RunHideFight is a 4-piece band out of Philadelphia. Their debut single “He’s A Jerk” packs a hefty punch of gunk and grime, highlighted by singer/guitarist Geeta Simons’ snarling vocals.
“He’s A Jerk” is a garage-rock gem that belongs on your turntable. Get it now digitally or on wax via Hidden Volume Records. Enjoy.
Melbourne’s Pinch Points’ new EP Mechanical Injury has sprung me from my summer slackerdom. It’s pounding, choppy, angular, post-punk (mostly punk) goodness is as good as it gets. They aren’t reinventing the wheel, but their execution is spot on.
Mechanical Injury is one of my favorite releases of 2018. It’s so good it has had me looking into starting my own label and begging Pinch Points to let me release it on vinyl, but after learning to read, it appears I am too late. Bummer.
Mechanical Injury is available now digitally via Pinch Points’ Bandcamp page and will be released someday by Six Tonnes De Chair and Custom Made Music. Enjoy.
Boston’s New Aura put their modern spin on 60’s and 70’s era psych on their debut self-titled EP, which is packed full of swirling, reverbed guitars over fried crispy vocals. Check out “Nick Cage” (below) to see what I mean.
You can get New Aura’s S/T EP now on cassette and digitally from their Bandcamp page.
Los Angeles via Austin singer/songwriter Jess Williamson’s new album Cosmic Wink is a spacious, psychedelic-pop record that features Williamson’s strong vocals floating through waves of jangle and haze. Cosmic Wink is out now via Mexican Summer Records.
Parisian 5 piece En Attendant Ana bring it strong on their debut album Lost And Found. Chock full of killer hooks, tasty vocal harmonies and just enough trumpet to make any fan of properly placed trumpet take notice – Lost And Found is indie rock gold.
Take a listen to standout track “This Could Be” below for a sample. Lost And Found is out now and available via Trouble In Mind Records. Enjoy.
San Francisco’s The Love-Birds play an infectious brand of melodic power-pop on their debut long player In The Lover’s Corner. It’s full of jangly guitars, killer vocal harmonies and everything else you’ve come to expect from a solid pop record. Listen to the pogo-inducing standout “Angela” below for a taste.
In The Lover’s Corner is out now via Trouble In Mind Records – it belongs in your collection.
Billy & Dolly’s new album Five Suns arrived in my inbox some time ago. I hadn’t heard of them and almost passed the release up, but their label name, Shit Krystal, peaked my interest enough to give it a spin and I am so glad that I did. Turns out these two are THE Bill and Dahlia from the early to mid 00’s band The Monolith, who I love!
Five Suns, their third release under the Billy & Dolly moniker is a solid slab of 12 distorted, grimy, indie-pop nuggets with just enough heavy (like Black Sabbath heavy) guitar parts to keep things interesting. Check out “Setting Sun” and “Marooned” below for a sampling. Five Suns is available digitally and on vinyl or cassette via Billy & Dolly’s Bandcamp page. Enjoy.
Portland OR quartet, Lithics, bring the heat and melt faces on their new album Mating Surfaces. Their razor-sharp, tinnitus-causing, post-punk hooks you right at the needle drop of opening track “Excuse Generator” (below) and doesn’t let go for 29 minutes, leaving you exhausted – yet begging for more.
Mating Surfaces is out now via Kill Rock Stars. Enjoy.
Corey Flood’s debut EP, Wish You Hadn’t is a dark, brooding and quite addicting indie-pop meets post-punk effort. Clocking in at just under 12 minutes Wish You Hadn’t ends way too soon – there should be like 8 more songs – I want more Corey Flood! Hopefully there will be more to come.
I couldn’t choose a song to highlight because they are all so good. Please enjoy the entire EP stream below.
Wish You Hadn’t is available digitally and on cassette via Fire Talk records.
Collaborators Nadia Hulett (Phantom Posse), Carlos Hernandez (Ava Luna) and Juian Fader (Ava Luna) also known as NADINE bring the smooth on their chilled-out, indie-pop debut Oh My.
Check out my favorite track from Oh My, the early Rilo Kiley-esque “Can’t Be Helped” (below) for a sampling. Oh My is out now via Father/Daughter Records. Enjoy.