So, like, Tegan and Sara are these mildly punky twin sisters from Vancouver (I even read somewhere that theyíre lesbians!) drinking, cursing, and bickering their way through their mid-20s, or something like that. Whatever. Like most Canadians, Tegan and Sara rock out when they need to, slow it down the same way, and have entire albums filled with songs reflecting the requisite angst and confusion brought on by being or doing some or all of those things listed in the first sentence.
From Bubblegum to Sky
You’d think Memphis, with its extensive musical history, would get some decent bands coming through on tour. Nope. From Bubblegum to Sky, aka Mario Hernandez, is not coming anywhere near Memphis, as they’re playing Athens, GA tonight. They play a bouncing, harmonizing, and energizing pop, proof that good pop is not limited to the influences of the ’60s and ’80s — there’s a whole decade in between! Somebody in Athens, please go see From Bubblegum to Sky tonight. Let me know how it goes.
Love of Everything
Here’s some off-the-cuff, discordant pop, indebted to the likes of Daniel Johnston. Bobby Burg, recording as Love of Everything, writes and records music with the same healthy disrespect for the songwriting and recording process. Instead of striving for perfection, getting lost in the details, he seemingly gets his ideas and emotions out quick, without much thought. You may be tempted to write Burg off with just an obligatory listen, but with time you discover this boy’s got soul.
Kawaii
So while I’m listening to Kawaii, my better half asked (or rather accused), “Are you listening to ’80s music?” I could only reply, “No, it’s Kawaii.” Sure Kawaii may take their name too seriously — “kawaii” is Japanese for “cute” — but don’t confuse them with the other ’80s electronic imitators (good and bad) out there. The keyboards, the boy/girl vocals…it’s all tinged with the influence of Esquivel, the master pop hipster, as heard in the fluttering electronic samba of “Friends Make You Lonely.”
Red Eyed Legends
Here’s a sure-fire invitation to hatemail: My world would be just fine without the Yeah Yeah Yeahs and other New York scenesters that would do your biology homework for you if you paid them enough but couldn’t share an unironic moment if the presidency of these United States depended on it. That’s why it’s entirely illogical for me to like this faux-Brit pinball dance of a song from Red Eyed Legends as much as I do. Maybe it’s their Midwestern roots that make their post-no wave head-jerking sound so free of pretense even though they’re trying so damned hard to be pretentious. If there’s any musical lesson to be learned from the recent election it’s that we New Yorkers are way out of touch — it’s the middle of America that shapes our collective conscious, so listen up.
Limbeck
I was one of those kids who got beat up during recess at elementary school because I knew all of the state capitals by heart and told everyone what they were, in order. Limbeck are like that, too. Their pop is jangly (there’s that word again) and fresh, their subject matter is late-teens and early-twenties heartbreak/confusion, and their knowledge of geography is absolutely impeccable.
Postal Service
Now that our beloved Postal Service appear destined to become a Harvard Business School case study, Sub Pop is scrambling to keep up with demand. Pending some new original material, that means releasing Give Up on vinyl with a bonus (if you don’t already own the CD singles, that is) 12-inch of B-side covers, like Iron & Wine’s tender rendition of “Such Great Heights,” and remixes, wherein dance music for bookworms gets transformed into, well, dance music. Included here is an example of the latter, and a couple for the uninitiated…what few of you are left.
Bearsuit
Brits. You’ve got your serious ones, like Bush (the band, not the W), and you’ve got your silly ones, like Bearsuit. Fun, catchy, with enough crunching guitar and animal costumes to keep it going. Their shows have just got to be a grand ol’ time. “Chargr” is the new single to be released November 15th.
Le Tigre
Le Tigre on Universal Records? Can it be? I mean it, can it really be? Yes, friends of 3hive, it’s true. So just to prove that Le Tigre haven’t gone soft or started hanging out with labelmate Lindsay Lohan, listen to “New Kicks” off their new album, This Island. And while you’re at it, watch the video for “Deceptacon”. My four year old loves it.
The Futureheads
Full disclosure: The first record I bought was an XTC 7-inch of “Helicopter,” with the B-side “Ten Feet Tall.” That’s back in the day when radio was really, really cool. I heard “Helicopter” on Mighty Six Ninety, an early AM alternative station out of San Diego. Bought the record the next day at Music Market, and played it over and over again on my parent’s hi-fi that was as big as a coffin. There should be no wonder then as to why I’ve taken a fancy to The Futureheads…