Category: Pop

More Swedes, anyone? Gotheburg’s Out of Clouds play an arena-pop that can only come from being raised on ABBA and ’70s AM radio (do they have ’70s AM radio in Sweden?). Sharp licks, sweet hooks, and vibrant harmonies usher in their second EP Into Your Lovely Summer, which seems only appropriate as ours starts to slip away.

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I usually try to avoid overdoing it with backstory, but Dear Eskiimo [ed. note: It’s now just Eskiimo; check out the comments] has proven to be so confounding that a little context feels appropriate, if only to relieve the mystery in my own mind. About three months ago we got a link in our suggestion box to an entertaining pop mini-mix that merged the mixers’ own tracks with showtunes, Depeche Mode, Gwen Stefani, PiL, Eminem, and more. Eskiimo’s original music was intriguing, if truncated, so I emailed them to solicit more music with which to share the sharing. We exchanged a couple of semi-cryptic messages and I waited for MP3s that never came. So…I go searching the other day and am reminded of Eskiimo, whose MySpace page now features two downloadable tracks. The group counts Gorillaz, Eels, and The Dresden Dolls among its friends on MySpace and it has major press representation, slick photos, and an attractive lead singer. They were apparently on Mercury Records UK when they released their EP last year and now, with a full-length debut on the way, the Dear Eskiimo website redirects to Universal Music UK…where there is no information on the band. Long story short: Dear Eskiimo appears to be a relatively unknown UK pop group that has everything going for it—major label support, cool “friends,” and solid representation. [Read the comments for a demystifying explanation of what’s going on with Eskiimo]

Oh yeah, and talent. Lead singer Katie lists among her musical tastes “good, un-crap pop music,” which is a great way to describe Dear Eskiimo, too. The trio make pop music that doesn’t hide its radio ambitions, but they don’t suffer terribly for it. Dear Eskiimo are quite unlike what we’ve been trained to expect from Manchester over the years, which makes them sort of mainstream outcasts. They merge well with Annie, Scissor Sisters, Zero 7, and other groups you’ll hear at hip clothing stores. And the mix of organic melodies and canned beats might bring back fond memories of, um, George Michael’s “Freedom ’90” and “Faith.” (Let the hater-mail commence.) “Pretty” is a chirpy number about…abusive relationships. The whimsical “Patience” sounds Broadway all the way—I have the sneaking feeling it’s a cover that I just can’t place. In fact, I have the sneaking feeling that Dear Eskiimo may just be “undiscovered” to me and that I’ll get plenty of emails from those in the UK who have been listening to them on the radio for a while now. Oh well. Whether they’re stars or a secret, Dear Eskiimo’s pop music sounds pretty un-crap to me.

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Len Monachello was the bassist for Thisway, which signed with Reprise in the waning days of the major label indie land-grab of the ‘90s. They released one critically well-received but publicly underexposed album and recorded another that is yet to be released. The same thing happened to Wilco around the same time and on the same label. The name of that album was Yankee Hotel Foxtrot. Just saying. Anyway, Monachello has no misconceptions about the business of making music, which could be why he’s so good at the craft side of it. The Brooklyn-based singer, songwriter, and multi-instrumentalist has a mellow, reflective voice that speaks to experience and a way with instrumentation that, as they say, goes easy on the ears. Fans of Elliott Smith, Badly Drawn Boy, Joe Henry and Ron Sexsmith should clear some space on their iPods, as should the rest of you.

Continue reading “All Night Chemists”