My red Rickenbacker 620, the poor thing, doesn’t get picked up much these days. Job, age, fatherhood, soccer, home ownership, the price of 9-volt batteries…they’ve all conspired to keep me from my guitar and my Maestro Fuzztain pedal (which, by the way, is the size of two calculus textbooks; I bought it cause Kurt Heasley of the Lilys used one). A couple of bands over the few last years have inspired me to pick my guitar up, like the late great Henry’s Dress (whenever I miss them) and more recently The High Water Marks and Louis XIV. But now I think I’ve found the perfect inspiration: We Are Scientists. Anybody want to join my We Are Scientists cover band? If I may quote the We Are Scientists website, “Bring yourself and your dignity; only one of you will leave.”
El Ten Eleven
First, a quick comparison. Tortoise meets The Cure (at least on this track). Now, the instructions. Step one: listen to “Connie.” Step two: stream a few more tracks off their myspace page. Step three: see them live. Finally, step four: be amazed that El Ten Eleven consists of two musicians, and they pull this stuff off live.
The Fatáles
Vaguely detached, vaguely nostalgic, vaguely wonderful space pop. It’s really hard to believe these guys are unsigned…maybe they’re not in it for the money, just on a personal crusade to promote use of the accent aigu (á). Either way, I’m in.
Soft
Another from the suggestion box… Soft play majestic pop, driven by crisp drumming and plethora of effects pedals. Though we won’t name them here, the influences are many, but not blatant. However, any fleeting resemblences to Tim Burgess are coincidental, but appropriate. “Monkey Monkey” is excellent; it’s not first in the download list, but start there.
The Changes
Continuing in my tour of OPLs (Other People’s Lists), I found this gem — amidst Blockhead, Sharon Jones and the Dap Kings, and Comets on Fire — on Scissorkick‘s eclectic hit parade of 2004. (Convenient comparison alert!) The Changes are modern-day Chicago’s answer to Haircut 100: bouncy, dreamy pop that makes you want to smile at complete strangers or maybe, just maybe, swing from a vine in a Hawaiian shirt. However, unlike Haircut 100, these guys appear to have a longer career in them.
The Herms
My next-desk neighbor tipped me off to The Herms this afternoon. We’re both back in the office after a healthy holiday break. His New Year’s Eve was much more celebratory than mine. He: Bottom of the Hill in San Francisco for the Rogue Wave, Kelley Stoltz, and Herms show; Me: road-tripping back home down I-15, determined to miss the Las Vegas to L.A. parking lot over the weekend. It’d have been nice to have iPodded these tracks for the ride. “Record Machine” could be a demo recording from Bauhaus, and the remaining tracks, while wandering off on a sort of Jonathan Fire*Eater tangent, fail to disappoint. I’m baiting Clay with the former comparison. Watch for his impending, spirited comments.
Gran Ronde
If you count yourself among the many fans of the current faux-British invasion, then get ready to surrender to another crusader. Today’s 3hive pick brought to you by the number 3 (what else?) and by a hot tip from regular (in his use of 3hive) Todd Simmons. Thanks, Todd!
Hinkley
I love this time of year, and not just because I can lounge around all day in my jammies eating leftovers and candy. I love it because this is when I start cherry picking the best-of-the-year lists for artists I somehow missed or slept on. Today’s find comes from Mystery & Misery’s Best of 2004. They caught my eye because my grandmother’s maiden name is Hinckley, which turns out to be a happy coincidence. Their ragged, folksy pop would make them at home in the Elephant 6 stable but for now they’re unsigned and living in Rochester, NY. Thanks, Jason!
At Dusk
As six cousins, ages five and under, make their 100th lap around the living room furniture at my parents’ home this Christmas , At Dusk’s “We Could Do Anything” will be the soundtrack playing in my head.
Rachael Cantu
In the “girl-with-acoustic-guitar” sub-genre, it can sometimes be difficult to, well, not sound exactly like every other song that fits the category. Rachael Cantu manages to clear out some space of her own, with a sense of maturity and experience that seemingly can’t match up with her age and offer these thoughtfully pleasant tracks. The assistance of Mates of State‘s Kori Gardner on “Summer of Cycling” doesn’t hurt, either.
P.S. You can also catch Rachael Cantu providing guest vocals for Limbeck and on tour with Tegan and Sara.
ED NOTE: the mp3 links are now dead. Sorry for the inconvenience.