I just finished posting Forget Cassettes and noticed the next artist in my queue is NYC’s Cassettes Won’t Listen. That’s too much of a coincidence to pass up, so I’m making it a cassette-themed 2-for-1 day at 3hive! Cassettes Won’t Listen couldn’t be more different than Forget Cassettes, except that they’re both good. These cats do sprawling, warm synthy pop epics (some with a beat you can nod your head to). You’d expect the label to read Morr Music — it’s that good — except those fools don’t offer free MP3s (come on, Morr, share a little why don’t you?). Thankfully, CWL’s label Dope Lotus does share. And so do we. Happy Cassette Day!
The Boy Least Likely To
It was love at first sight. I was smitten by The Boy Least Likely To as soon as their visual hit. A chronic doodler myself, I have a weak spot for the hand-drawn, kid-art look. They’ve got it in spades. Their musical deck is likewise stacked: simple, twee pop melodies sweetened further with candy-coated lyrics. Pop in its purest form. I’m a sucker for it! (Pun intended). There was one slight problem however. No full-length MP3s were available from the band, just a few nasty, embeded clips. Yuck. But this week the band announced their Christmas presents to the world: this MP3 of “Little Donkey” and a flash game of the same name.
You still need to hear more more songs from the band, so I’ll use this opportunity to announce the pre-pre-beta soft launch of 3hive’s guide to myspace. Few bands can resist the free hosting and instant networking myspace offers, nor should they. Too many times we come across artists who only make their music available on myspace, so we thought we ought to take a stab at whittling down the choices for you.
Jason Anderson
Regular readers of 3hive know that, as silly as it sounds, we sometimes have problems figuring out the names of the bands we profile. Case in point: Is it Jason Anderson or Wolf Colonel? Greg says, “Who cares?” (Someone will, I’m sure, as I’m sure we’ll hear about it. For the record, I think it was the former and is now the latter.) He — Greg, that is — suggested Jason Anderson, and I’m okay with that, because the plaintive folk-pop of “O, Jac!” pairs nicely with the Michigan’s snowy forecast. Thanks, G!
Letting Up Despite Great Faults
Electronic, acoustic, classical, it all goes together to create beautiful music. Letting Up Despite Great Faults create music from the heart, ignoring formulas and expectations, letting their freedom and creativity flow. There are no great faults, and hopefully no letting up.
Tessitura
We consistently receive excellent music tips from our readers and, when we do, small battles usually break out behind the scenes as the six of us stake our claim. Joe beat me to The Spectacular Fantastic but hasn’t posted it up yet. Squatter! As I was sniffing around I discovered a solo project from one of the members of The Spectacular Fantastic, Jonathan Williams, who records under the name Tessitura. Fans of the Elephant 6 collective and those who like a bit of psychedelia with their pop would enjoy a track or two from Tessitura. His bio puts it as blunt as possible: “Tessitura….just a guy writing and recording some songs of his own,” and, the bio fails to mention, “giving them away.” Look, anyone with songs like this floating around in their head would be doing the world a great disservice if they didn’t commit them to tape or ones and zeroes. The fact he’s giving them all away is pure bonus.
The Warmth
Let’s all take a moment to thank the guy who invented the Internet. And we should probably thank the billionaires over at Google, too, for if it weren’t for these individuals, we wouldn’t have the machinery by which we can stumble upon new music purely by accident. Not only was I looking for another band when The Warmth came up, but I had misspelled that original band’s name — badly. Yet, there was The Warmth, offering up an electro-acoustic vibe not unlike Travis and David Gray — something vaguely familiar and comforting but hardly stuck in Dullsville. There’s precious little information available about the band’s latest album, Fox & Weathervane, on their website or, irony of ironies, through Google searches. But they do have some music to share, so take a listen while you try to figure out this mystery wrapped in a riddle wrapped in…a website.
New Buffalo
Here’s the message Liz sent us: “I’d like to direct your attention to a wonderful Australian musician, Sally Seltmann, aka New Buffalo. I saw her play here in Hobart at the start of the year and apart from being a stunningly beautiful woman, she has an amazing voice and writes songs that tear at your heart.” No kidding. And thanks, Liz, you really made my week. I saw a piece on Ms. Seltmann in The New York Times over the summer, but recycled the paper too soon and couldn’t remember her or the band’s name. After downloading these songs — especially the hypnotic, saxophone-laced “I’ve Got You and You’ve Got Me” — I’m even happier you sent that message. It came just in time for New Buffalo to make my end of the year top ten list.
Caroline
After shunning major labels in her native Japan, Caroline Lufkin made her way back across the Pacific (she went to college in Boston) to California to begin work on an album with a wide array of producers (the producer in question here is Norway-born Andreas Bjorck). Maybe it’s because the weather has finally dipped below 50º here in L.A. but the shimmering, icy cool textures of “Where’s My Love” just warms the toes and has kind of ushered in the holiday season for me. It’s knocked me out my frantic rush of daily life and I half expect to see snowflakes falling during a perfect, sunny day here. Her voice, it’s magic.
Faux Pas
A week ago I posted Gotye. If I hadn’t been in such a serious carb coma on the heels of Thanksgiving I probably would have posted an Australian two-fer including Gotye’s friend and countryman, Faux Pas (aka Tim Shiel). These two take great care to make their quirky, sampleriffic musical explorations feel warm, organic, and spontaneous. Faux Pas even goes as far as to eliminate vocal samples lest we get lured into the obsessive spotting exercise that Gotye’s tracks inspired. The frenzied big beat sound of “Cup of Wonder” provides instant gratification but “White Light” definitely steals the show. I am now convinced that spacey theramin, Asian dulcimer, and R&B horn riffs were always meant for each other; all they needed was a tumbling drumbeat to rally around… As a bonus, it turns out Tim’s also a bit of an MP3 blogger himself. Check out the Blog section of his site to get a good sense of his musical reference points.
Climber
Right near the top of my list of “Reasons to Love Postal Service” is that they disposed of the pedantic audiophilia that torments many a knob-twister and opted for the red-blooded choice: to make songs. Climber have taken notice. The Portland, Oregon group holed themselves up for two years to refine a sound steeped in the boutique ambience of post-electronica pop and informed by the rainy-day-every-day melancholy of Radiohead (the similarities are almost too close…almost) and the aforementioned Seattle side project. Officially, these tracks are demos. Sonically, they’re a blissful walk down a bittersweet path.