We really dig what Daptone’s been up to this year. But they’ve been working at reviving soul for some years now; their comeuppance is due. One of their earliest releases is an album from The Sugarman Three, an outfit built around saxophonist Neal Sugarman and a Hammond B-3 organ. It’s a crying shame that tracks from their debut album, Sugar’s Boogaloo, aren’t available, and that your first taste of the band comes in the form of remixes, but you just shouldn’t take another breath until you get yourself a lil’ Sugarman action. These remixes are from a complete remix compilation that’s been freely available for a couple weeks courtesy of Daptone and friends. Dig deep from the Daptone well friends.
The Harlem Experiment
The Harlem Experiment isn’t a band, but a collective of music (specifically jazz, funk, and hip hop) fiends rustled together by Aaron Levinson to pay homage to the variety of sounds eminating over the years from, yes, Harlem. This is the third in Ropeadope’s “Experiment” series. They experimented with Philly and Detroit first. “It’s Just Begun” begins with a classic funk track by Jimmy Castor and The Castor Bunch, which DJ Arkive dismantled, re-cut, re-worked and scratched up a bit. From there, Eddy Martinez (keys for Tito Puente and Run D.M.C.) stepped in and laid down a screaming keyboard track. Their goal was to maintain the timeless quality of the original track. Do you think they hit the mark? The ears of this novice funkateer say, “we likey, a lot-y.”
The Evens
To quote my friend Rick, “The best band ever.”Ian MacKaye and Amy Farina made this wonderful lo-fi pop (in punk rock style, of course), and frankly, we at 3hive have never featured a Dischord band until now. It was time to right this wrong.
Shelter Two [MP3, 3.6MB, 160kbps]Pushed Up Against the Wall [MP3, 3.3MB, 128kbps]
The Cotton Jones Basket Ride
It might take a few spins — there must be something spinning inside the computer, right? —for this debut track from The Cotton Jones Basket Ride to really work for you. Greg and I were hanging around, giving it a listen, and our first thought was to turn down the volume, for the sake of discretion. But there’s something about former Page France frontman Michael Nau’s voice that begs to be heard. In this case, it’s the refreshingly bluesy, breezy falsetto of “Had Not A Body.” He’s singing about demons in his head and fire in his throat, but you know, the song is so cool and laid back, it’s really nothing to worry about. Time will tell if the rest of his new debut, Paranoid Cocoon, will be equally tranquil; it’s due in early 2008. Until then and according to the promo people, “an individually handmade, hand-stamped, limited EP Booklet of five songs is available for purchase at all Cotton Jones shows, and via the Quite Scientific website. The booklets are hand made, hand stamped, and include a CD of four songs set to appear on the upcoming record, and one exclusive to the release.” Right on.
Miss Fairchild
The promo materials promise that Miss Fairchild aren’t a bunch of “suburban white kids play-acting at being an ’80s funk band.” Well, unless they were born in Detroit fifty years ago they are exactly a bunch of suburban white kids posing as an ’80s funk band, and guess what??? THAT’S OK. All I care about is that you actually pull it off without a whiff of irony. Miss Fairchild does just that. They are 100% committed to a rump-shakin’ dancefloor party, no wink-wink-nudge-nudge attached. Miss Fairchild bring the smooth, R&B-styled party-pop, the kind that’ll have all your friends waving their hands in the air like they just don’t care, especially during the “cha-cha” breakdown in “Number One”…”Yeah Rosie, Yeah Rosie, Yeah Vije, Yeah Vije, Yeah Patty, Yeah Patty, Yeah SylviiiiiiAAAA!!”
Now all they need to do is hop on the road with Hunter Revenge and Gen-Y’s Prince will have his Morris Day counterpart. Deluxe.
The Heliocentrics
I can’t promise you these tracks will be up long, so get ’em while the gettin’s good. Malcolm Catto leads the nine-piece Heliocentrics for a crazy, funked-up ride into the far reaches of jazz’s space time continuum. I don’t know what that means either, but it’d take up way too much space attempting to pin down The Heliocentrics sound. They didn’t call it Out There for nothing. It sounds retro, like a James Brown outtake, but Catto’s been spending the present-day diggin’ deep for funk 45s, drumming for DJ Shadow and Madlib, and releasing a solo LP on James Lavelle’s Mo’ Wax Records (the “Untitled” track below is a sample of an unreleased song from those sessions). “Sirius B” is just 1/24 of the electro-free-jazz-space-out The Heliocentrics have unleashed on an unsuspecting and unworthy world.
The Bosch
I usually don’t read e-mails from publicists — sorry… I know it must take so long to cut and paste our names (usually incompletely or incorrectly) into the form messages you send out that often do not reflect any real understanding of what this blog does — but Tony’s pitch for The Bosch caught my eye. Now, I’m not usually one for crazy, mixed-up comparisons, and I almost got lost in the ones provided for The Bosch: Joey Ramone, Dick Dale and Brian Wilson, or maybe The White Stripes, The Violent Femmes and Phil Spector, or even The Clash, the Femmes, Spector, Bruce Springsteen and Man… Or Astroman. However, I like enough of these performers to download a few tracks, and I liked them enough to share them with you. This NYC quartet offers short, rich, intense songs that are better enjoyed on their own, without comparison. These are from their newest album, Hurry Up, while four more off Buy One, Get One, from 2005, are available on the band’s website.
Artanker Convoy
The best way to describe Artanker Convoy is downtempo funk jams. Slowed-down grooves that go on and on as if the earth’s rpm’s have dropped down a notch and no one’s in a hurry to get anywhere or do anything but c.h.i.l.l. An air of improvisation takes center stage as each member of this Brooklyn sextet lays down their perspective track, often tinged with the music they’ve been listening to lately whether it’s east Asian dub, Nashville soul, jazz, Bowie or The James Gang. Their new album (pictured), out now, features a DVD with videos of live performances, animations, and abstract op-art by art collective MUX, who frequently perform live with the band. Most of the MP3s here are unreleased demos, but still offer a good idea of what Artanker Convoy is all about. As a point of band history, Arthur (aka Artanker), drums and percussion, used to rock out in the early ’90s with James Murphy of LCD Soundsystem, in the Jinx Clambake Explosion. Drop that bit of knowledge at your next soiree for major indie-cred points.
The Budos Band
My 10-year-old son plays the clarinet in his school orchestra. His teacher offered a weekly jazz band class, in which my son, disappointing his old man, chose not to participate. This summer I plan on feeding him some heavy doses of The Budos Band, regaling him with stories of their after-school jazz ensemble, and how it lead the boys across the East River, via late night ferry rides, to sneak into Antibalas, Sugarman Three and Fela Kuti shows. Those illicit escapades helped form the Afro-Soul roots of The Budos Band. No son, it’s not exactly Harry Potter but, man, “Ride Or Die” would sure make a great soundtrack to those Lego James Bond videos you’re always watching on YouTube kid.
Bad Brains
When I was about 12, my dad built a bootleg cable descrambler out of transistors and other thingies like that, and we ended up with the full complement of 80s cable, including MTV. That was where I first heard and saw Bad Brains, in a video for “I Against I,” and the particular style of music offered by the band — totally frenetic, out-of-control, Jah-inspired DC hardcore — made me think that Dad had messed up the wiring on the his pirate cable gizmo. It was Unreal, capital ‘U.’ However many years later, the Brains are still going, recording Build a Nation, produced by Adam Yauch and released a week or so ago on Megaforce Records. And the old is new again.