my blogging negligence…well, Koala and friends. DJ extraordinaire Kid Koala and indie hip-hop producer Dynomite D had been working on the score to a documentary D’s cousin Jay Rowlands was making about an obscure ’70s psych rock band called The Slew. Known mostly among obsessive record collectors, who pay as much as $1000 for a copy of the band’s only album, Dust Collector, of which there are only 50 copies in existence. The documentary got shelved as enigmatic frontman (didn’t you just know there was an “enigmatic frontman” in this story?) Jack Slew backed out. Koala and D already had already remixed and retooled a lot of The Slew’s material. When Chris Ross and Myles Heskett, the former rhythm section of Wolfmother, heard the tracks, they offered to help perform the tracks live so the music could be heard by more ears. So this fall, they’re taking their show (reportedly involving six turntables) on the road, which is the only place where you can get this soundtrack-to-a-non-existent-movie-featuring-remixes-of-tracks-you’ve-probably-never-heard-before-by-a-band-you’ve-probably-never-heard-of-before, simply titled 100%.
Check Kid Koala’s site for tour dates. (Looks like the closest it’s coming to the Motor City is Chicago…or the Detroit Bar in Costa Mesa).

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PDX Pop Now! 2009

Today we’re happy to serve up a North West smorgasbord. However, unless you can get to the Portland area within the next 48 hours or so, this post won’t do you much good. There are the MP3s. Have at ’em. That’s the reason why you’re here ain’t it? This year marks the fifth time the good people of Portland have put their collective musicheads together for a weekend of free live music. The fantastic thing about the aforementioned people of Portland is that they’re doing this all out of the goodness of their hearts. Bands, businesses, and residents all volunteer their time to put on this grassroots festival which has spawned action packed compilations that help raise money and awareness for the festival. I wouldn’t mind it a bit if I were actually there this weekend enjoying the music, the weather, the wonderful city, and of course a healthy Powell’s browse would top things off nicely. If only… Included are songs from a few bands playing this weekend. And if your attendance is more than my pipe dream, here’s the link to the schedule.

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The Boy Koan

Sonically, my Memorial Day weekend has been marked by the sizzle of meat, screams and splashes from kids in the pool, and the hearty blaring of these two tracks from the nearest sound system and my own vocal chords. New York’s The Boy Koan has me geeked to start summer, or maybe I’m just geeked for summer to start. One thing’s for sure, I’m geeked on The Boy Koan—they’re the first band that I’ve ever asked to send me their lyrics. On second thought, that may simply say more about my thorough lack of thoroughness. I get the same tingly sensations from “Beasts from More Rustic Days” as I did when I first heard Grandaddy’s Under The Western Freeway. And “My Russian Doll” fires up pogo reflexes with its ’90s new wave gang vocals giving way to Mark E. Smith-like lackadaisical lilting on the bridge. It’s hard to believe this is the band’s first recorded efforts and that the usual purveyors of all things indie between here and there haven’t been giving this sleeper of a debut more blog space. I’d be surprised if the lack of coverage lasted long.

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Photons will be releasing three EP’s this year, the first of which is Glory!, out tomorrow via “Where Were You Last Night” continues the raucous party, still with bassoon.

Original Post Oct 20, 2008:
In trying to figure out what to write about San Francisco’s Photons, I had several paths in mind. Working in the musical history of the city by the Bay, or coming up with something witty about their eclectic pop. Then I remembered the line from the top of their Myspace page that says all you need to know before downloading and listening: “Now with Bassoon!”

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William Fitzsimmons

I haven’t decided if William Fitzsimmons is a bastard with an irritating beard, or the undiscovered perfect boyfriend I missed sitting in the back of my most boring college class. Perhaps he’s both, and maybe I dated his evil angelic twin. Joseph, the boy who knew he’d never fight with his true love; the artist who was so sure he’d leave his young family in the dark of night.

Fitzsimmons’ most recent album, “The Sparrow and the Crow” is about divorce. His divorce, but I’m certain any divorcee could glean some ah-ha from listening. Call it music to listen to once you’ve accepted what has happened, comfortable with it or not. With a Master’s Degree in mental health you have to hope he’s got solid ideas about the delicacy of marriage. The joy that aches.

If You Would Come Back Home is officially on repeat in my head, rarely interrupted for a week. It’s a nice sunshine melancholy soundtrack to the spectacularly mundane everyday stuff. He understands what took me so long to see, good writing is not about the fanciest words, it’s about the perfect arrangement of the most simple words.

(by our friend Emily M.)

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Not Waving But Drowning

A few years ago I went to a political fundraiser where it was decided everyone would more likely hand over their pennies if all the begging was disguised as a hoe down. BBQ beef on rolls as big as your head, piles of potato salad and hay. Bales and bales of hay. Cowboy boots on hundreds of people with too much money who’d never even seen a cow in real life.

Not Waving But Dancing is not this type of hoe down. It is decidedly more hopeless. Like a drunken fest in a Romanian Gypsy camp. At this hoe down Peter the Great would show you his baby skeletons in his cabinet of curiosities; you’d see less teeth, more fishnet, more velvet. With or without alcohol you’d feel yourself moving slower.

(by our friend Emily M.)

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