Ever so quietly, this Paris trio is beginning to bubble up into the consciousness of American music hounds. But I doubt the noise they’re making will stay quiet long. In a word, Isaac Delusion is delicious. The band conjures a lovely warmth with their gentle rhythms and bright string work. Their synths mimic birdsongs and evoke sunrise on a summer’s day, an image I imagined even before I saw the video which features a bit of playful surfing and young boys breakdancing on the beach. The breathy vocals recall those of Roland Gift of Fine Young Cannibals and add a certain sultriness to the mix. The EP hits North America around the end of the month via a label yet to be named.
Cub Scouts
Today’s downloads come from a new EP from an Australian quintet that may find themselves in legal hot water with a certain US-based scouting organization when said organization finishes boiling in its own stew of legal, ethical and PR problems. Cub Scouts formed just over a year ago and have been cobbling together songs on their bandcamp page. “Evie” got lots of spins on Triple J and they’ve been playing around locally, but it may be a while before they hit stateside. That’s OK. They have time to craft another batch of songs while their fellow Aussies in San Cisco test the waters here next year. We’ll see how well Americans take to cute, indie-popsters from down under. I say the more the merrier, especially considering the depth of Cub Scouts’ gems. Did I tell you how great the title track is? I’d hate to tell you I told you so, but I told you so.
Dinah Thorpe
I’m gonna open up this next review with a simple comparison, a comparison that’s going to date me something fierce, but it’s just so spot on. And I can’t get it out of my head, so here goes: Laurie Anderson meets The Lilac Time. Old and obscure, unfortunately. Like Anderson, Thorpe’s rich, multi-layered vocals playfully haunt your brain as they weave back and forth between your ears (headphones strongly encouraged) and the banjo and tempo remind me of the upbeat moments of Stephen Duffy’s work with The Lilac Time. Of course my 16-year old thinks this track sounds like Mumford & Sons, but he’s never heard Peggy Honeywell. Thorpe is literate, politically astute, and crafts siren songs around her dreams and visions with everything from a synth to a ukulele. The results will brighten your day as does her album’s sparse, bold cover.
Wazu
Don’t judge this album from its cover. Wazu’s music is stronger and more confident than their over-wrought Art Deco and ’80s brushstroked cover. And yes, the opening track to Wazu’s debut album plays like a lost recording from the Black Celebration sessions. They owe a lot to a handful of chaps from Basildon, England for the sound and name, but Wazu are no retro-plagiarists. They depend more on guitars and add a distressed sound to the synths. Their back-and-forth boy/girl vocals soften the darker tones and harsher industrial flourishes. Or you could say Wazu fleshes out the sensibilities of the xx, amps up the tempo and fills in the gaps with big, dance-floor beats. The band released their debut full-length Robobo earlier this year on Halloween, but this thing’s got legs to last well into 2013. It’s a great album for any retro-fetishists, or for anyone in the mood for a sultry, dark and smoky, dance album. So let me cut all the reviewer and critic nonsense, crank this album back up and encourage you to do the same. Revised 12/19/12.
Wazu – Symbol System [MP3]
http://vimeo.com/51010785
Hot Sushi Club
I know sushi rolls aren’t really sushi. I get it. I respect it. On my block there’s a sushi place that flat out doesn’t serve rolls. They won’t have anything to do with desecrating the simple beauty of fish on rice. I also respect our western notion of wrapping up fish in a slathering of mayonnaise, deep frying it until it’s delicately golden, chopping it up and dousing it with Sriracha, or any combo of the three. My favorite sushi roll in the world is the Bungee Roll from a place called Sushi 21 on the Newport Beach peninsula. It begins with a slab of cream cheese, a stalk of asparagus, and a row of avocado rolled up in nori and rice. Spicy salmon is piled on top, then the roll is baked and topped with sweet eel sauce and a sprinkling of sesame seeds. It’s at once hot, sweet, savory, and soft with a gentle snap of the asparagus. I wanna jump up on to the sushi bar and dance a jig of delight every time I take a bite, or every time I even think about taking a bite.
It should be more than obvious at this point what I started dreaming about as soon as I saw the words Hot Sushi Club hit my inbox. The added bonus is that this brand new band out of Karlsruhe, Germany is as tasty as the Bungee Roll itself. They’re a little bit Hot Chip, sweet like Phoenix, and completely danceable. They give off that same air of giddiness I enjoy when my belly’s full of Bungee. And they’re as generous as the kind sushi chef that hooks you up with a good salmon cheek or sweet shrimp. Their debut EP is available in full, free of charge. Enjoy!
Hot Sushi Club – EP (full download)
The Limiñanas
The psychedelic/pop revival continues on with The Limiñanas. This French pop duo, consisting of Marie Limiñana on drums, and Lio Limiñana playing pretty much everything else, including vocal duties (other vocals provided by guests), have their genre pegged. Wearing their Gainsbourg, Velvet Underground, and any of the ye-ye girls of the 60’s influences on their sleeves, they also sound like what I think Stereolab would’ve sounded like had they been around in the 60’s.
The Limiñanas latest album, Crystal Anis, out now on the great Hozac Records, is pop perfection. The hardest part about writing this post was deciding which of the 11 songs to share. For your listening/downloading pleasure, (below) we have the straight forward, fuzzy, and over-before-you-know-it “AF3458”, and the sing-talking, Hammond and bass driven title track “Crystal Anis”. The more I listen to these, the higher this album moves up my favorites of the year list. Give these songs a spin. I know you will enjoy them.
The Limiñanas – AF3458 from Crystal Anis (2012)
The Limiñanas – Crystal Anis from Crystal Anis (2012)
Cardinal
It’s nice this duo can afford to put out an album every 18 years—that means their third record should hit in 2030. Considering that schedule, this review that comes six months after the release of Hymns is super timely! My snarkiness belies my feelings for this band and record. This is pop just like I like it. It’s definitely comfort music for me considering I geeked out on my parents’ Bee Gees records as a kid (I understand this makes me completely uncool; I’m cool with that). The tracks here are two of the more rocking songs on the album. Don’t let that scare you away. Getting these two purveyors of baroque chamber pop together on record is a rare occurrence and should be savored and appreciated like an eclipse or comet.
For a little history of Cardinal, Richard Davies used to be in a band called The Moles back in the ’80s down in his native Australia. He joined with Eric Matthews here in the states for their self-titled debut, but they split soon after and continued with their own solo efforts. Matthews put out a record on Sub Pop back in ’95 and the opening song “Fanfare” remains one of my favorite songs of that decade. Davies put out at least three solo records and was backed by The Flaming Lips on tour for his first. Davies does vocal duties on most of the songs, but I prefer Eric Matthews’ deeper delivery (“Her”). Though the two together are pretty much magic (“Carbolic Smoke Ball”).
Hollows
Hollows, a quintet (four ladies and one gentleman) out of Chicago, just released their second album Vulture with Trouble In Mind. Their musical style utilizes multiple vocal harmony layers that when mixed with jangly guitars and driving drum beats creates a killer garage pop groove. Trouble In Mind was kind enough to share a couple songs with us. Give them a try below then run out to your favorite local record store and buy this.
Hollows – V Is For Vulture from Vulture (2012)
Hollows – Golden Chain from Vulture (2012)
Craft Spells
I absolutely adore the various influences that Craft Spells have ingeniously grafted into their songs. This particular track opens with an echoey guitar riff that has a very Hawthorne, CA circa ’67 feel, if you know what I mean. Mix that with a low-fi version of New Order’s rhythms and distant Ian Curtis-esque vocals and you get a clear vision of where this Central California band’s heads are at. They don’t shy from wearing such influences on their sleeves either. Literally. Check out their album cover. Looks really familiar, right?
More power to them, I say. Such a flagrant display of their influences serve as a display of their confidence as artists and their ability to borrow and steal as such. That, and I’m just as geeked as they are about their pet sounds, and about Craft Spells’ crafty channeling of such.
The band recently announced their US tour with The Drums, plus released a single from their forthcoming EP, Gallery, due May 15th.
Hospitality
Hospitality is an indie pop trio out of Brooklyn, NY. They released their first full-length, self-titled album on Merge Records last week. This album is catchy as hell, and has been on constant rotation since I received it. The two songs we’ve included below are a mere example of how good this album is. “Friends of Friends” and “Betty Wang” are pure pop gold. Full of fuzz, some surf guitar, and just the right amount of punch. But what really makes these songs stand out, and really the entire album, is Vocalist Amber Papini’s unique style. She sings with a slight English accent. According to Merge, Amber is from Kansas City and learned to sing by imitating Richard Butler on The Psychedelic Furs’ Talk Talk Talk. Enjoy.
Hospitality – Friends of Friends from S/T (2012)
Hospitality – Betty Wang from S/T (2012)