I’m certainly no longer a teenager, but Starf**ker makes me want to call my mom and tell her “I love this band named… STARF**KER” just because I will have a way to drop the f-bomb in front of her with immunity. Now I’m certainly way too grown to think of cussing a some form of small rebellion, but this album makes me feel young again! Like I can hang out until 5am on a Monday night! Like I might run off with a bass player and become West Coast Lisa! Like I don’t have to go to work in an hour! Like Long Island Iced Teas are still an acceptable drink! None of this is true in any way, but I believe in an album that can make me believe these things for at least a moment. SF is from Portland, the music is dreamy, happy/sad pop and they rock my socks off. Your turn.
Love is All
A Hundred Things Keep Me Going Back to Love Is All (in no particular order):
1. Their pep.
2. Their perk.
3. Their punk.
4. They tour the U.S.
5. Their gravity.
6. Their levity.
7. The way they blend the two.
8. The way they leave the holes out of the O’s, A’s, and R’s in their artwork.
9. “Last Choice.”
10. “Spinning and Scratching.”
11. The ’70s look of their artwork.
12. “Movie Romance.”
13. Josephine.
14. Josephine’s artistic sensibilities.
15. They’ve covered Prince (though he made them leave it off their EP. Boo! Hiss!)
16. They’ve covered A Flock of Seagulls
17. They’ve covered Dire Straits
18. Nicholaus.
19. “19 Floors.”
20. When Josephine and Nicholaus sing at each other.
21. “It might seem strange, I don’t want to change, I don’t want to interact.”
22. “Last Choice.”
23. The guitars.
24. Their artwork leaves me wanting more.
25. They’re not afraid of repetition.
26. “Turn the TV off.”
27. Their label is called What’s Your Rupture?
28. James.
29. James’ last name.
30. Several of them used to be Girlfrendo.
31. The “found” feeling of the photographs in their artwork.
32. “Turn the Radio Off.”
33. Josephine’s wearing a band-aid on her nose in the “Wishing Well” video.
34. They like to share.
35. Their ’80s sound.
36. It’s the saxophone that really nails it.
37. Their pop.
38. “I’m not your kind and you’re not mine, but for tonight you’ll have to do just fine.”
39. They’re from Sweden.
40. Clay likes ’em.
41. Clay will like me more for sharing more Love Is All .
42. “Make Out Fall Out Make Up.”
43. Their cut and pastey logo.
44. Markus.
45. They rock their pogo pop sound like their lives depend on it.
46. “Give It Back.
47. The cowbell on “Give it Back.”
48. When Josephine and Nicholaus sing together.
49. Hot Chip remixed them.
50 “Talk Talk Talk Talk.”
51. They’ve covered The Pastels.
52. “Wishing Well.”
53. “Wishing Well’s” keyboard riff.
54. They gave Spin an MP3 of “Wishing Well.”
55. Johan.
56. “Big Bangs, Black Holes, Meteorites.”
57. They gave Pitchfork an MP3 of “Big Bangs, Black Holes, Meteorites.”
58. “Sea Sick.”
59. Josephine singing all whispery on “A More Uncertain Future.”
60. Adrenaline, adrenaline, adrenaline.
61. “I keep the one I love in the freezer.”
62. Not only do they make music together, some of them make kids together.
63. “Felt Tip.”
64. The explosive opening to “Give it Back.”
65. They’ve covered Faith No More.
66. They like polka dots.
67. They sound like Siouxsie & The Banshees sped up to Altered Images’ pace.
68. Red, white, black, and blue.
69. Their primary colored seagull t-shirt.
70. Seven seven inch singles.
71. “When Giants Fall.”
72. Their similar saxophone swagger of Romeo Void.
73. “Ageing Had Never Been His Friend.”
74. Sometimes they sound like they’re going to fall apart.
75. They never fall apart.
76. “A More Uncertain Future.”
77. Josephine and Markus didn’t laugh when an interviewer asked them what “indie” means to them.
78. When Josephine wears b/w stripped shirts that match her keyboard.
79. I like this second album more than their first.
80. I can’t wait to hear their next album.
81. “New Beginnings.”
82. They’re not too distracted to ponder infinity.
83. They hand printed their own re-usable grocery tote bags.
84. “Rumors.”
85. They’re not too jaded to throw money into wishing wells.
86. Black, white, and pink.
87. “Used Goods.”
88. Woodie.
89. Wyatt.
90. The technicolor video for “Ageing Had Never Been His Friend.”
91. They’re just plain fun dammit!
92. Love is All can cleanse your soul of Leo Buscaglia.
93. Their MP3s we linked to two years ago still work.
94. “Trying too Hard.”
95. “Busy Doing Nothing.”
96. l.i.a.
97. Fredrik.
98. The Bees remixed ’em.
99. They’re the perfect soundtrack to a bounce-house party.
100. Coming up with this list.
Surf City
December barely rolls in and finally it looks like “winter” around Huntington Beach, CA, aka Surf City USA. “Winter” remains an ideal time to hit the waves for a chilly little surf session, and this warm, fuzzy track from our Surf City brothers down in New Zealand is the perfect soundtrack for such a jaunt. The band started when two friends connected in a video library just after one of the fellows, Davin, had purchased a four track recorder with money he received from a study grant. It sounds as if he spent more time studying the acoustics of a Volkswagen van because that’s what this EP sounds like: a more cheerful Jesus and Mary Chain as recorded in a VW. No matter your geographical location or its current climate, Surf City will sun up your heart and give you cozy toes.
Boy Eats Drum Machine
It’s the day after Thanksgiving and I’m still thinking about eating. Even the music I’m listening to reminds me of eating. Enter Boy Eats Drum Machine. It’s somewhat of a misnomer because Jon Ragel the multi-instrumentalist behind the moniker is all grown up and no, he didn’t eat a drum machine. Instead, he joined forces with a who’s who line-up of Portland indie rock drummers via a local drum break series called Bridgetown Breaks. Drum credits go to the drummers of Viva Voce, Talkdemonic, and Menomena among others. Ragel adds everything else and it’s a plateful: turntables, synths, tenor sax, guitar, organ, and yes, bravely, vocals. RJd2 didn’t even step behind the mic until his second album. From record one (Booomboxxx is his third) Ragel’s armed with one turntable, one microphone and all the goodies mentioned above. The result is a scratchy, earnest pastiche of jazz, breaks, spaghetti western soundtracks, and soulful crooning. A delicious mix of sounds for the whole family to feast on this holiday season!
The Hush Now
A couple of weeks ago, I was putting together some mix CDs for my wife for her birthday and, as usually happens, I loaded them up with Hall & Oates. She likes them. I say I don’t. Yet the truth is that not only is there an H&O song that is indelible in our romantic history, but those goofy-looking dudes wrote some pretty fine pop songs. There, I said it. The Hush Now said it, too. The poppy quartet is fronted by Noel Kelly, who almost died listening to Queen and who draws on The Apples in Stereo and Built to Spill, among others, for comparison to their frenetic power chords and his own melancholy tenor. But, for all of their “indie-pop-shoegazer†(their words, not mine) name-dropping, it’s that touch of Darryl and John that gets me every time.
Blind Pilot
The coolest thing about Blind Pilot (besides the music…I’ll get to that in a second) is that they just finished a tour of the West Coast on their BIKES! Gear and all, they pedaled their way down from Bellingham, Washington to San Diego, California. It took them just under two months. As a fellow bike commuter I’m extremely impressed by this feat. Taking the length of my commute into consideration (1.1 miles), this admiration shouldn’t come as a surprise. Likewise, after one listen to these Blind Pilot songs you’ll understand my admiration for their music. Simple, stripped down, yet completely majestic. “Go On, Say It” benefits from swelling strings and doubled vocals, but even those basic flourishes are just that. Flourishes, not crutches. “Paint or Pollen” proves Blind Pilot is capable of capturing and perfectly harnessing that elusive little thing we call pop music with nothing but the bare essentials.
Sam Bennett
Sam Bennett’s music is for the post-sarcastic, post-ironic believer in &mdash what did Obama call it? oh yeah — the audacity of hope within all (some? a few?) of us. As Detroit lurches towards extinction right down the expressway from my house, I’m thinking the honest, upbeat, youthful dreaminess of this British singer-songwriter will temper the total depression that’s surely going to soak southeast Michigan. (Either that, or a huge meteorite will blast us into oblivion; right now, I’ll take Bennett’s positivity instead.) Listen to “I Love” first to get a sense of what to expect, then check out “I Am A Lighthouse” if you’re still into it. And for those of you who are all snarky, who live in a state where the unemployment rate is lower than a typical mortgage rate, for those of you who are still listening to that which celebrates our impending darkness, don’t even bother. Personally, I think we need more lighthouses among us.
We Landed on the Moon!
Sometimes you just need to dance when you’re sweeping the kitchen floor. Sometime you just need to bounce in your seat on a long drive home. Sometimes you just need to let this Baton Rouge band fill your ears with their dance-y take on 90’s rock after spending time digging through your old shoegaze albums to get your head back to reality. And sometimes I talk about myself in the second person.
Crystal Stilts
The perfect companion to last week’s post on Cause Co-Motion!, since the two Brooklyn bands are currently touring the West Coast together. (I had planned on seeing them tonight in Oakland, but alas, I’ve got torn knee ligaments.)
The Slumberland page for their new album Alight of Night makes reference to a whole slew of bands: Velvet Underground, 13th Floor Elevators, Red Crayola, the Gun Club, the Mary Chain, and also bands from Flying Nun, Rough Trade, and Factory Records. I’d also throw in early Walkmen and the Recoys. Feel free to add your own.
Nik Freitas
As I was putting this post together, and listening to “All the Way Down,” I started thinking about a conversation I had a few years ago with Jen Larson. At the time, she was my student; now, she’s a college grad in a half-dozen Chicago bands and is cooler by three-and-a-half times than I ever was. Anyway, one day I made a random comment about how I don’t really care all that much for The Beatles. I was like, “Who really listens to them anyway?” And you can probably guess how she looked at me — This guy doesn’t like The Beatles? How can he be qualified to teach me anything? This is a long way of saying that of course I was wrong, and that Nik Freitas reminds me of clean 60s and 70s pop in all the right ways. “Sun Down” might be one of the nicest little songs of the year, smooth yet inspirational (as if those are contradictory). For some fun, and a little Built to Spill style without all the noise, check out “Normal” from Freitas’ 2002 debut. And if you still want to hear more, check out his website for a few more free downloads.