Heavy on harmonies and trippy licks, The Waxwings pay more homage to British psych pop than to their Detroit garage rock forebears. Who cares, so long as it feels good, right?
The Decemberists
Get this: Trumping all other religions, Target is extending their holiday season from October through February. Five months of worshipping the almighty dollar! It’s in this spirit that 3hive brings you The Decemberists in August. A delightful hybrid of folk, pop, and prog rock, The Decemberists create a rich, musical world that you’re happy to be sucked into. Their last album, Her Majesty The Decemberists, sounds something like The Great Appalachian Novel, and their recent offering, The Tain, is loosely based on the epic book of the same name (considered the Illiad of Irish mythology). Literate, intelligent pop at its finest.
The Somnambulants
Slightly nervous, very danceable synth pop that’ll remind you of early-’80s OMD one moment, as lead vocalist Joseph White blesses the mic, and modern-day German indie electro (Morr, City Centre, et al) the next, as co-founder Channing Sargent gets chirpy with it.
Volcano, I’m Still Excited
Comparisons are usually poor. However, just imagine a four-way intersection in a small town, the only intersection in town. Now imagine that Modest Mouse, Human League, Peter Hook, and, let’s say, an ice cream truck are converging on this intersection. Well, Mr. Hook, the crazy Brit, is driving on the left-hand side of the road! From the resulting crash emerges Volcano, I’m Still Excited.
The National Splits
Let us celebrate the midpoint of summer with the National Splits. Mike Downey of the famed Chicago popsters Wolfie decided to go his own way a few years back, hence the National Splits. Perfect for BBQing, pool-crashing, and road tripping.
The Velvet Teen
The Velvet Teen have always been cool about sharing their deepest discontents, and it turns out the secret ain’t the riffs. On these lilting new tracks they nearly forgo guitars completely and opt for a baby grand just shy of overblown that helps Judah Nagler get in touch with his inner torch singer and they replace the riffs with a string section that gives “precious” a good name. But don’t worry, those signature keyboards and rhythms still sparkle like a sky full of shooting stars.
The Dismemberment Plan
After ten years of recording their own spastic, elastic brand of pop, The Dismemberment Plan “open sourced” 11 of their songs and let the public have at them in a sort of remix-off. Some notable — and wildly eclectic — results were released on last fall’s swan song, A People’s History of The Dismemberment Plan. Me? I can’t decide between the breakneck bricolage of “Pay for the Piano” (featuring cameos by Elvis Costello’s “Pump It Up”) or the strolling mash-up of “Superpowers” (built on the guitar line from the Faces’ “Ooh La La”).
(The Sounds of) Kaleidoscope
(The Sounds of) Kaleidoscope excel at producing that whirling, swirling D.C. (okay, mid-Atlantic, maybe even all the way up to Boston) indie sound. With ex-members of The Ropers and The Still joining founder Damien Taylor, and Lilys Kurt Heasley lending a helping hand, how could they not?
Your toes are gonna be tapping in no time. I guarantee it.
The High Dials
Each of these harmony-drenched psychedelic pop romps tells a chapter in the story of a fictional character named Silas. Does that make it sound any sweeter? Not really, but it’ll give you something to talk about as you play this for friends.
Juana Molina
In Latino circles, this same Juana Molina is best known as the star of “Juana y Sus Hermanas,” an Argentinian sketch comedy TV series. In my circle, she’s famous for delicate, undulating serenades that are both timely and timeless. Talk about range…