Regular readers of 3hive will recall Sam mentioning on Monday that he should be tested for OCD (although I would replace “tested” with “treated”). You will also recall my many posts that taken together demonstrate my own obsessive compulsive behavior. It’s music; how could we react any other way? The focus of this week’s OCD-ness is another Montreal band on the Alien8 label, Kiss Me Deadly. Formerly emo/math rock, KMD have moved towards a dancier sound that’s still deeply EMOtional, full of earnest energy and rather dependent on the ’80s. If only KMD had been around in the ’80s, I might have actually enjoyed years of school and church dances. These songs from KMD’s tour-only EP Amoureux Cosmiques provide a glimpse into their full-length due out this fall.
The Free Design
Early in its conception, Seattle-based, Light in the Attic Records acquired the re-issue rights to The Free Design, an obscure pop band straight outta the ’60s. Over the past year the label has offered up 12″ remixes by the likes of Peanut Butter Wolf, Super Furry Animals, and Stereolab. After completing the three part series you can now find all the remixes and more on one CD: The Now Sound Redesigned. This is some of the best remix curating I’ve heard in a long while and available just in time — before summer ends…
The Unicorns
These Montreal hipsters do — oops, I mean, did — play a lovely brand of ’80s-tinged rock/pop/dance music. Slated as the next big thing, they instead split up. What can I say? It happens to the best of them, but that’s still no excuse to pass over these songs. Get those feet a-dancing!
The Jessica Fletchers
The summer’s already a month over, but the annual search for the perfect summer anthem is still ongoing. That is, until now. This Norwegian quintet takes that famed Scandanavian rock ‘n’ roll swagger and applies to the ultimate song about the summer. “Summer Holiday & Me” is the best holiday soundtrack since Team USA’s “Halloween.” Life requires a soundtrack? So does the summer…
Skeletons & the Girl-Faced Boys
Weirdo, funk pop that’s sure to “git” the party started. Or not. Depends on the party. Depends on the party favors. Reminds me of this book I’m reading where a young Nigerian boy dresses up like Elvis singing and dancing for tips, but Skeletons & the Girl-Faced Boys are the polar opposite: white boys dressing up and getting funky à la Prince.
Ariel Pink
Don’t worry about the bitrate on these, it wouldn’t make a bit of difference. Ariel Pink is all about lo-fi, right down to the crappy Angelfire website (yes, that’s his official website oops, it’s a fan site — see comments). His songs start with classic pop music forms — here we have psychedelic doo-wop (“Jules Lost His Jewels”) and new wave romanticism (“For Kate I Wait”) — then warp them to the very brink of listenability. But they are listenable, even enjoyable, because they’re like that favorite mixtape that you left in the car on a hot summer day: you still listen to it through the warble and hiss, because you know the music well enough to tune into its essence. “C’est la vie, c’est la vie, comme çi, comme ça…”
Stereo Total
Fool that I am, I spent 11 years of schooling and two years of on-location training to become more or less fluent in French…only to fall in love and want to spend the rest of forever with a woman who thinks “French sounds stupid.” Of course, this only fuels my desire to play musique en français around the house. Even better if it’s catchy enough to get The Mrs. dancing in spite of herself. So, the giddy, candy-like pop of Berlin’s Stereo Total — featuring the coquette-ish vocals of Françoise Cactus — provides the ultimate weapon in our little civil war. (Cactus also sings in English and German, and sometimes about serious topics, just not when my wife’s around.) The band’s website features a ton of rarities with downloadable art so you can make your very own CD and join the good fight.
The Movies
Something about the way The Movies play a fast beat real slow-like just gets the “they sound like” comparative juices flowing. The guitar chimes and backbeat are what The Promise Ring would sound like if you played their 45s at 33 and a third. Their wistful vocals are what the Tindersticks would sound like if they were from the Midwest. Their wail-and-repeat lyrics are a bit like The Fall without the dissonance, or like Fugazi fronted by Jonathan Richman. And yet, the newest of these tracks, “Rock in the Slingshot,” picks ups the pace ever-so-slightly – “they sound like” Gang of Four in the chill-out room.
Laura Cantrell
Laura Cantrell’s third album came out about a month ago, and I finally got around to ordering it. I’m excited to hear her latest collection of genre-crossing originals and well-chosen covers (check out her version of Elvis Costello’s “Indoor Fireworks,” available on her website along with many more downloads). I’m guessing it will be rich and subtle, if “14th Street,” the first MP3 released, is any indication. If you’re looking for a bit more twang, check out earlier tracks like “Roll, Truck, Roll,” released alongside albums full of trucker songs on the Diesel Only label. Finally, if you really enjoyed Ballboy (posted on 3hive in May), you might enjoy the gentle ballad “I Lost You,” recorded live and loose with Ballboy-er Gordon McIntire for John Peel.
Mus
Please do not confuse Mus, the delightful Spanish duo of Fran Gayo and Mónica Vacas, with MUS, short for Memphis University School, the all-boy prep school I attended from 7th through 9th grades. First of all, Mus has a female, and there were no females at MUS. Mus use the soaring female voice as an instrument, highlighting their minimal approach, be it coolly electronic or calmly acoustic. And that voice sings in Asturian, from the Principality of Asturias in northwest Spain, making Mus as mysterious as a girl at an all-boy prep school.