Jawbox

You’ll have to forgive us if we geek out a bit on Dischord bands. It’s more than slightly embarrassing that we’ve been running on at the mouth for over three-and-a-half years without featuring a Dischord artist (hats off to Clay for pointing this out and diggin’ up the goods). For this bunch of music geeks the seminal, super-duper DIY label has had a huge influence on the projects we’ve worked on together over the years (AM 960 The S.U.N., Sonic Garden CD Exchange, and Grid Magazine—and no you haven’t heard of any of these unless you were in college with us a good decade ago in a strange little corner of the country). I will forever associate Jawbox with our takeover of an AM signal, housed in a little shack in the middle of a cow pasture, tucked under the shadows of the Rocky Mountains. These tracks were in heavy rotation for the nine months or so we were on cloud nine, amazed we’d finagled our way into running a radio station. While the members of Jawbox have moved on to other projects and stages of life, Dischord continues its inspiring aesthetic.

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The Radishes

I never pegged myself as a sucker for reminiscing about some bygone era of youthful indiscretions set to a soundtrack so loud that it did permanent hearing damage. Then again, I never figured that the moment I had a child, my life before that moment would become an abstraction only referential as fragmented memories and out-of-body mental snapshots. I hope that doesn’t sound too wistful because there’s nothing better than being a parent, but on our first “official” family road trip this past week there were a couple of moments when I’d just about gotten my fill of baby-friendly playlists and was ready for a quick mental cleanse of the kind that The Radishes are fond of administering. Y’know, the kind with simple riffs repeated fast and loud, driving bass and drums (provided by the former rhythm section for Ministry!), and acidic vocals that scream alienation, anger, and irony. Alas, when the baby is sleeping in the back seat and your wife has taken the reins of the iPod, you don’t always get that instant aural gratification. But when you’re home early on a Friday morning and the rest of the family is asleep behind closed doors, you can put on the headphones, turn it up all the way and get a good dose of noise, sweet noise.

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John K. Samson

I really wanted to post something about Reunion Tour, the new album by The Weakerthans, and it looks like there are two tracks from it on the Anti Records website, but I’m still a techno illiterate and am unable to link these babies up. Instead, here’s a blast from the 1990s, from John K. Samson’s solo album Little Pictures, rereleased by G7 in 2006. Samson is like our own (Canadian) Woody Guthrie, a social activist lyric genius. John K.’s guitar kills fascists too, I bet.

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Demander

The Santa Ana’s are roaring in these parts. The winds and smoke burn my sinuses, eyes and throat. And after spending two hours helping my 6th grader with his math homework my brain’s burnt as well. Fight fire with fire! Demander has brought a sweet equilibrium to my dry and fried skull. Imagine Siouxsie Sioux rising out of the DC punk scene as part of the Dischord family. Yeah, it’s cool, and cools, like that.

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Red Collar

I feel Clay’s pain. My ears have been ringing steady since February 2006. And I play guitar even worse, way worse, than Clay, but I do wear earplugs. Like a religion. Tinnitus still struck. It doesn’t bother me during the day, just when I lie down at night to sleep. The remedy? MP3 player of choice. Just be sure to keep the levels down so you don’t further ruin your hearing. I just found what I’ll be falling asleep to this evening: Red Collar. These Durham, NC rockers take me back a decade or so, sounding like a solid Dischord band if Dischord were down south in Alabama. Country Fried Hardcore? Springsteen fronting Fugazi? Sacrilege? Perhaps. I’ll definitely be breaking the first aural health commandment tonight: keep it below 11. This’ll drown out the ringing nicely.

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The Bosch

I usually don’t read e-mails from publicists — sorry… I know it must take so long to cut and paste our names (usually incompletely or incorrectly) into the form messages you send out that often do not reflect any real understanding of what this blog does — but Tony’s pitch for The Bosch caught my eye. Now, I’m not usually one for crazy, mixed-up comparisons, and I almost got lost in the ones provided for The Bosch: Joey Ramone, Dick Dale and Brian Wilson, or maybe The White Stripes, The Violent Femmes and Phil Spector, or even The Clash, the Femmes, Spector, Bruce Springsteen and Man… Or Astroman. However, I like enough of these performers to download a few tracks, and I liked them enough to share them with you. This NYC quartet offers short, rich, intense songs that are better enjoyed on their own, without comparison. These are from their newest album, Hurry Up, while four more off Buy One, Get One, from 2005, are available on the band’s website.

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Ryan Ferguson

Alright, I’m super-geeked for this one. “Only Trying To Help,” Ryan Ferguson’s first solo album is out in just about a month, August 21st, on Better Looking Records. Ferguson continues to shape his songs around the acoustic guitar, but he fills in the surrounding space with plenty of electric guitars, piano and xylophone, fully fleshing out tracks. Compared to his more stripped down EP (which is still available in its entirety below), Ferguson had the time and the room to see his songs through and add the proverbial bells and whistles. The three tracks offered here are just the beginning of his spot-on songwriting. His attention to hooks paired with an intensity, just this side of his No Knife days, make for an entirely re-listenable record. “Only Trying To Help” is what “pop-punk” should be.

Remission [MP3, 4.5MB, 192kbps]
X’s and O’s [MP3, 3.9MB, 192kbps]
Kill My Confidence [MP3, 4.5MB, 192kbps]

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Jakobínarína

I can imagine a relay race where Mark E. Smith runs the first leg. He makes his way around the track and when it comes time to pass the baton he doesn’t want to give it up. He thinks the race is 4×1600, when it’s really 4×100. See, just when I think there can’t be another Fall record: there’s another Fall record. That’s not a bad thing, but other bands are ready to take their baton and run with it. Iceland’s Jakobínarína (their debut album hits this fall) seem ready to go the distance. Their music is crisp and full of youthful energy while vocalist Gunnar Ragnarsson sings with a mature timbre similar to Mark E. Smith, despite the fact that he’s probably young enough to be Smith’s grandson. Thematically, compare and contrast the pogo-core of Jakobínarína’s “Sleeping in Seattle” with Minor Threat’s hardcore “Out of Step.” I wish more of America’s youth were as out of step with pop-culture.

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Hey Lover

Hey Lover is the latest boy/girl duo to be covered here on 3hive. So while Hey Lover proves the genre is still going strong, with plenty of opportunity in the single guitar and drums space, this Portland band is also the most likely to destroy their kit with their frantic punk-pop pounding. And that’s a good thing.

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The Like Young

“For Money or Love,” the second song on The Like Young’s Last Secrets really says it all about the Like Young: for the love of their music, for the love of the band, for the love of each other (they’re married), Amanda and Joe made sacrifices to do what they loved, despite the struggles with money. Last Secrets explains it all, and perhaps, fittingly, was their last album before they retired the band back in August. Many more songs of their duo-punk-rock from earlier releases can be downloaded from their site.

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