The Mighty Mighty Bosstones

Some kid was walking by singing “Knock on Wood” the other day, and it got me thinking about the Bosstones. In 1989, I played trombone in a ska band that opened for for them in Toronto. Nineteen eighty-nine! That kid probably wasn’t even born yet! And although the words “now defunct” are commonly associated with the band, I like to think they’re aging nicely, still dressed in plaid from head to toe.

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Album

Sean’s not the only one talking about South by Southwest. The New York Times — one of the hippest, most progressive indie-friendly rags out there — mentioned Album in its coverage of SXSW. What a score! On the Monterrey (Mexico) band’s website, everything they’ve ever recorded is available in MP3 form, and a lot of it is wildly fresh and inventive. The sampling below starts with a suggested listening sequence supplied by the band, as well as a few more selected tracks that aren’t half bad either. Enjoy!

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Anna Fermin’s Trigger Gospel

So, my wife and I are taking our daughter on her second trip to Chicago (or “Ka-goh,” as she likes to say) a week AFTER Anna Fermin’s Trigger Gospel plays at Schuba’s, one of the greatest bars in the whole world. I bet the kid would love Anna’s clear vocals and rootsy country-rock (in fact, she’d probably say “better,” in comparison to something else that wasn’t as good). I’m not sure if they’d let almost-two-year-olds in, though.

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Big Betsy

I know it’s not actually St. Paddy’s Day just yet, but it’s a perfect Irish day here in Memphis. Cold, about 40 degrees, with a stiff, strong wind that goes right through you. There’s also a light rain that comes and goes. Like I said, a perfect Irish day. Since I lived in Ireland for a few years, I go a little overboard with my celebrations, wearing my 1996 Ireland national soccer team jersey to work and forcing my family to wear entire outfits of green. Another way to celebrate is going to hear Big Betsy play at Murphy’s Pub, and if this song ain’t Irish, I don’t know what is.

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Love As Laughter

Sam Jayne was the singer/guitarist of Lync. I’m not ashamed to tell you that I still have a special place in my heart for Lync. But this is not about Lync; it’s about the progression (or perhaps, regression, depending on your point of view) of Sam Jayne from the northwest indie rock of Lync and the early days of Love As Laughter aka LAL to the full-on rock ‘n’ roll assault of “Temptation Island” from LAL’s last LP Sea to Shining Sea. So what will LAL’s rumored 2005 album on Sub Pop bring? Listen in the order below and then start placing your bets.

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EzeeTiger

This guy Anthony Petrovic is soaking in irony: 1) He goes by EzeeTiger, yet he wears a bear suit on this cover of his latest album; b) he has song titles such as “White Castle Gestapo” and “How to Rock…for Red Bennies”; and, thirdly, he cops overdub trickery from the likes of Spiritualized and MBV, then kicks the crap out of it in a death-metal stylee. By the way, these two tracks are just lo-fi teasers of the wild smorgasbord his self-titled album has to offer.

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Mobius Band

Just ain’t no doubt. Ghostly has consistently released some of the best, essential music for the past several years. When we started up 3hive (over a year ago!) Ghostly artists frequently appeared on this site. But then the label made the ghastly switch from full MP3s to clips. Oh, the delight to discover a full-length MP3 from Ghostly’s newest signing, the MA trio, Mobius Band! These gents put just the right amount of “electro” into their “rock” without falling into neu-wave cliché. Imagine if R.E.M. began in the 21st century instead of the ’80s of last. They share similar melancholy vocal mumblings and novel sonic arrangements. Get this one while you can, don’t know how long it’ll last.

*Note: Ghostly’s back with MP3s! Yes, Virginia, there is a Santa Claus. Peep the newest Mobius Band MP3 “The Loving Sounds of Static…”

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The Dears

On a recent day off, I took my wife’s truck in for a transmission flush. While checking in, the service guy neglected to mention that the entire staff took a whole hour off for lunch, which started about ten minutes after I arrived. In other words, I had serious time on my hands. I flipped through an issue of Spin, then Scientific American, People, Jet, Field and Stream and Redbook before returning to the single copy of Spin because, why not? What else was I going to do? Upon this closer, maybe even desperate inspection of the issue, I noticed a blurb on Montreal that mentioned The Dears, and they sounded pretty cool. Little did I know that a random collection of their MP3s, gathered off a smattering of label websites, would reflect my experiences at the auto shop so perfectly. There’s the smoldering righteous indignation of “Summer of Protest,” the hope and determination of “We Can Have It,” the bitter loss of said hope in “Heartless Romantic,” and finally, the goofy, bouncy happiness of “Corduroy Boy,” also known (in my mind) as “Yeah, I Got the Damn Truck Back!”

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The Hentchmen

The Hentchmen seem like they’ve been on the Detroit garage-rock scene forever, and in band-years, they have. Twelve years or so as a butt-shaking rock and roll trio must equal about sixty years in real-person life. Anyway, age sure doesn’t slow them down on Form Follows Function, their recent ’60s rock-flavored release. Check out “Love” for a little of the nth degree.

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