The Mountain Goats

The Mountain Goats | Goths | 3hive.com

The Mountain Goats | Goths | 3hive.com
I wasn’t a fully committed goth in high school but I listened to my fair share of goth music, and sometimes dabbled awkwardly in goth fashion. The Mountain Goats’ John Darnielle – nowadays known for his storytelling skills, as a lo-fi turned hi-fi musician and awarded novelist – spent his teen years as a “goth kid”, though I reckon we shared a similar awkwardness. So when Darnielle directs an entire album’s worth of songwriting to the genre/culture, it’s because he has enough material to work with.

Whether the Sisters of Mercy-esque strains of “Rain in Soho” or their tribute to the SoM frontman himself, “Andrew Elritch Is Moving Back to Leeds”, Darnielle and company deliver each track with a clear knowledge of and empathy for its subject matter. On “Stench of the Unburied” Darnielle sings, as someone who suffered his way through SoCal summers in all black: “Outside it’s 92 degrees/And KROQ plays Siouxsie and the Banshees”. In typical Mountain Goats fashion, it’s followed by a narrator’s wink and nod: “Ice chest full of Corona and Pineapple Crush/It’ll take 20 years for the toxins to flush.” It’s this tension that makes Darnielle’s songwriting so authentic, endearing, and surprising.

Goths avoids the trappings of a concept album. Musically it wanders, however coherently, from ominous minor key anthems to loungey new wave to flute-driven baroque pop to an entire bonus record of ambient mixes “for the all-night goths who need to reply to the dawn with total darkness.” The thread remains, but Darnielle trusts his listener to figure it out in their own way.

To me, Goths is about the sometimes tragic, sometimes humorous struggle of adolescent identity (which continues to plague some adults). The search for identity often chased by self-doubt and self-consciousness gets summed up in the album’s best line, the chorus to “The Grey King and the Silver Flame Attunement”: “I’m pretty hardcore, but I’m not that hardcore.”

Even without explanation, Goths is a great album. “We Do It Different on the West Coast” – while relevant here – would fit on any Mountain Goats record, with it’s perfectly Californian brand of self-deprecating coastal pride. It’s followed by “Unicorn Tolerance” which is just plain adorable. Do yourself a favor and listen to Goths, regardless of how much black eyeliner, white foundation, red lipstick, and hair spray you have on your person.

[Buy the deluxe edition of Goths on “vampire red” vinyl with the aforementioned bonus LP of ambient mixes in the 3hive Co-op Shop, while supplies last.]

Timber Timbre

Timber Timbre | Sincerely, Future Pollution

Timber Timbre | Sincerely, Future Pollution

My introduction to Timber Timbre was back in 2011 whilst perusing the goods at, the now extinct, Slowtrain Records, and their latest release (at the time), Creep On Creepin’ On was playing in the store. Timber Timbre’s wonky, psychedelic groove mixed with Taylor Kirk’s smokey vocals hooked me instantly, and I’ve been a fan ever since. Their recently released, Sincerely, Future Pollution, still checks all those boxes that hooked me 6 years ago. Timber Timbre keeps getting better and better. It’s time to let their psychedelic groove hook you too. Enjoy.

[Buy Sincerely, Future Pollution on shiny black vinyl in the 3hive Co-op Shop – while supplies last.]

Death Canyons

Death Canyons | Death Canyons II | 3hive.com

Death Canyons | Death Canyons II | 3hive.com

Germany’s Death Canyons smack you right in the teeth with their reverb filled, psychedelic, surf punk on their second release Death Canyons II. You can bounce around to their standout track “Dorian Gray Syndrome” (below), then head over to La Pochette Surprise Records and snag yourself a copy on cassette or grab a digital copy from Death Canyons’ Bandcamp page. Enjoy.

Woods

Woods | Love Is Love | 3hive.com

Woods | Love Is Love | 3hive.com

Woods’ latest album Love Is Love was written and recorded in the first few months following the election. It’s not necessarily a protest album as much as it’s a “…meditation on love, and on what life means now”. Love is Love is a 32-minute chilled-out, psychedelic, folk-rock effort. It is the perfect antidote for any bad feelings caused by the current mess we are in. Check out the awesome trumpet and flute play in standout track “Bleeding Blue” below.

[Feel the love and snag this on black vinyl – the way it’s meant to be listened to – from the 3hive Co-op Shop. While supplies last.]

Doug Tuttle

Doug Tuttle | Peace Potato | 3hive.com

Doug Tuttle | Peace Potato | 3hive.com

Just when I thought Doug Tuttle couldn’t outdo his incredible 2016 solo album, It Calls On Me, the former MMOSS frontman takes that thought and stomps it into oblivion with the release of his new LP Peace Potato. Not only does Mr. Tuttle’s songwriting keep getting stronger with every release, the way he constructs his songs gets stronger as well. The 15 tracks on Peace Potato weave in and out of each other or abruptly stop before taking off again with such precision it’s easy for the listener to get carried away into the lush landscapes of Mr. Tuttle’s “downer pop melodies”.

Give the George Harrison-esque “Can It be” and the way to short “It’s Alright With Me, Ma” a spin below. You won’t be sorry – I promise.

[Buy a copy of Peace Potato on limited edition clear vinyl in the 3hive Co-op Shop. While supplies last.]


Spotting

Spotting | Spotting | 3hive.com

Spotting | Spotting | 3hive.com

Melbourne’s Spotting will beat your ears into submission with their pounding, brain piercing, style of synth punk. Give the appropriately titled “Thumper”, from their new EP a spin below, you won’t be sorry.

Spotting’s self-titled EP is available now digitally from the band’s Bandcamp page and on wax through Aarght Records.

Luke Reed

Luke Reed | Won't Be There | 3hive.com

Luke Reed | Won't Be There | 3hive.com

Bent Shapes‘ Luke Reed has been writing and recording solo material over the years, amassing a large collection of unreleased bedroom pop songs. In July of 2016, without any publicity or even album art, Reed quietly released his solo debut, Won’t Be There, on his Bandcamp page.

Won’t Be There is 13 (now 16) tracks of everything from lonely bedroom pop to jangly indie – all soaked in that lo-fi warmth of home recordings. In March of 2017, the good dudes at The Native Sound rereleased Won’t Be There with 3 additional songs and album art too. Give “Won’t Be There” and “Watching TV” a spin below and head over to the Native Sounds Bandcamp page for a copy. Be sure to send some money their way so hopefully, one day, Won’t Be There can be pressed to vinyl, as it deserves to be.


RAYS

RAYS | RAYS | 3hive.com

RAYS | RAYS | 3hive.com

Oakland’s RAYS play a catchy brand of new wave/punk or “next wave” (as they like to call it), reminiscent of bands like Television, Wire and Gang of Four. These guys and gal are no copycat act either; their debut, self-titled, release (recorded by Kelley Stoltz and mastered by Mikey Young!) is eleven tracks of fresh sounding,  jerky, hook-filled post-punk. Hit play on ‘Lost In A Cage’ and ‘Made of Shadows’ (streaming below), crank up the volume, and get your pogo on!

We have RAYS available on tasty yellow vinyl in the 3hive Co-op Shop! Get one before they’re gone.


Lilith

Lilith | Apology Plant | 3hive.com

Lilith | Apology Plant | 3hive.com

Boston indie-pop rockers, Lilith, slay it on their new cassette release Apology Plant. It’s 6 tracks of fuzz-pop goodness hits me where it counts. Give their stomper “Rated R” (below) a spin to see what I mean.

Apology Plant is available now digitally on Lilith’s Bandcamp page and/or on cassette through Disposable America. Enjoy!

Robyn Hitchcock

Robyn Hitchcock | 3hive.com

Robyn Hitchcock | 3hive.com

I first fell for Robyn Hitchcock in the summer of 1985 when a WNUR deejay played an hour of his songs. I couldn’t put my finger on it – he was trippier than the Beatles, catchier than Syd Barrett, more poetic than Nick Lowe. All I knew is that even after an hour I wanted to hear more.

Fast forward to 2017… Hitchcock has moved native England to Nashville, but he packed his usual bag of tricks – the wry wit, familiar sneer, and psychedelic charm – all of which meld very well with partner Emma Swift’s backing vocals, the touches of pedal steel, and moments of nostalgia. It’s a fantastic album and exactly how I hoped this chapter of Hitchcock’s wandering career would begin.

[Buy Robyn Hitchcock’s self-titled album in the 3hive Co-op Shop while supplies last.]