The Black Heart Procession

It might be strange to think of The Black Heart Procession as offering up a summer song, but “Not Just Words” feels like that kind of anthem, one that will bring a little light to the breezy summer nights. But if you’re not going for that and you just want to listen to them in your bedroom with nobody else around, just be sure to put on your headphones—BHP songs are still meant to feel bigger than their surroundings, and they still do.

Continue reading “The Black Heart Procession”

Horse Stories

Pairing nicely with the barren alt-country of Radiogram is the energetic, jangle-pop of Melbourne’s Horse Stories. Even though the bit-rate is lousy, download the total perfectness of “Bloody Time of the Year” and “You Explained Away Everything,” if only to put a smile on your face. Thanks to Jennifer for the suggestion here; it was one of many that we could eventually track back to Jon’s wife Heather, who politely chatted us up on Dooce not too long ago.

Continue reading “Horse Stories”

Director

You do one Irish band, you have to do another. This comes from the suggestion box, courtesy of David from Dublin, pointing out to 3hive what he calls “the most interesting new band here in Dublin.” Be sure to also check out Director’s new single “Reconnect” at their myspace page.

Continue reading “Director”

The Wombats

This Liverpudlian marsupial is a distant cousin to the sorely missed Los Angeles marsupial, Possum Dixon. Note the similar lyrical delivery, a kind of snotty, melodic talking. The two species also share a certain jerky jangle in their guitars. The resemblance is most notable on “Derail and Crash.” The Wombats are known to travel as a trio and were first spotted in the wild, open myspace. Everyone here at 3hive looks forward to this fine specimen arriving to this continent for a prolonged stay.

Continue reading “The Wombats”

Butterfly Explosion

Irish and Swedish bands. I’m a sucker for them. Irish caused I lived there for two years (even saw Bono’s house/castle/mansion on a road nicknamed, what else, Millionaire’s Row). Swedish cause they have some unexplained disposition to creating great pop music. Is it nature or nurture? Personally, I blame ABBA.

Butterfly Explosion are Irish, are unsigned, and recently played at SXSW. One reviewer names Duran Duran, Sigur Ros, Smashing Pumpkins, and My Bloody Valentine as comparisions. While I reject the MBV link (for reasons we won’t go into here), I would add Lush as a strong starting point. “Sophia” will be on a soon-to-be released EP.

Continue reading “Butterfly Explosion”

Conner

Where’s that deliciously pouty, funky sound coming from? South London? NYC? Try Lawrence, Kansas. (Hey, they’re entitled to deliciously pouty, funky music, too, you know.) These tracks are from Conner’s forthcoming album Hello Graphic Missile which is due out June 6. June 6?? But I want it NOW…

Continue reading “Conner”

Woody Whatever

Athens, Ohio’s Erik Schmall has been recording frayed, cuddly lo-fi at a blistering pace. He’s already released over 100 songs since he first started in 2001, at age 17. Like many prolific bedroom songwriters, or any prolific songwriter for that matter, not every track will blow you away. But these ones here do, and I’m sure I’ve overlooked a few. If you’re looking for a good place to get started, hop (Happy Easter!) over to the lovely blog/netlabel Beat the Indie Drum to download Woody Whatever’s Big One Shout Out EP that just came out in March 2006.

Continue reading “Woody Whatever”

Eiffel Tower

Nevermind the snappy drums. Ignore the catchy licks. Pay no attention to fuzzy hooks. Tight harmonies? What tight harmonies? See, Eiffel Tower have got something hidden underneath all that. Songwriting. That unique ability to craft a pop, or rock, song, a talent that mainman Benjamin Wheelocks has been honing and developing since he started writing songs at age 6. Okay, you can now go back to the snappy drums, catchy licks, etc., etc., like you could even ignore them in the first place.

Continue reading “Eiffel Tower”

The National

Here’s how out of it I am (and not even because of our new month-old kid) — it took a couple of burned CDs from Katherine delivered in a Ziploc to clue me in to The National. All the while, I thought it was just the CBC’s nightly news program hosted by the stately, handsomely balding Peter Mansbridge. Instead, we’re talking a brooding, dark, intensely rocking band with heavy duty coverage from CMJ, BillBoard, Rolling Stone, The Chicago Tribune, Pitchfork and a bunch of other media sources I never have time to read. For those who are as clueless as me, try “Murder Me Rachael” for starters, though you might have to listen to it twenty times before moving on to the next track. Don’t worry; it stays good. Thanks, Kath!

Continue reading “The National”

The End of the World

Fate just won’t cooperate with me. Several weeks ago, I was thilled to discover that Dirty on Purpose and The End of the World were playing at the Young Avenue Deli in Memphis. My joy was shortlived as I realized that I was scheduled to be in France that day. The next twist: my trip was postponed two weeks ago, freeing up March 20th so I could go see the show. But as the day arrived, this lousy sinus infection I’ve got struck me down, and I fell asleep rather early last night and missed the show. So I listened to said bands today to try to make me feel better, yet it only made me wish that I could have heard the live version of “This Little Theater.” Now who can name the movie this was in?

Continue reading “The End of the World”